On Wiki Editing
editHello, Kwsherwood,
and welcome to Wikipedia! I hope you like the place and decide to stay. Here are some pages you might find helpful:
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on this page and someone will drop by to help. We're so glad you're here! Matthewvetter (talk) 14:21, 7 March 2017 (UTC)
Thanks Matt. This works. Kwsherwood (talk) 19:21, 7 March 2017 (UTC)
Vicuna References
editHere are some sources to look at:
Amich, Candice, ‘From Precarity to Planetarity: Cecilia Vicuña’s Kon Kon’, The Global South, 7 (2014), 134–52
Bianchi, Soledad, ‘Pasaron Desde Aquel Ayer Ya Tantos Años, O Acerca de Cecilia Vicuña Y la “Tribu No”’, Hispamérica, 17 (1988), 87–94
Isbel, Billie Jean, and Regina Harrison, ‘Metaphor Spun: A Conversation with Cecilia Vicuna’, in Quipoem/The Precarious: The Art and Poetry of Cecilia Vicuna, ed. by M. Catherine de Zegher (Wesleyan University Press, 1997), pp. 17–46
‘Jacket 32 - April 2007 - Jena Osman: Is Poetry the News?: The Poethics of the Found Text’ <http://jacketmagazine.com/32/p-osman.shtml> [accessed 8 March 2017]
Kuhnheim, Jill S., ‘Decentering the Word: Cecilia Vicuna’, in Spanish American Poetry at the End of the Twentieth Century: Textual Disruptions (University of Texas Press, 2004)
Lippard, Lucy, ‘Spinning the Common Thread’, in Quipoem/The Precarious: The Art and Poetry of Cecilia Vicuña, ed. by M. Catherine de Zegher (Wesleyan University Press, 1997), pp. 7–17
Lynd, Juliet, ‘Precarious Resistance: Weaving Opposition in the Poetry of Cecilia Vicuña’, PMLA, 120 (2005), 1588–1607
Mendez-Ramirez, Hugo, ‘Cryptic Weaving’, in Quipoem/The Precarious: The Art and Poetry of Cecilia Vicuna, ed. by M. Catherine de Zegher (Wesleyan University Press, 1997), pp. 59–72
———, ‘Sound Written and Sound Breathing: Versions of a Palpable Poetics’, in Quipoem/The Precarious: The Art and Poetry of Cecilia Vicuña, ed. by M. Catherine de Zegher (Wesleyan University Press, 1997), pp. 73–93
‘Oral Tradition Journal’ <http://journal.oraltradition.org/issues/21i/sherwood> [accessed 8 March 2017]
Phillips Brown, Julie, ‘“touch in Transit”: Manifestation / Manifestación in Cecilia Vicuña’s Cloud-Net’, Contemporary Women’s Writing, 5 (2011), 208–31 <https://doi.org/10.1093/cww/vpr012> Sepúlveda, Magda, ‘Cecilia Vicuña: La Subjetividad Poética Como Una Operación Contracanónica’, Revista Chilena de Literatura, 2000, 111–26
Sherwood, Kenneth, ‘A Reader’s Guide to the Writing of Cecilia Vicuna’ <http://www.people.iup.edu/sherwood/docs/vic-guide.html> [accessed 8 March 2017]
———, ‘Elaborate Versionings: Characteristics of Emergent Performance in Three Print/Oral/ Aural Poets’, Oral Tradition, 21, 119–47
Ugalde, Sharon Keefe, ‘HILOS Y PALABRAS: DISEÑOS DE UNA GINOTRADICIÓN (ROSARIO CASTELLANOS, PAT MORA Y CECILIA VICUÑA)’, INTI, 2000, 53–67
Vicuña, Cecilia, ‘CeciliaVicuna.com’, Cecilia Vicuña <http://www.ceciliavicuna.com/> [accessed 8 March 2017]
———, Cloud-Net (Art in General, Incorporated, 1999)
———, ‘Entering, Origin of Weaving, The Precarious’, in In Other Words: Literature by Latinas of the United States, ed. by Roberta Fernández, trans. by Eliot Weinberger (Arte Publico Press, 1994), pp. 219–24
———, Palabrarmas (RIL Editores, 2005)
———, Spit Temple: The Selected Performances of Cecilia Vicuña, ed. by Rosa Alcala (New York: Ugly Duckling Press, 2012)
———, ‘Thread of the Voice: Myth for Us Is Language’, RIF/T, 4 (1995)
———, Unravelling Words and Weaving Water (Graywolf Press, 1992)
Vicuña, Cecilia, and Ernesto Livon-Grosman, eds., The Oxford Book of Latin American Poetry: A Bilingual Anthology (Oxford University Press, 2009)
Zegher, M. Catherine de, ed., Quipoem/The Precarious: The Art and Poetry of Cecilia Vicuña (Wesleyan University Press, 1997) de Zegher, M Catheri