Roscoe Mitchell (born August 3, 1940) is an American composer, jazz instrumentalist, and educator, known for being "a technically superb – if idiosyncratic – saxophonist". The Penguin Guide to Jazz described him as "one of the key figures" in avant-garde jazz; All About Jazz states that he has been "at the forefront of modern music" for the past 35 years. Critic Jon Pareles in The New York Times has mentioned that Mitchell "qualifies as an iconoclast". In addition to his own work as a bandleader, Mitchell is known for cofounding the Art Ensemble of Chicago and the Association for the Advancement of Creative Musicians (AACM).
Mitchell at the Pomigliano Jazz Festival, July 15, 2005
|Born||August 3, 1940|
Chicago, Illinois, U.S.
- 1 History
- 2 NEA Jazz Master
- 3 Recognition
- 4 Discography
- 5 References
- 6 External links
Mitchell was born in Chicago, Illinois. He also grew up in the Chicago area, where he played saxophone and clarinet at around age twelve. His family was always involved in music with many different styles playing in the house when he was a child as well as having a secular music background. His brother, Norman, in particular was the one who introduced Mitchell to jazz. While attending Englewood High School in Chicago, he furthered his study of the clarinet. In the 1950s, he joined the United States Army, during which time he was stationed in Heidelberg, Germany and played in military parades with fellow saxophonists Albert Ayler and Rubin Cooper, the latter of whom, Mitchell commented, "took me under his wing and taught me a lot of stuff". He also studied under the first clarinetist of the Heidelberg Symphony while in Germany. Mitchell returned to the United States in the early 1960s, relocated to the Chicago area, and performed in a band with Wilson Junior College undergraduates Malachi Favors (bass), Joseph Jarman, Henry Threadgill, and Anthony Braxton (all saxophonists). Mitchell also studied with Muhal Richard Abrams and played in his band, the Muhal Richard Abrams' Experimental Band, starting in 1961.
AACM and the Art Ensemble of ChicagoEdit
In 1965, Mitchell was one of the first members of the non-profit organization Association for the Advancement of Creative Musicians (AACM) along with Jodie Christian (piano), Steve McCall (drums), and Phil Cohran (composer). The following year Mitchell, Lester Bowie (trumpet), Kalaparusha Maurice McIntyre (tenor saxophone), Favors, Lester Lashley (trombone), and Alvin Fielder (drums), recorded their first studio album, Sound. The album was "a departure from the more extroverted work of the New York-based free jazz players" due in part to the band recording with "unorthodox devices" such as toys and bicycle horns.
From 1967 Mitchell, Bowie, Favors and, on occasion, Jarman performed as the Roscoe Mitchell Art Ensemble, then the Art Ensemble, and finally in 1969 were billed as the Art Ensemble of Chicago. The group included Phillip Wilson on drums for short span before he joined Paul Butterfield's band. The group lived and performed in Europe from 1969 to 1971, though they arrived without any percussionist after Wilson left. To fill the void, Mitchell commented that they "evolved into doing percussion ourselves". The band did eventually get a percussionist, Don Moye, who Mitchell had played with before and was living in Europe at that time. For performances, the band often wore brilliant costumes and painted their faces. The Art Ensemble of Chicago have been described as becoming "possibly the most highly acclaimed jazz band" in the 1970s and 1980s.
Creative Arts Collective and beyondEdit
Mitchell and the others returned to the States in 1971. After having been back in Chicago for three years, Mitchell then established the Creative Arts Collective (CAC) in 1974 that had a similar musical aesthetic to the AACM. The group was based in East Lansing, Michigan and frequently performed in auditoriums at Michigan State University. Mitchell also formed the Sound Ensemble in the early 1970s, an "outgrowth of the CAC" in his words, that consisted mainly of Mitchell, Hugh Ragin, Jaribu Shahid, Tani Tabbal, and Spencer Barefield.
In the 1990s, Mitchell started to experiment in classical music with such composers/artists such as Pauline Oliveros, Thomas Buckner, and Borah Bergman, the latter two of which formed a trio with Mitchell called Trio Space. Buckner was also part of another group with Mitchell and Gerald Oshita called Space in the late 1990s. He then conceived the Note Factory in 1992 with various old and new collaborators as another evolution of the Sound Ensemble.
