Trump (c. 1730 – c. 1745) was a pug owned by English painter William Hogarth. The artist included the dog in several works, including his self-portrait Painter and his Pug, held by the Tate Gallery. In the words of the Tate's display caption, "Hogarth's pug dog, Trump, serves as an emblem of the artist's own pugnacious character."
Pugs appear in several of Hogarth's paintings. An early example is his 1730 group portrait of The Wollaston Family, on loan to the New Walk Museum in Leicester since 1943. In the fifth scene of Hogarth's 1732–34 series A Rake's Progress, a scene known as "Married To An Old Maid" which is held by Sir John Soane's Museum, a pug appears to be marrying a one-eyed dog, mirroring the wedding scene depicted behind in which the spendthrift Tom Rakewell is marrying a rich old maid.
Trump is believed to be the puppy in the Hogarth's 1730 group portrait The Fountaine Family, held by the Philadelphia Museum of Art, whose sitters include Andrew Fountaine. The adult pug in the 1738 The Strode Family, held by the Tate Gallery, may also be Trump, although some sources indicate that this pug belongs to one of the subjects, Colonel Strode.
Louis-François Roubiliac sculpted Trump in terracotta, c. 1741, to accompany a terracotta bust of Hogarth. The reclining terracotta figure of Trump was reproduced in Chelsea porcelain in the late 1740s. Plaster casts were sold with Hogarth's possessions after his death in 1762. The Staffordshire potter Josiah Wedgwood made a version in his Black Basalt ware, using a cast bought in 1774 from the London plaster shop of Richard Parker. The original terracotta sculpture was inherited by Hogarth's widow and retained until her death in 1790. It was recorded in 1799 an engraving by Samuel Ireland, but the original is now lost.
Trump was approaching old age when he was included in Hogarth's 1745 painting The Painter and his Pug, sitting next to a self-portrait of the artist, along with an easel bearing Hogarth's symbolic line of beauty and works by Shakespeare, Swift, and Milton. (Hogarth had begun the workaround 1735, but it originally appeared somewhat different, with Hogarth more formally dressed and wearing a wig, and without Trump.") According to Hogarth's biographer Ronald Paulson the painting contains many visual puns, with the dog alluding to Hogarth's own pugnaciousnesss; the allegorical fidelity of the dog to its master paralleling Hogarth's artistic fidelity of presentation; and Hogarth's portrait being (literally) supported by the English literary canon.
Hogarth also included Trump in the 1746 portrait of Captain Lord George Graham in his Cabin, at the National Maritime Museum, along with Lord George Graham's own dog, which is sitting at the captain's feet and apparently joining in the singing. Trump sits on his haunches on a chair to the right of the painting, wearing Graham's wig, apparently reading from a sheet of music resting against a wine glass.
Hogarth was disparagingly nicknamed the "Painter Pugg", but Hogarth continued to use the dog as his trademark in a satirical 1763 engraving ''The Bruiser'', based on his 1745 self-portrait with Trump. The Bruiser (a copy of which is held by the United States' National Gallery of Art) replaces Hogarth's portrait with the satirist Charles Churchill, lampooned as a drunken bear, while the dog urinates on a copy of the Epistle published by Churchill in support of John Wilkes, which criticised Hogarth.
In 2001, a statue of Hogarth with Trump, made by Jim Mathieson, was unveiled by Ian Hislop and David Hockney on the Chiswick High Road, close to Hogarth's House, the artist's residence from 1749 until his death in 1764.
Fifth painting of A Rake's Progress: Married To An Old Maid, 1732–1734
The Fountaine Family, 1730/35, Philadelphia Museum of Art
The Strode Family, 1738, Tate Britain
The black servant on the right of Lord George Graham painting plays a pipe and tabor. Below, Hogarth's pug dog Trump balances on a chair while wearing Graham's wig
The Bruiser, 1763, National Gallery of Art
Paul Sandby, Puggs Graces, 1753
William Hogarth with Trump, 2001, statue by Jim Mathieson in Chiswick
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- The Painter and his Pug, Tate Gallery
- William Hogarth: A Life and a World, Jenny Uglow, p.268
- The Wollaston Family, ArtUK
- The Fountaine Family, Philadelphia Museum of Art
- The Strode Family, Tate Gallery
- Terracotta bust of Hogarth, by Louis François Roubiliac, National Portrait Gallery
- Porcelain figure of Hogarth's Dog, Trump, Victoria and Albert Museum
- How Much Is That Doggy in the Window?, Los Angeles Times, 15 June 1986
- Engraving of busts of Hogarth and Trump, published by Samuel Ireland in 1799, British Museum
- Hogarth: High art and low, 1732–1750, Ronald Paulson, 1992, p.262
- Captain Lord George Graham, 1715–47, in his Cabin, Royal Maritime Museum
- "National Gallery of Art. The Bruiser".
- The Bruiser, C.Churchill, Sanders of Oxford
- Obituary of Jim Mathieson, The Guardian, 24 April 2003