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Vidyasagar also known as "Gaanaa" Vidyasagar is an Indian composer, musician and singer best known for his super hit/blockbuster songs who works predominantly in the Malayalam, Telugu, Tamil and Hindi film industries. After working with several composers as assistant and conductor, Vidyasagar made his debut as a film composer in the 1989 Tamil film Poomanam.[1] Working for over 225 feature films, he is the recipient of the prestigious National Award[2] and five Filmfare Awards.

Background information
Birth nameVidyasagar Ramachander
Also known as
  • Melody King
  • Vidyaji
Born (1963-03-02) 2 March 1963 (age 56)
Vizianagaram, Andhra Pradesh, India
Residence - Chennai, Tamil Nadu
GenresFilm score, world music, dance music, classical music
  • Singer
  • Songwriter
  • Composer
  • Record producer
  • Music director
  • Arranger
  • Conductor
InstrumentsKeyboard, piano, guitar, vocal.
Years active1984–present

Early lifeEdit

Vidyasagar was born to a Telugu musical family, as the son of Ramachander, a self-led musician himself, and Sooryakantham. He was named after the 19th century social reformer Ishwar Chandra Vidyasagar. He was brought up in Bobbili, and got exposed to music at a very early age of 3 by his father. He underwent carnatic vocals training first and then started taking classical guitar classes in Chennai from Master Dhanraj along with A. R. Rahman and then later piano.


Vidyasagar became an independent film composer with the song En Anbe in the 1989 Tamil movie Poomanam. Vidyasagar started his music career with a Tamil film, he gained recognition in the Tamil music industry at a later stage. He shifted base to Telugu cinema in 1989.

In 1994–95, Vidyasagar was approached by Tamil actor-director Arjun, with whom he worked for many acclaimed musical films like Jai Hind, Karna and Subash. Their combination resulted in acclaimed Tamil language melodic songs like Malare and Padu Padu.

From 1996 to 2001 Vidyasagar mainly concentrated on Malayalam films.[3] During this period, Vidyasagar also composed for a few Tamil movies like Nilaave Vaa and Uyirodu Uyiraga. He won three Kerala State Film Awards. About his stint in the Malayalam Cinema, Vidyasagar was quoted saying "I believe that it was a God sent opportunity for me to work in one of the finest film industries".[3]

From the year 2002, he started composing churning out blockbusters in Tamil and Malayalam simultaneously, with Dhil, Run, Dhool, Ghilli etc. in Tamil and Summer in Bethlehem, Meesha Madhavan, Kilichundan Mampazham, Pattalam, C.I.D. Moosa etc. in Malayalam.The song 'appadi podu' in Ghilli was accepted widely by all the listeners. Akshay Kumar brought the rights of the song from Vidyasagar and used it in the Hindi movie Boss. Every song of Meesha Madhavan was a colossal hit. The film too emerged as an all-time blockbuster.[4]

During this period, Vidyasagar composed for his first English language feature, Beyond The Soul, a low-budget independent film directed by Rajiv Anchal.

Between 2003 and 2005, he composed songs for several notable films like Anbe Sivam, Madhurey, Ji and Chandrolsavam in 2004–05. The year 2005 saw Vidyasagar receiving his first National Film Awards for his music in the Telugu film Swarabhishekam directed by K. Vishwanath. The music in the film was predominantly Carnatic.[5] The same year, he composed music for the film Chandramukhi, the only Rajinikanth starrer he has composed for till date. The songs become chartbuster, and so was the background score. Vidyasagar has notably used rare Carnatic ragas otherwise unheard of in film music in his compositions; Thendral ennum thereri (from the movie Pasa Kiligal) set to Nasikabhushani, or Ding dong koyilmani (from the movie Ji) set to Rasikapriya being some examples.

In 2007, Vidyasagar was signed by Prakash Raj for his production venture Mozhi starring Prithviraj Sukumaran and Jyothika. The film directed by Radha Mohan had critically acclaimed melodies like Kaatrin Mozhiye and Sevvanam. The songs of Mozhi had the distinction of being completely devoid of duets. The only female voice was of Sujatha Mohan in Katrin Mozhi. In 2008 Vidyasagar's notable releases were Vijay's Kuruvi and the Priyadarshan directed Mere Baap Pehle Aap in Hindi.

After his brief dull phase in Malayalam, he bounced back into the scene with the Lal Jose directorial Neelathamara, scripted by the legendary M.T. Vasudevan Nair, with the song Anuraga Vilochananaayi becoming a cult favourite. He followed it up with hits in Apoorva Ragam and Makeup Man. Meanwhile, in Tamil, he delivered hits with Karthi's Siruthai and Vijay's Kaavalan.

In 2012, Vidyasagar delivered two superhits in Malayalam with Diamond Necklace and Ordinary.

In 2013, Priyadarshan signed him in for his ambitious psychological thriller, Geethaanjali in Malayalam with Mohanlal in the lead role. Lal Jose's Pullipulikalum Aattinkuttiyum and Jannal Oram, the Tamil remake of Ordinary were his other releases of the year. The end of veteran filmmaker Sathyan Anthikkad's 10-film long collaboration with composer Ilaiyaraaja saw him join hands with Vidyasagar for the film Oru Indian Pranayakatha. The film became a success and Sathyan Anthikad continued his collaboration with Vidyasagar for his next 2 films, Ennum Eppozhum (released in 2015) and Jomonte Suvisheshangal[6] (released in 2017), and the soundtracks of both were critically acclaimed.



See alsoEdit


  1. ^ "Events – Vidyasagar: Music Matters". 25 June 2010. Retrieved 10 July 2013.
  2. ^ "Vidya Sagar felicitated". The Hindu.
  3. ^ a b "Welcome to".
  4. ^ "Vidyasagar comes to his own in Tamil films".
  5. ^ Chandramukhi Review. Vidaysagar on Chandramukhi
  6. ^ Kumar, P. k Ajith (11 September 2019). "Master of melodies Vidyasagar is back". The Hindu. ISSN 0971-751X. Retrieved 16 September 2019.

External linksEdit