William C. Harper (born 1944) is an American jewelry artist known for studio craft jewelry.
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Biography
editBorn in Bucyrus, Ohio, in 1944. He received a BS in 1966 and an MS in education in 1967, both from Case Western Reserve University in Cleveland, Ohio. He also studied advanced enameling techniques at the Cleveland Institute of Art.
Harper began his career as an abstract painter but in the early 1960s switched to enameling. Many of his creations relate to mythology and ritual objects, and his work was included in the exhibition One of a Kind: The Studio Craft Movement at the Metropolitan Museum of Art in New York City, December 22, 2006 – September 3, 2007.[1]
Currently[when?] resides in New York City.
He should not be confused with the Afro-American sculptor and painter William A. Harper (1873–1910) or the American painter William St. John Harper (1851–1910).
Work
editHarper, a highly regarded craftsman has exhibited widely, including a one-person exhibition "William Harper: Recent Works in Enamel" (1977-1978: Washington, D.C. in 1977 at the Renwick Gallery of the Smithsonian American Art Museum in Washington, D.C.,[2] and an internationally traveling retrospective in 1989.[3] His work is in the collections of the Metropolitan Museum of Art,[4] the Philadelphia Art Museum,[5] and the Museum of Fine Arts, Boston, The Victoria and Albert Museum[6] among many others in the United States and Europe.
Harper was awarded a National Endowment for the Arts fellowship in 1978 and NEA grants in 1979 and 1980. In 1980 and 1985 he received fellowships from the Florida Arts Council.[7]
In 2019, The Cleveland Institute of Art mounted a comprehensive exhibition entitled The Beautiful and the Grotesque, accompanied by a catalog in which Nikki Woods, Director of CIA's Reinberger Gallery notes that Harper's influences are broad include ancient Byzantine jewelry, Neolithic sculptures, Alexander Calder, enamel artist June Schwartz, African, Asian, and South American indigenous art, and mythological storytelling.[8] Harper is known for his unique vision, bringing a high level of craft (a master of cloisonné technique) to his creation of two- and three-dimensional forms, but allowing for a playful experimentation working with vitreous enamel, gold wood and often distinctly non-precious materials.[9]
Teaching
editHarper taught at Florida State University from 1973 to 1992. Harper published Step-by-Step Enameling: a Complete Introduction to the Craft of Enameling in 1973.[10]
References
edit- ^ "One of a Kind: The Studio Craft Movement - The Metropolitan Museum of Art". www.metmuseum.org. Retrieved 2024-08-13.
- ^ "Smithsonian Institution Departmental Archives 1957, 1961-1989, 1997-2003" (PDF). Smithsonian Institution. Retrieved 12 August 2024.
- ^ "His Jewelry Easily Rates As Fine Art". Orlando Sentinel. 1989-11-04. Retrieved 2024-08-13.
- ^ "William Harper | Glass Gardens Cask II; Tomb Jewel II". The Metropolitan Museum of Art. Retrieved 2024-08-13.
- ^ "Search: William Harper". philamuseum.org. Retrieved 2024-08-13.
- ^ "Explore the Collections · V&A". Victoria and Albert Museum. Retrieved 2024-08-13.
- ^ "William Harper | Smithsonian American Art Museum". americanart.si.edu. Retrieved 2024-08-13.
- ^ "The Beautiful & the Grotesque". Google Arts & Culture. Retrieved 2024-08-13.
- ^ "William Harper". The Enamel Arts Foundation. 2020-04-12. Retrieved 2024-08-13.
- ^ Harper, William; Sayles, William; Sayles, Shirley (1973). Step-by-step enameling : a complete introduction to the craft of enameling. Internet Archive. New York : Golden Press.
- Harper, William, The Art of William Harper, Enameled Jewelry and Objects, New York, Kennedy Galleries, 1981.
- Harper, William, William Harper, Jasper's Variations and Faberge's Seeds, New York, Peter Joseph Gallery, 1994.
- Harper, William, William Harper, Tallahassee, Fla., University Fine Arts Galleries, 1980.
- Manhart, Tom, William Harper, Artist as Alchemist, Orlando, Fla., Orlando Museum of Art, 1989.