Women in Love
Women in Love is a novel by British author D. H. Lawrence, published in 1920. It is a sequel to his earlier novel The Rainbow (1915), and follows the continuing loves and lives of the Brangwen sisters, Gudrun and Ursula. Gudrun Brangwen, an artist, pursues a destructive relationship with Gerald Crich, an industrialist. Lawrence contrasts this pair with the love that develops between Ursula Brangwen and Rupert Birkin, an alienated intellectual who articulates many opinions associated with the author. The emotional relationships thus established are given further depth and tension by an intense psychological and physical attraction between Gerald and Rupert. The novel ranges over the whole of British society before the time of the First World War and eventually concludes in the snows of the Tyrolean Alps. Ursula's character draws on Lawrence's wife Frieda and Gudrun's on Katherine Mansfield, while Rupert Birkin's has elements of Lawrence and Gerald Crich's of Mansfield's husband, John Middleton Murry.
Title page of the first edition
|Author||D. H. Lawrence|
|Media type||Print (Hardcover and Paperback)|
|Pages||536 (first edition hardcover)|
|Preceded by||The Rainbow|
|Followed by||The Lost Girl|
Ursula and Gudrun Brangwen are sisters living in The Midlands in England in the 1910s. Ursula is a teacher, Gudrun an artist. They meet two men who live nearby, school inspector Rupert Birkin and coal-mine heir Gerald Crich, and the four become friends. Ursula and Birkin become involved, and Gudrun and Gerald eventually begin a love affair.
All four are deeply concerned with questions of society, politics, and the relationship between men and women. At a party at Gerald's estate, Gerald's sister Diana drowns. Gudrun becomes the teacher and mentor of Gerald's youngest sister. Soon Gerald's coal-mine-owning father dies as well, after a long illness. After the funeral, Gerald goes to Gudrun's house and spends the night with her while her parents sleep in another room.
Birkin asks Ursula to marry him, and she agrees. Gerald and Gudrun's relationship, however, becomes stormy.
The two couples holiday in the Alps. Gudrun begins an intense friendship with Loerke, a physically puny but emotionally commanding artist from Dresden. Gerald, enraged by Loerke and most of all by Gudrun's verbal abuse and rejection of his manhood, and driven by his own internal violence, tries to strangle Gudrun. Before he has killed her, however, he realises that this is not what he wants, and he leaves Gudrun and Loerke, and climbs the mountain, eventually slips into a snowy valley where he falls asleep, and freezes to death.
The impact of Gerald's death upon Birkin is profound. The novel ends a few weeks after Gerald's death with Birkin trying to explain to Ursula that he needs Gerald as he needs her; her for the perfect relationship with a woman, and Gerald for the perfect relationship with a man.
After years of misunderstandings, accusations of duplicity, and hurried letters, Thomas Seltzer finally published the first edition of Women in Love in New York City, on 9 November 1920. This had come after three drawn out years of delays and revisions. This first limited edition (1,250 books) was available only to subscribers, due to the controversy caused by Lawrence's previous work, The Rainbow (1915).
Originally, the two books were written as parts of a single novel, but the publisher had decided to publish them separately and in rapid succession. The first book's treatment of sexuality was frank for the mores of the time, and after an obscenity trial was banned in the UK for 11 years, although it was available in the US. The publisher then backed out of publishing the second book in the UK, so Women in Love first appeared in the US. Martin Secker published the first trade edition of Women in Love in London, on 10 June 1921.
As with most of Lawrence's works, Women in Love's sexual subject matter caused controversy. For example, W. Charles Pilley, an early reviewer wrote of it in John Bull, "I do not claim to be a literary critic, but I know dirt when I smell it, and here is dirt in heaps—festering, putrid heaps which smell to high Heaven." The book also later stirred criticism for its portrayal of love, denounced as chauvinistic and centred upon the phallus by the feminist Simone de Beauvoir in The Second Sex (1949).
In contrast, the critic Camille Paglia has praised Women in Love, writing that while she initially reacted negatively to the book, it became a "profound influence" on her as she was working on Sexual Personae (1990). Paglia compared Lawrence's novel to Edmund Spenser's The Faerie Queene (1590). Paglia observed that while Women in Love has "bisexual implications", she is skeptical that Lawrence would have endorsed "full sexual relations" between men. The critic Harold Bloom listed Women in Love in his The Western Canon (1994) as one of the books that have been important and influential in Western culture. Francis Spaulding suggested that Lawrence's fascination with the theme of homosexuality is manifested in Women in Love, and that this could be related to his own sexual orientation. In 1999, the Modern Library ranked Women in Love forty-ninth on a list of the 100 best novels in English of the 20th century.
Screenwriter and producer Larry Kramer, and director Ken Russell adapted the novel into the film, Women in Love (1969), for which Glenda Jackson won the Academy Award for Best Actress. It was one of the first theatrical films to show male genitals, in scenes when Gerald Crich (Oliver Reed) and Rupert Birkin (Alan Bates) wrestle in the nude in front of a roaring fireplace, in several early skinny dipping shots, and in an explicit sequence of Birkin running naked in the forest after being hit on the head by his spurned former mistress, Hermione Roddice (Eleanor Bron).
