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Created 18:40, 25 July 2006 (UTC). I will post the edits of the current task at the top of the page. After completion, they will then be added to the bottom with a summary of "Final editorial version posted here", with the here being a link to posted material. This saves me time when the page loads. Also, once I reach ~30 sections, I will start a third sandbox.
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The Meeting is a studio album released by the jazz group the Art Ensemble of Chicago (AEOC). It was recorded during the Spring of 2003 in Madison, Wisconsin and released on August 19, 2003 on the international label Pi Recordings.
The album was released the same year as Tribute to Lester Bowie, but they were released on different labels. The album reunites Joseph Jarman with the rest of the AEOC after he "retired" in early 1990's after 23 years with the group in order to pursue a spiritual life, including running a Buddhist dojo in Brooklyn, New York. Reviews were mixed for the album, perhaps because, as National Public Radio reviewer Kevin Whitehead commented, "the ensemble is more of a business than a musical enterprise at this point."[1]
Track listing
edit- "Hail We Now Sing Joy" (Jarman) — 4:56
- "It's the Sign of the Times" (Favors) — 18:44
- "Tech Ritter and the Megabytes" (Mitchell) — 4:22
- "Wind and Drum" (Art Ensemble of Chicago) — 11:09
- "The Meeting" (Mitchell) — 6:49
- "Amin Bidness" (Art Ensemble of Chicago) — 8:33
- "The Train to Io" (Art Ensemble of Chicago) — 4:53
Personnel
edit- Joseph Jarman — flute, percussion, gong, saxophone (alto, soprano, tenor), bells
- Malachi Favors Maghostus — bass, percussion
- Roscoe Mitchell — flute, piccolo, saxophone (alto, bass, soprano. tenor)
- Don Moye — bongos, conga, drums
Production:
- Kevin Beauchamp — production assistant
- Tom Blain — mastering
- Joseph Blough — photography
- Steve Gotcher, Buzz Kemper — engineer, editing, mixing
- David Holmes, Sammy Hunter — crew
- Seth Rosner — executive producer
- Yulun Wang — associate producer
Reception
editThe album was met with mix reviews. All Music Guide's Thom Jurek gave it five stars, saying that ultimately, the album "is a glorious reunion album, one that delights as it provokes."[2] Others have commented that the return of Jarman solidifies that "the AEC is a band to contend with."[3] Jazz Word's Ken Waxman had other opinions, saying "the overriding feel of the session is so reductionist that the listener may feel as if he has wondered into a microtonal recital".[4] NPR's Whiteman said both albums have "more filler than cafeteria meatloaf."[1]
Most reviews comment that the absence of Lester Bowie is obvious.[2] Review John Chacona of One Final note comments that "there were moments where I expected to hear a "blat" delivered with his perfect comic timing."[3] The Penguin Guide to Jazz also mentions "an eerie moment" when "somebody plays something which sounds uncannily like a Lester Bowie break."[5] All About Jazz reviewer Mark Corrotto says that Jarman's return "doesn't substitute for Bowie's absence, it merely aims the music in different directions"[6] even though NPR's Whiteman says Jarman's return "makes the band seem like the real deal."[1]
References
edit- ^ a b c Kevin Whitehead (November 11, 2003). "Music Review: CDs from the Art Ensemble of Chicago". Retrieved 2007-06-09.
{{cite web}}: Check date values in:|date=(help) - ^ a b Thom Jurek. "The Meeting". Retrieved 2007-06-06.
- ^ a b John Chacona (December 2, 2003). "Tribute To Lester + The Meeting". Retrieved 2007-06-06.
{{cite web}}: Check date values in:|date=(help) - ^ Ken Waxman (March 8, 2004). "The Meeting". Retrieved 2007-06-06.
{{cite web}}: Check date values in:|date=(help) - ^ The Penguin Guide to Jazz by Richard Cook, Brian Morton, et al. pg. 49 (eighth edition)
- ^ Mark Corroto. "The Meeting". Retrieved 2007-06-06.
Category:2003 albums Category:Jazz albums Category:Art Ensemble of Chicago albums