Ange-Étienne-Xavier Poisson de La Chabeaussière

Ange-Étienne-Xavier Poisson de La Chabeaussière (4 December 1752 – 10 September 1820) was an 18th–19th-century French writer and playwright.

Ange-Étienne-Xavier Poisson de La Chabeaussière
Born4 December 1752
Paris
Died10 September 1820(1820-09-10) (aged 67)
Paris
OccupationPlaywright

Biography edit

Like Nicolas Dalayrac, of whom he was an episodic librettist, La Chabeaussière served among the bodyguards of "Monsieur" (comte d'Artois).[1] He wrote several plays.

The Catéchisme républicain philosophique et moral which he wrote, was chosen after a contest held 9 pluviôse an II, as legal official catechism for schools during the French Directory.

Works edit

Book edit

  • Catéchisme républicain, philosophique et moral, an II de la République.[2]

Librettos edit

  • L'Éclipse totale, opéra comique in one act and in verse, music by Nicolas Dalayrac, created 7 March 1782 by the troupe of Comédie Italienne at Hôtel de Bourgogne, Paris.
  • Le Corsaire, comedy in three acts and in verse, mingled with ariettes, music by Nicolas Dalayrac, created 7 March 1783, at Cour of Versailles then given 17 March 1783 at Hôtel de Bourgogne.
  • Azémia ou le Nouveau Robinson , comedy in three acts and in verse mingled with ariettes, music by Micolas Dlayrac, created 17 October 1786 at Cour of Fontainebleau. Became Azémia ou les Sauvages once set in prose, given 3 May 1787 at Opéra-Comique (salle Favart).
  • Le Corsaire algérien ou le Combat naval, comedy in one act and in prose, music by Nicolas Dalayrac, created 13 messidor an I, at Opéra-Comique (salle Favart).
  • Gulistan ou le Hulla de Samarcande, comedy in three acts and in prose mingled with ariettes, in collaboration with Charles-Guillaume Étienne, music by Nicolas Dalayrac, created 8 vendémiaire an XIV at Opéra-Comique (Théâtre Feydeau).

Theatre edit

  • Lamentine ou les Tapouis, tragi-comic play in two acts and in verse, in collaboration with MM. Dalayrac, T. A. and M., created 12 August 1779 at Théâtre-Italien.
  • Les Maris corrigés, comedy in three acts and in verse, created 7 August 1781 at Théâtre-Italien.

Songs edit

  • Couplets pour la fête de Madame la Comtesse de M., chantés par Mademoiselle sa Fille, lyrics by M.de la Chabeaussière (écuyer), music by M. Dalayrac, 1784[3]
  • Chant martial for victory party, music by François-Joseph Gossec, premiered 20 prairial an IV (29 May 1796).

Musical accompagnements edit

Iconography edit

De La Chabeaussière was portrayed by

Notes and references edit

Notes
  1. ^ Grimm, Melchior; Diderot, Denis. "Mars 1782". Correspondance littéraire, philosophique et critique, op. cit. Vol. 11. pp. 73–74. Retrieved 5 July 2016..
  2. ^ Poisson de la Chabeaussière, Ange-Étienne-Xavier. Catéchisme républicain, philosophique et moral (2 ed.). Paris: Dessene. p. 20. Retrieved 5 July 2016. on Gallica.
  3. ^ M. de la Chabeaussière; M. Dalayrac (1784). "Couplets pour la fête de Madame la comtesse de M.; chantés par Mademoiselle sa Fille". Étrennes lyriques, anacréontiques, pour l'année 1784; présentées à Madame pour la quatrième fois, 25 Decembre 1783. Paris: Cholet de Jetphort. pp. 204–205 and 387–388. ISSN 2017-2168. Retrieved 5 July 2016. {{cite book}}: |journal= ignored (help).
  1. ^ It has been suggested that Poisson de La Chabeaussière was a third forgotten cowriter. In a 1785 periodical, this song appeared under the title Romance nouvelle with no further appellation. It was stated: Accompagnement de guitare par M.de La Chabeaussière. Claris de Florian, Jean-Pierre; Martini, Jean Paul Égide; de La Chabeaussière, Ange-Étienne-Xavier (1785). "Romance nouvelle". Étrennes de Polymnie: recueil de chansons, romances, vaudevilles, etc. pp. 211–216. Retrieved 24 May 2013.. In fact, the first version of this romance is kept at Bibliothèque nationale de France. BnF 42281735k. It is part of a collection including a comic opera and three romances. Its title is: Première romance. Romance du Chevrier dans Célestine, nouvelle de M. le Chr de Florian. The editor says: "The author of the music of this work was forced to make himself harp or fortepiano accompaniments [...] In addition to the harp or pianoforte accompaniments, there are parts of violins, viola and bass for three romances to be accompanied with the orchestra." Cauchie, Maurice (1937). "La version authentique de la romance Plaisir d'amour". Revue de Musicologie. 18 (61). s.l.: Published by Société Française de Musicologie: 12–14. doi:10.2307/924922. JSTOR 924922..
  2. ^ Like Pajou, Poisson de La Chabeaussière was a member of the Société Philotechnique.

External links edit