William Ivory combined Women in Love with Lawrence's earlier novel, The Rainbow (1915), in his two-part BBC Four television adaptation titled, Women in Love (first transmitted 24 and 31 March 2011), directed by Miranda Bowen. The cast is headed by Saskia Reeves as the mother, Anna Brangwen, with Rachael Stirling and Rosamund Pike as her daughters, Ursula and Gudrun. Other cast members include Rory Kinnear as Rupert Birkin, Joseph Mawle as Gerald Crich, and Ben Daniels as Will Brangwen. In this adaptation, Ivory sets the final scenes and Gerald's death not in the Tyrolean Alps, but in South African diamond mines and desert sands, where Gerald walks out in the dunes and meets his demise.
Editions of Women in LoveEdit
- Lawrence, D.H. (1920). Women in Love (Privately Printed ed.). New York: Thomas Seltzer.
- Lawrence, D.H. (1921). Women in Love (Trade ed.). London: Martin Secker.
- Lawrence, D.H. & Ross, Charles L. (ed.) (1982). Women in Love. Harmondsworth, Middlesex: Penguin.
- Lawrence, D.H. & Farmer, David & Vasey, Lindeth & Worthen, John (1987). Women in Love (The Cambridge Edition of the Letters and Works of D. H. Lawrence ed.). Cambridge: Cambridge University Press.
- Lawrence, D.H. & Farmer, David & Vasey, Lindeth & Worthen, John & Kinkead-Weekes, M. (Intro and Notes) (1995). Women in Love. Harmondsworth: Penguin.
- Lawrence, D.H. & Bradshaw, David (ed.) (1998). Women in Love. Oxford: Oxford University Press.
- Lawrence, D.H. & Worthen, John (ed.) & Vasey, Lindeth (ed.) (1998) [1916–17]. The First Women in Love (The Cambridge Edition of the Letters and Works of D. H. Lawrence ed.). Cambridge University Press. ISBN 0-521-37326-3. (This edition displays significant differences from the final published version.)
- Lawrence, D.H. "Prologue". The Cambridge Edition of the Letters and Works of D. H. Lawrence. Cambridge University Press. pp. 489–506. (This discarded section of an early version of the novel is set four years after Gerald and Birkin have returned from a skiing holiday, and was published as an appendix to The Cambridge Edition.)
- Lawrence, D.H. (2007). The First Women in Love. Oneworld Classics. ISBN 978-1-84749-005-6.
- Beynon, Richard (ed.) (1997). D. H. Lawrence: The Rainbow and Women in Love. Cambridge: Icon Books.
- Black, Michael (2001). Lawrence's England: The Major Fiction, 1913 – 1920. Palgrave-MacMillan.
- Chaudhuri, A. & Paulin, Tim (2003). D.H Lawrence and 'Difference': Postcoloniality and the Poetry of the Present (UEA Repository (Book) ed.). Oxford University Press. ISBN 0199260524.
- Delaney, Paul (1979). D. H. Lawrence's Nightmare: The Writer and his Circle in the Years of the Great War. Hassocks: Harvester Press.
- Leavis, F.R. (1955). D. H. Lawrence: Novelist. London: Chatto and Windus.
- Leavis, F.R. (1976). Thought, Words and Creativity: Art and Thought in D. H. Lawrence. London: Chatto and Windus.
- Oates, Joyce Carol (Spring 1978). "Lawrence's Götterdämmerung: The Apocalyptic Vision of Women in Love". Critical Inquiry.
- Ross, Charles L. (1991). Women in Love: A Novel of Mythic Realism. Boston, MA: Twayne.
- Worthen, John & Preston, Peter (ed.) & Hoare, Peter (ed.) (1989). "The Restoration of Women in Love". D. H. Lawrence in the Modern World. London: Macmillan. pp. 7–26.
- "D.H. Lawrence". katherinemansfield.net. Archived from the original on 19 June 2010. Retrieved 13 July 2016.
- Ross, Charles L. (1979). The Proofs: Censorship and Revision. The Composition of The Rainbow and Women in Love: A History. UP of Virginia. pp. 124–25.
- Ross, Charles L. (1979). The Proofs: Censorship and Revision. The Composition of The Rainbow and Women in Love: A History. UP of Virginia. p. 124.
- W. Charles Pilley (17 September 1921). "Review of Women in Love". John Bull.
- de Beauvoir, Simone. La Deuxième Sexe. p. 229.
- Paglia, Camille (1994). Vamps and Tramps: New Essays. Penguin Books. p. 329, 336.
- Bloom, Harold (1994). The Western Canon. Riverhead Books. p. 522.
- Spaulding, Francis (1997). Duncan Grant: A Biography. pp. 169–170. "Lawrence's views (i.e., warning David Garnett against homosexual tendencies), as Quentin Bell was the first to suggest and S. P. Rosenbaum has argued conclusively, were stirred by a dread of his own homosexual susceptibilities, which are revealed in his writings, notably the cancelled prologue to Women in Love".
- 100 Best Novels, Modern Library