Alicja Kwade (born 1979) is a Polish-German[1] contemporary visual artist. Her sculptures and installations focus on the subjectivity of time and space. Kwade lives and works in Berlin.[2]
Alicja Kwade | |
|---|---|
 Kwade photographed by Oliver Mark in 2014 | |
| Born | 1979 Katowice, Poland |
| Known for | sculpture |
| Partner | Gregor Hildebrandt |
Early life and education
editKwade was born in the industrial city of Katowice, of what was then communist Poland.[3] She was the daughter of a cultural scientist and gallery owner and conservator, and reports knowing that she wanted to be an artist at as young as five years old. Her family escaped to West Germany in 1987.[1] She grew up in Hannover and at age 19 moved to Berlin where she studied sculpture at the Berlin University of the Arts from 1999 to 2005.[1] In 2002, Kwade spent an Erasmus year at Chelsea College of Arts in London.
Work
editKwade manipulates common materials like wood, glass, and copper through chemical processes to explore the ephemerality of the physical world. Her works often include reflection, repetitive sounds, and inaccurate doubling to create immersive and experiential spaces that beg viewers to question their perception of reality.[4] In a 2013 interview with ArtReview magazine, Kwade explained “I’m fascinated with the borders between science and suspicion. All the in-betweens. Mr Houdini is one of my biggest heroes.”
In 2017, Kwade was photographed by Mario Testino for Vogue in Venice.[5]
First shown at MIT List Visual Arts Center in 2020, the installation Light Touch of Totality is made up of five stainless steel rings, each about 16 feet in diameter, which appear frozen in time at various angles and points of contact. Curtains of stringed beads hang from different parts of the rings, and ungulate slightly with the movement of the air in the room. The rings are representative of both planetary rings and longitudinal lines, while the beads represent units of information. In this way, the work aligns with Kwade’s persistent interest in perception and the ways we categorize and understand our world.
Studios
editSince becoming a full-time artist, Kwade has worked from studios in Berlin's Wedding,[6] Kreuzberg (2008-2011, together with Thomas Kiesewetter)[7] and Weißensee districts (2012-2018). She also completed an artist-in-residence program in Le Vauclin in 2012.
In 2018, Kwade moved her practice to a studio in Oberschöneweide, alongside Olafur Eliasson, Christian Jankowski and Jorinde Voigt.[8] She had purchased her first warehouse space from Bryan Adams, and then gradually acquired and connected the two neighboring ateliers as her studio grew to 9,500 square feet.[9]
Commissions
editFor her first solo public art commission in the United States in 2015, Kwade installed a 16-feet-tall aluminium 19th-century style clock titled Against the Run (2015) at the entrance to Central Park, directly opposite the storied Plaza Hotel; the clock's face moved counter-clockwise while the hour and minute hands turned in the opposite direction.[10][11]
As part of a 2021 revitalization project of 550 Madison Avenue, Kwade created Solid Sky (2021), a work comprising nearly 22,000 kilograms of polished spherical quartzite suspended from the ceiling of the glassbox lobby with stainless steel chains.[12]
Exhibitions
editBeginning with her first institutional show at Hamburger Bahnhof in 2008, Kwade had solo exhibitions at Kestnergesellschaft in Hannover; Kunsthalle Schirn in Frankfurt (2015); and Whitechapel Gallery, London (2016); among others. She also participated in the 2015 Venice Biennale. She also produced Parapivot for the 2019 Metropolitan Museum of Art Roof Garden Commission.[13][14]
Recognition
edit- 2002 – German Academic Scholarship Foundation
- 2010 – Robert Jacobsen Prize, Würth Foundation
- 2015 – Hector Prize, Kunsthalle Mannheim
Art market
editKwade has been represented by Pace Gallery (since 2023), Galerie Kamel Mennour, 303 Gallery and i8. From 2009 to 2023, she worked with Johann König.[15]
Personal life
editSince 2000, Kwade has been in a relationship with fellow artist Gregor Hildebrandt.[16] Their son Horatio was born in 2020.[17][18]
References
edit- ^ a b c Thomas Rogers (March 29, 2019), On the Met Roof, Alicja Kwade's Test of Faith New York Times.
- ^ Ken Johnson (December 20, 2012), Alicja Kwade: ‘The Heavy Weight of Light’ New York Times.
- ^ Great women artists. Phaidon Press. 2019. p. 229. ISBN 978-0714878775.
- ^ "Alicja Kwade | Artists | 303 Gallery". www.303gallery.com. Retrieved 2018-03-09.
- ^ New Model Star Birgit Kos Takes Venice in the Chicest Vacation-Ready Looks Vogue, July 26, 2017.
- ^ Gisela Williams (7 October 2019), In Berlin, a Creative Paradise That’s Easiest to Reach by Boat T: The New York Times Style Magazine.
- ^ Sarah Elsing (December 25, 2011), Alicjas Wunderland Die Welt.
- ^ Thomas Loy (January 11, 2012), Zu Besuch im neuen Atelierhaus von Bryan Adams Tagesspiegel.
- ^ Gisela Williams (7 October 2019), In Berlin, a Creative Paradise That’s Easiest to Reach by Boat T: The New York Times Style Magazine.
- ^ Brook Mason (September 11, 2015), Time bandit: Alicja Kwade installs 16 ft clock at Central Park Wallpaper.
- ^ Gabriella Angeleti (September 29, 2021), Alicja Kwade invades corporate New York tower with celestial sculpture The Art Newspaper.
- ^ Gabriella Angeleti (September 29, 2021), Alicja Kwade invades corporate New York tower with celestial sculpture The Art Newspaper.
- ^ Farago, Jason (April 18, 2019). "Celestial Visions on the Met Roof". New York Times. Retrieved 2019-09-21.
- ^ Klimoski, Alex (April 18, 2019). "The Met's Annual Rooftop Commission Opens for the Spring 2019 Season". www.architecturalrecord.com. Retrieved 2019-06-21.
- ^ Kabir Jhala (18 October 2023), Alicja Kwade joins Pace Gallery—and leaves embattled dealer Johann König after 15 years The Art Newspaper.
- ^ Michael Zöllner (March 5, 2012), Alicja Kwade im Wunderland B.Z..
- ^ Frédéric Schwilden (26 September 2021), Alicja Kwade: „Die meisten menschlichen Eigenschaften sind Zufall und total egal“ Die Welt.
- ^ Robert Mießner (1 November 2021), Geistreiche Tonbandbeschwörung Die Tageszeitung.
Further reading
edit- Baum, Kelly; Wagstaff, Sheena (2019). Alicja Kwade: ParaPivot. The Roof Garden Commission. New York: The Metropolitan Museum of Art. ISBN 9781588396679.
- Blackwick, Iwona; Hermann, Daniel F.; Foote, Cameron (2017). Alicja Kwade: Medium Median. London: Whitechapel Gallery. ISBN 9780854882540.
- Bradley, Kimberly (December 2013). "Cosmic Girl" (PDF). ArtReview. Vol. 65, no. 9. pp. 74–91.
- Gamst, Helene; Russe, Roulette, eds. (2019). Alicja Kwade: In Aporie. Berlin: Hatje Cantz. ISBN 9783775745444.
- Kwade, Alicja (November 2017). "The Great Attractor". Art in America. Vol. 105, no. 10. pp. 46–47.
- Wetzler, Rachel (September 2016). "Alicja Kwade". Art in America. Vol. 104, no. 8. pp. 145–146.