Villain (1971 film)
Meet Vic Dakin. Then wish you hadn't.
|Directed by||Michael Tuchner|
|Produced by||Jay Kanter|
Alan Ladd, Jr.
Elliott Kastner (executive producer)
|Written by||Dick Clement|
Ian La Frenais
Al Lettieri (adaptation)
|Based on||novel The Burden of Proof by James Barlow|
|Music by||Jonathan Hodge|
|Edited by||Ralph Sheldon|
|Distributed by||MGM-EMI (UK)|
|Box office||over ₤1 million (UK) (est.)|
Ruthless East End gangster Vic Dakin has plans for an ambitious raid on the wages van of a plastics factory. This is a departure from Dakin's usual modus operandi, and the job is further complicated by his having to work with fellow gangster Frank Fletcher's firm.
Essentially a standard story about a heist, there are intricate sub-plots depicting:
- Dakin's sadistic nature
- Dakin's relationship with Wolfie
- Wolfie's bisexual relationship with Venetia and Dakin
- Dakin's irritation at having to work with Frank Fletcher's seemingly weak brother-in-law Ed Lowis
- MP Gerald Draycott being blackmailed by Dakin (via Wolfie) to provide a cast-iron alibi
- Detectives Bob Matthews and Tom Binney pursuing Dakin and Lissner.
In a growing trend for movies of the same era and genre (Get Carter, A Clockwork Orange, The French Connection for example) some of the violence is quite graphic especially during the heist and foreshadows several 1970s cop TV shows such as The Sweeney, Target and Special Branch.
- Richard Burton as Vic Dakin
- Ian McShane as Wolfe Lissner
- Nigel Davenport as Bob Matthews
- Donald Sinden as Gerald Draycott
- Fiona Lewis as Venetia
- T. P. McKenna as Frank Fletcher
- Joss Ackland as Edgar Lowis
- Cathleen Nesbitt as Mrs Dakin
- Colin Welland as Tom Binney
- Elizabeth Knight as Patti
- Tony Selby as Duncan
- Del Henney as Webb
- James Cossins as Brown
- John Hallam as Terry
- Anthony Sagar as Danny
- Clive Francis as Vivian
- Shirley Cain as Mrs Matthews
The film was written by an unusual combination of Dick Clement and Ian La Frenais, two well-known British comedy television writers, working from a treatment by the American actor Al Lettieri, renowned for his 'tough-guy' image in films such as The Godfather and The Getaway as well as for his real-life associations with the New York Gambino Family. Though several of the main characters and important situations carry over from the source novel, the film alters the plot considerably. The film also has more humour and less violence than the book, though a greater sense of danger.
It is a racy sadistic London piece about cops and robbers - the kind of 'bang bang - calling all cars' stuff that I've always wanted to do and never have. It could be more than that depending on the director. I play a cockney gangland leader who is very much a mother's boy and takes her to Southend and buys her whelks etc but in the Smoke am a ruthless fiend incarnate but homosexual as well. All ripe stuff.
Burton at the time charged a million dollars a film but agreed to make it for no salary in exchange for a larger percentage of the profits. "These are the times of economies for everyone making pictures," said Burton. "And actually working this way - if you can afford it and don't mind waiting for your money - is far more exciting for the actor. You feel more involved in everything rather than just like an old hired hand."
Burton said the producers got him to do the film through "great American conmanship. One of the producers said to me - 'I bet if I offered you the part of a cockney gangster you'd turn it down, wouldn't you?'. And of course one's immediate response is to say - don't be daft of course I wouldn't - and the next thing you know you've got a script in your hand."
Burton admitted he always wanted to play a gangster, having long admired Edward G. Robinson, James Cagney and Humphrey Bogart. "I suppose like the fact man who would have loved to be a ballet dancer."
"I usually play kings or princes or types like that," said Burton during filming. "I've never played a real villain... Interesting type. I'm not sure about this film. We'll see."