He lived in the area of Madison, Wisconsin and performed with a re-assembled Art Ensemble of Chicago. In 1999, the band was hit hard with the death of Bowie, but Mitchell fought off the urge to recast his position in the group, stating simply "You can't do that" in an interview with Allaboutjazz.com editor-in-chief Fred Jung. The band continued on despite the loss.
Mitchell has made a point of working with younger musicians in various ensembles and combinations, many of whom were not yet born when the first Art Ensemble recordings were made. Mainly from Chicago, these players include trumpeter Corey Wilkes, bassist Karl E. H. Seigfried, and drummer Isaiah Spencer.
In 2007, Mitchell was named Darius Milhaud Chair of Composition at Mills College in Oakland, California, where he currently lives. Mitchell was chosen by Jeff Mangum of Neutral Milk Hotel to perform at the All Tomorrow's Parties festival in March 2012 in Minehead, England.
NEA Jazz MasterEdit
Mitchell was awarded the title of NEA Jazz Master for 2020
The following are referenced from Mitchell's biography at the official AACM website.
- The International Jazz Critics Poll
- Down Beat Magazine
- "Talent Deserving Wider Recognition"
- Best Jazz Group (Established) - Art Ensemble of Chicago
- Record of the Year – Nonaah
- Jazz Personality of the Year, City of Madison, Wisconsin
- "Madison Music Legend" (Madison magazine)
- Certificate of Appreciation (St. Louis Public Schools Role Model Experiences Program)
- Honorary Citizen of Atlanta, Georgia
- Outstanding Service to Jazz Education Award (National Association of Jazz Educators)
- Certificate of Appreciation, Art Ensemble of Chicago (Smithsonian Institution)
- National Association for the Advancement of Colored People's Image Award
- NEA Jazz Master
- National Endowment for the Arts
- Arts Midwest Jazz Masters
- Foundation for Contemporary Arts Grants to Artists Award (1996)
- Michigan State University matching grant
- Minnesota Composer's Forum
- Meet the Composer, Cultural Series Grant, Center for International Performance and Exhibition, Chicago IL
- Comnicut Foundation
- Wisconsin Arts Board
- Institut de Recherche at Coordination Acoustique Musique, Paris, France
- Dane County Cultural Affairs Commission Project Grant, Madison Committee for the Arts
- Madison Festival of the Lakes Grant.
Mitchell has taught at various institutions throughout the United States, including the University of Illinois, the University of Wisconsin–Madison, and the California Institute of the Arts. Since 2007, Mitchell has taught at Mills College in Oakland, California.
With Art Ensemble of ChicagoEdit
Solo albums and other ensemblesEdit
- Before There Was Sound (Nessa, 1965; 2011)
- Solo Saxophone Concerts (Sackville, 1974)
- Roscoe Mitchell Quartet (Sackville, 1976)
- Nonaah (Nessa, 1976)
- Duets with Anthony Braxton (Sackville, 1977)
- L-R-G / The Maze / S II Examples (Nessa, 1978)
- Sketches From Bamboo (Moers Music, 1979)
- Snurdy McGurdy and Her Dancin' Shoes (Nessa, 1981)
- 3 x 4 Eye (Black Saint, 1981)
- More Cutouts (Cecma, 1981)
- Roscoe Mitchell and the Sound and Space Ensembles (Black Saint, 1983)
- An Interesting Breakfast Conversation (1750 Arch, 1984)
- The Flow of Things (Black Saint, 1986)
- Live at the Muhle Hunziken (Cecma, 1986)
- Live at the Knitting Factory (Black Saint, 1987)
- Four Compositions (Lovely Music, 1987)
- Live in Detroit (Cecma, 1988)
- Songs in the Wind (Victo, 1991)
