|Born||22 July 1898|
|Died||23 August 1975 (aged 77)|
|Other names||Pandit Vinayakrao Patwardhan|
Vinayakrao accepted teaching assignments at the various branches of the Gandharva Mahavidyalaya, including those in Bombay, Nagpur and Lahore. Vinayakrao's high-pitched voice was popular with the masses, and specifically caught the attention of actor/singer Bal Gandharva. On one occasion, the Gwalior veteran Ramkrishna Buwa Vazhe offered a challenge to singers in Pune. Vinayakrao accepted this challenge and proceeded to learn complex ragas from Vazhe.
In the late 1940s, when Bhimsen Joshi was searching for a teacher, he met Vinayakrao in Jalandhar. Vinayakrao advised him to learn from Sawai Gandharva. Later, Patwardhan took up roles in Marathi musicals. Heeding his teacher's admonition about singing for films, Vinayak went to Pune and established his own branch of the Gandharva Mahavidyalaya. Despite his young age, he had decided to dedicate himself to teaching music and ignored the lure of drama and film.
Vinayakrao Patwardhan's singing reflected the simple and straightforward approach to ragas, which is the characteristic of the Gwalior Gharana style. His favorite ragas included ''Bahar'', ''Adana'', ''Multani'', ''Malhar'', ''Jaijaivanti'', ''Hameer'' and ''Bhairav-bahar''. He performed in most of the important music festivals. He was one of the few practicing musicians of the time who wrote textbooks on music. In his seven-part ''Raaga Vigyan'' series, Vinayakrao described the important aspects of various ragas as well as their grammar. In his concerts and recordings, his fellow-student Narayanrao Vyas accompanied Vinayakrao.
The Film & TV Institute of India supported a documentary on him by Aruna Raje.
One of his disciples, L.R. Kelkar, settled down in Madras (Chennai). Author Rohiniprasad learned sitar from him initially. Among Kelkar's better-known disciples is violinist N. Rajam, who also studied with Omkarnath Thakur in Benares.