It was the first feature for the director, Michael Tuchner, who worked in television.
Filming took place over ten weeks in late 1970, mostly on location in the East End of London.
According to Melvyn Bragg's 1988 biography Richard Burton: A Life, the film was a terrible flop and helped erode Burton's status as a box office star. Two years before Villain, Burton had played a gay hairdresser in the comedy Staircase (in which Cathleen Nesbitt also played his mother), which had proved a huge bust at the box office, despite the talents of co-star Rex Harrison and director Stanley Donen. A gay love scene between Burton and co-star Ian McShane was cut from Villain, possibly as it was felt it wouldn't boost ticket sales, as cinema audiences already had not accepted Burton, one of the cinema's most notorious Don Juans, as a gay man.
British exhibitors voted Burton the most popular star at the local box office in 1971, although Villain was not listed among the top ten most popular films.
On 30 May 1971 Richard Burton wrote in his diary that Villain "a goodish film but so far isn't doing very well in the States but has not yet opened in Britain and the Commonwealth where it should do better". On 21 August 1971 he wrote that the film's director was "whassisname" and that he:
Received a cable... from [executive] Nat Cohen saying the notices for [the film]... superb and great boxoffice, and another cable said we expect a million pounds from UK alone. That means about $1/2 m for me if I remember correctly. There is no accounting for differing tastes of Yanks and English critics. Villain was received badly in the US and with rapture in the UK. I know it is cockney and therefore difficult for Yanks to follow but one would have thought the critics to be of sufficiently wide education to take it in their stride. The English critics, after all, are not embarrassed when they see a film made in Brooklynese. Anyway I am so delighted that it is doing well in UK. Otherwise I would have doubted E's and my judgement in such matters. I thought it was good and she said she knew it was good. The American reaction was therefore a surprise.
Coincidentally, Burton was mentioned in James Barlow's novel, The Burden Of Proof, upon which the film was based. In the book, in order to sow doubt in the jury's mind about her identification evidence, Dakin's barrister asks a female witness if she likes and admires the actor Richard Burton.
The film received bad reviews, and Burton—whose acting style was predicated upon the precise use of his mellifluous voice—was particularly savaged for his attempt at a Cockney accent. However, in 2009, Empire named Villain #2 in a poll of the 20 Greatest Gangster Movies You've Never Seen* (*Probably).
The film coined a popular phrase used regularly and adapted accordingly of "Don't be a berk all your life; take a day off!"
Tuchner later directed Fear Is the Key for the same producers.
Ian McShane revealed recently in the Daily Mail, that he had mixed feelings about playing Richard Burton's bisexual lover. "After kissing me, he's going to beat the hell out of me and it's that kind of relationship – rather hostile. It was very S&M. It wasn't shown in the film. He said to me, 'I'm very glad you're doing this film.' I said, 'So am I Richard.' He said, 'You know why, don't you?' I said, 'Why?' He said, 'You remind me of Elizabeth.' I guess that made the kissing easier."
- Burton, 17 August 1971
- CRIME RATION Richardson, Maurice. The Observer 21 July 1968: 23.
- THRILLERS Rosenzweig, A L. Chicago Tribune 8 Sep 1968: p14.
- Burton, 9 July 1970
- Burton Turns Cockney and Cruel for 'Villain' Johnson, Patricia. Los Angeles Times 27 Dec 1970: m1.
- The Prime of Mr. Burton? By BERNARD WEINRAUB. New York Times 6 Dec 1970: 171.
- Peter Waymark. "Richard Burton top draw in British cinemas." Times [London, England] 30 Dec. 1971: 2. The Times Digital Archive. Web. 11 July 2012.
- Burton, 30 May 1971
- Burton 21 August 1971
- "Catching Up with Ian McShane | Out Magazine". Out.com. 2010-02-09. Retrieved 2013-07-28.
- Burton, Richard, The Richard Burton Diaries.