- After Fallen Leaves (Silkheart, 1992)
- Duets & Solos (Black Saint, 1993)
- This Dance Is for Steve McCall (Black Saint, 1993)
- The Italian Concert (with Borah Bergman) (Soul Note, 1994)
- Hey Donald (Delmark, 1995)
- First Meeting (Knitting Factory, 1995)
- Pilgrimage (Lovely Music, 1995)
- Sound Songs (Delmark, 1997)
- The Day and the Night (Dizim, 1997)
- Nine to Get Ready (ECM, 1999)
- In Walked Buckner (Delmark, 1999)
- 8 O'Clock: Two Improvisations (Mutable Music, 2001)
- Song for My Sister (Pi, 2002)
- The Bad Guys (Around Jazz, 2003)
- Solo  (Mutable, 2004)
- First Look, Chicago Duos (Southport, 2005)
- Turn (RogueArt, 2005)
- No Side Effects (RogueArt, 2006)
- Composition/Improvisation Nos. 1, 2 & 3 with Evan Parker (ECM, 2007)
- Contact (RogueArt, 2007)
- Spectrum (Mutable, 2010)
- Far Side with The Note Factory (ECM, 2010)
- Numbers (RogueArt, 2011)
- Three Compositions with Nicole Mitchell's Black Earth Ensemble (RogueArt, 2012)
- Duets with Tyshawn Sorey and Special Guest Hugh Ragin (Wide Hive, 2013)
- Improvisations (Otoroku, 2013) with Tony Marsh and John Edwards
- Conversations I (Wide Hive Records, 2014) with Craig Taborn and Kikanju Baku
- Conversations II (Wide Hive Records, 2014) with Craig Taborn and Kikanju Baku
- In Pursuit of Magic (482 Music, 2014) with Mike Reed
- Angel City (RogueArt, 2014) Roscoe Mitchell Trio with James Fei & William Winant
- Celebrating Fred Anderson (Nessa, 2015)
- Four Ways (Nessa, 2017) with Yuganaut
- Bells for the South Side (ECM, 2017)
- Discussions (Wide Hive Records, 2017)
- Accelerated Projection (RogueArt, 2018) with Matthew Shipp
- Ride the Wind (Nessa, 2018)
- Roscoe Mitchell Orchestra Littlefield Concert Hall Mills College (Wide Hive Records, 2019)
With Anthony Braxton
With Jack DeJohnette
With Matthew Shipp
- 2-Z (2.13.61, 1996)
With Evan Parker
- Boustrophedon (ECM, 2004)
With Wadada Leo Smith
- Budding of a Rose (Moers Music, 1979)
- Chris Kelsey. "Roscoe Mitchell at Allmusic". Retrieved 2006-12-29.
- The Penguin Guide to Jazz by Richard Cook, Brian Morton, et al. p. 916, eighth edition
- Jack Gold (January 8, 2004). "Roscoe Mitchell: In Search of the Super Musician". Retrieved 2006-12-29.
- Jazz: Roscoe Mitchell by Jon Pareles, New York Times, August 25, 1983
- Fred Jung. "A Fireside Chat with Roscoe Mitchell (second)". Retrieved 2006-12-29.
- Roscoe Mitchell: In Search of the Super Musician by Jack Gold, Allaboutjazz.com, October 23, 2003
- Celeste Sunderland. "Roscoe Mitchell: Opening Doors". Archived from the original on 2012-07-16. Retrieved 2006-12-29. Cite uses deprecated parameter
- Fred Jung (September 2, 2002). "A Fireside Chat with Roscoe Mitchell (first)". Retrieved 2006-12-29.
- Lazaro Vega (August 25, 2005). "A conversation with Roscoe Mitchell". Archived from the original on 2006-08-13. Retrieved 2006-12-29.
- "Roscoe Mitchell Named Darius Milhaud Chair In Composition At Mills College". Retrieved 2008-03-31.
- "ATP curated by Jeff Mangum (Neutral Milk Hotel) - All Tomorrow's Parties". Atpfestival.com. Retrieved 2017-07-09.
- "Roscoe Mitchell..... Composer, Multi-Instrumentalist, Educator". Archived from the original on 2007-07-30. Retrieved 2006-12-29.
- "Mills College - Roscoe Mitchell". Mills.edu. Retrieved 2017-07-09.
- All About Jazz: Roscoe Mitchell: In Search of the Super Musician Posted: 2004-01-08
- Roscoe Mitchell interview by Jason Gross (May 1998)
- Lovely Music Artist: Roscoe Mitchell
- Roscoe Mitchell Page at Wide Hive Records