| Image | Title | Conception year | Notes |
|---|---|---|---|
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Man with the Broken Nose | 1864 | |
| Alsatian Orphan | 1870 | ||
| Suzon | 1872 | ||
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The Age of Bronze | 1876 | First exhibited in 1877 |
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Saint John the Baptist | 1877 | Plaster version exhibited at the Salon of 1880 |
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The Walking Man | 1877-1878 | Derived from Saint John the Baptist |
| Study for Eve at the Pillar | 1878 | ||
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The Gates of Hell | 1880 | Originally commissioned to become the functional door for a future Museum of Decorative Arts. Although Rodin started working on The Gates in 1880, he never stopped working on it until his death in 1917. Several figures for The Gates became works of art on their own. |
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The Thinker | 1880 | Originally conceived as part of The Gates of Hell. The first monumental bronze casts are at least from 1904. See also List of The Thinker sculptures |
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Crouching Woman | 1880 | |
| The Phantom and the Maiden's Kiss | 1880 | ||
| Torso of the Walking Man | 1880 | ||
| Adam | 1880 | ||
| Fight between a Man and a Reptile | 1880 | Graphite, ink and gouache on paper | |
| Ugolino | 1880 | Graphite, ink and gouache on paper | |
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Ugolino and his sons | 1881 | Originally conceived as part of The Gates of Hell. |
| Two Infants Embracing | 1881 | ||
| Clothed Dante | 1881 | ||
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The Kiss | 1882 | Originally conceived as part of The Gates of Hell, Rodin later decided to not include it in the group because its depiction of the lovers (Francesca da Rimini and Paolo Malatesta) are shown in a gentle, passionate instant, which is contrary to the sorrowful disposition of the rest of the figures. |
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The Falling Man | 1882 | Originally conceived as part of The Gates of Hell. This figure is also part of I am beautiful, along with Crouching Woman. |
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I am beautiful | 1882 | Originally conceived as part of The Gates of Hell. Composite figure, made from joining together Crouching Woman and The Falling Man |
| Fallen Caryatid Carrying her Stone | 1883 | ||
| Bust of Victor Hugo | 1883 | ||
| Eve | 1883 | ||
| Bust of Maurice Haquette | 1883 | ||
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Eternal Springtime | 1884 | Originally conceived as part of The Gates of Hell. Just like The Kiss, this sculpture was deemed too happy for the theme of The Gates and was not included in it. |
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The Burghers of Calais | 1884-1889 | Commissioned as a monument to the Burghers who, according to Jean Froissart, surrendered themselves in order to save the city of Calais from an English siege at the beginning of the Hundred Years' War. Rodin made several versions and studies for each of the Burghers. |
| Clenched Hand | 1884 | ||
| Head of Camille Claudel in a Phrygian Cap | 1884 | ||
| Torso of Adèle | 1884 | ||
| Prayer | 1888 | ||
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The Martyr | 1885 | Originally conceived as part of The Gates of Hell |
| The Three Shades | 1885 | Monumental version: 1901 Version with right hands: 1904 | |
| The Old Tree | 1885 | ||
| Jacques de Wiessant | 1885 | ||
| Jean d'Aire | 1885 | ||
| Hand of a Pianist | 1885 | ||
| Young Mother | 1885 | ||
| Young Mother in the Grotto | 1885 | ||
| Paolo and Francesca | 1885 | ||
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Fugitive Love | 1886 | Originally conceived as part of The Gates of Hell |
| The Metamorphosis of Ovid | 1886 | ||
| Meditation | 1886 | ||
| Glaucus | 1886 | ||
| Supplicant Elder | 1886 | ||
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Pierre de Wiessant | 1887 | One of The Burghers of Calais |
| Tympanum of The Gates of Hell | 1887 | Detail of The Gates made specifically for educational purposes | |
| Illustrations for Les Fleurs du Mal | 1887 | ||
| La Fatigue | 1887 | ||
| Kneeling Fauness | 1887 | ||
| Severed Head of John the Baptist | 1887 | ||
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Standing Mercury | 1888 | Originally conceived as part of The Gates of Hell |
| The Sirens | 1888 | ||
| Death of Adonis | 1888 | ||
| Kneeling Man | 1888 | ||
| The Resurrection of Adonis | 1889 | ||
| The Succubus | 1889 | ||
| Study for Ariadne | c. 1889 | ||
| Monumental Head of Pierre de Wiessant | 1889 | ||
| Study for Iris, Messenger of the Gods | 1890 | ||
| Cybele | 1890 | ||
| Andrieu d'Andres | 1890 | ||
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Monument to Balzac | 1891-1892 | Commissioned by the Société des Gens de Lettres. Rodin made several studies which became works of art on their own. |
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Balzac in the Robe of a Dominican Monk | 1892 | One of the studies for Monument to Balzac |
| Youth Triumphant | 1894 | ||
| The Benedictions | 1894 | ||
| President Sarmiento | 1894 | ||
| Illusions Received by Earth | 1896 | ||
| The Shade | 1898 | ||
| The Spirit of Eternal Repose | 1898 | ||
| Psyche admiring Eros | 1906 | ||
| The Funerary Spirit with no Arms and Head | 1898 | ||
| Desperation | 1899 | ||
| The Cathedral | 1908 | ||
| Standing Fauness | 1910 | ||
| Dance Movement A | 1910 | ||
| Lady Sackville | 1914 |