Bala Pyan (Burmese: ဗလပြန်, pronounced [bəla̰ bjàɰ̃]; born Saw Nan Shwe; 27 June 1914 – 1987) was a 20th-century Burmese Aka Weizza (lit. 'dance expert')[note 1] who invented the Sandawgyein Aka (lit. 'standard time dance').[1] She was believed to be the reincarnation of Aung Bala, who was also a dancer.[2]
Aka Weizza Bala Pyan | |
|---|---|
| Born | Saw Nan Shwe (စောနန်းရွှေ) Ma Sein Mya (မစိမ်းမြ) June 27, 1914 |
| Died | 1987 (aged 72–73) |
| Nationality | Burmese |
| Occupation | Burmese dancer |
| Known for | Sandawgyein dancing |
Early life edit
Saw Nan Shwe (in Karen tradition), or Sein Mya (in Bamar tradition), was born on 27 June 1914 in Yaeayesan Village, Htonegyi Village Tract, Bago Township, Pegu Division to U Chan Aye and Naw Shwe Mi.[3] She became interested in singing and dancing, and began learning traditional dance under Shwegon, a myay wine[note 2] dancer, as well as from Ba Maung, a zat saya,[note 3] and his wife Zawbyan[note 4] in Mandalay.[1]
Career as a dancer edit
She started performing alongside Burma Sein and Naypyidaw Ba Thet when she was sixteen. Her best known partners were Sein Aung Min and Aung Maung. The Saopha of Hsipaw, Sao Kya Ohn, recognized her performance in the kinnara by awarding her, along with Bo Kay Sein, two silver swords and a silver bowl.[1]
She was honored with a gold medal and the title of Aka Weizza by Colonel Tun Sein of the socialist government for introducing a new dance into yoke thé shows in which the dancers imitated the movements of the marionettes.[1] In 1969–1970 she introduced the Sandawgyein with partner Sein Aung Min.[3]
Later years edit
Her final partner was Pantya Kyi Lin. She tutored at the Ministry of Culture in the cultural department[4][5][6] and performed the bird-crooning dance in kinnara yein, raising the standard for yein dance.[7] Along with Shwe Man Tin Maung and Sein Aung Min, she was sent on cultural exchange tours to China and Vietnam.[1]
Works edit
Her best known performances with Sein Aung Min were Ngamo Yeik, Yaza Thingyan, Min Nyi Naung, Maung Missaka and Wizaya Kumma. With Aung Maung she performed Maha Paduma, Pabe Maung Tintte, Tanoyakkha and Thudhanu Medawi.[8] She was also known for her performance of Min Kutha, Patikkhaya and Udari Kumari.
Relationship to Aung Bala edit
U Chan Aye and Naw Shwe Mi became close to Aung Bala during a pagoda festival in Bago. He told them that he wanted to adopt their son, Shwe Zan, and novitiate him, but died before the plan could be carried out. Many believed that he was reincarnated as their daughter, Bala Pyan.[3]
Notes edit
- ^ Weizza designates an expert in a particular branch of knowledge or skill.
- ^ Burmese traditional dance and drama performed on the ground in the middle of the audience.
- ^ Male lead dramatic performer.
- ^ Zawbyan was famous for performing the zawgyi dance; she was so flexible that she could put her legs on her shoulders while dancing.
References edit
- ^ a b c d e ညင်း (စော), မုံ (August 2007). မြန်မာအမျိုးသမီး (in Burmese) (3rd ed.). Seikku Cho Cho. pp. 87–92.
- ^ a b "ယောက်ျားမင်းသမီး မယ်အောင်ဗလ". BBC News မြန်မာ (in Burmese).
- ^ a b c မြန်မာ့စွယ်စုံကျမ်း နှစ်ချုပ် (in Burmese). စာပေဗိမာန်. 1988.
- ^ တင် (ဦး), မောင်မောင် (1971). ပြဇာတ်နှင့်ပြဇာတ်စာပေ: ပြဇာတ်နှင့် ပြဇာတ်နှီးနှောဖလှယ်ပွဲတွင် တင်သွင်းခဲ့သောစာတမ်းများ၊ ဆွေးနွေးချက်များနှင့် အစီရင်ခံစာ (in Burmese). စာပေဗိမာန်.
- ^ မြန်မာ့ဇာတ်သဘင်တခေတ် ပြောင်းလဲရေး (in Burmese). မြန်မာ့ဆိုရှယ်လစ်လမ်းစဉ်ပါတီ ဗဟိုကော်မတီ ဌာနချုပ်. 1983.
- ^ သွန်း (မောင်), ခေတ် (1995). သက်တန့်ရောင် နှင်းဆီပန်းခင်း (in Burmese). ပွင့်ဇာဖြူစာပေ.
- ^ ညင်း (စော.), မုံ (2005). စောမုံညင်း၏ စောမုံညင်း (in Burmese). နိုင်ငံ့ဂုဏ်ရည် စာပေတိုက်.
- ^ မြန်မာ့စွယ်စုံကျမ်း (in Burmese). မြန်မာနိုင်ငံ ဘာသာပြန်စာပေအသင်း. 1954.