A poem is the very image of life expressed in its eternal truth. There is this difference between a story and a poem, that a story is a catalogue of detached facts, which have no other connection than time, place, circumstance, cause and effect; the other is the creation of actions according to the unchangeable forms of human nature, as existing in the mind of the Creator, which is itself the image of all other minds. The one is partial, and applies only to a definite period of time, and a certain combination of events which can never again recur; the other is universal, and contains within itself the germ of a relation to whatever motives or actions have place in the possible varieties of human nature. Time, which destroys the beauty and the use of the story of particular facts, stripped of the poetry which should invest them, augments that of poetry, and forever develops new and wonderful applications of the eternal truth which it contains. Hence epitomes have been called the moths of just history; they eat out the poetry of it. A story of particular facts is as a mirror which obscures and distorts that which should be beautiful; poetry is a mirror which makes beautiful that which is distorted.
The Masque of Anarchy
"Stand ye calm and resolute,
- Like a forest close and mute,
- With folded arms and looks which are
- Weapons of unvanquished war.
- And if then the tyrants dare,
- Let them ride among you there,
- Slash, and stab, and maim and hew,
- What they like, that let them do.
- With folded arms and steady eyes,
- And little fear, and less surprise
- Look upon them as they slay
- Till their rage has died away
- Then they will return with shame
- To the place from which they came,
- And the blood thus shed will speak
- In hot blushes on their cheek.
- Rise like Lions after slumber
- In unvanquishable number,
- Shake your chains to earth like dew
- Which in sleep had fallen on you-
- Ye are many — they are few"
The most unfailing herald, companion, and follower of the awakening of a great people to work a beneficial change in opinion or institution, is poetry. At such periods there is an accumulation of the power of communicating and receiving intense and impassioned conceptions respecting man and nature. The person in whom this power resides, may often, as far as regards many portions of their nature, have little apparent correspondence with that spirit of good of which they are the ministers. But even whilst they deny and abjure, they are yet compelled to serve, that power which is seated on the throne of their own soul. It is impossible to read the compositions of the most celebrated writers of the present day without being startled with the electric life which burns within their words. They measure the circumference and sound the depths of human nature with a comprehensive and all-penetrating spirit, and they are themselves perhaps the most sincerely astonished at its manifestations; for it is less their spirit than the spirit of the age. Poets are the hierophants of an unapprehended inspiration; the mirrors of the gigantic shadows which futurity casts upon the present; the words which express what they understand not; the trumpets which sing to battle, and feel not what they inspire; the influence which is moved not, but moves. Poets are the unacknowledged legislators of the world.
jmn-rˁ, "Amon-Rê " ;
--Zentukmesaj 18:42, 27 January 2007 (UTC)
--ZentukBir Papyrus 16:02, 4 February 2007 (UTC)
Carpe diem quam minimum credula postero
(»Greif diesen Tag, nimmer traue dem nächsten«
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Bir Papyrus
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