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Thirteen Ghosts (also known as 13 Ghosts and stylized as THIR13EN Ghosts) is a 2001 Canadian-American supernatural horror film directed by Steve Beck. It is a remake of the 1960 film 13 Ghosts by William Castle. It was shot entirely around Lower Mainland, British Columbia.

Thirteen Ghosts
Thir13en Ghosts poster.JPG
Theatrical release poster
Directed bySteve Beck
Produced byRobert Zemeckis
Joel Silver
Gilbert Adler
Screenplay byNeal Marshall Stevens
Richard D'Ovidio
Story byRobb White
Based on
13 Ghosts
  • Robb White
Music byJohn Frizzell
CinematographyGale Tattersall
Edited byDerek G. Brechin
Edward A. Warschilka
Distributed byWarner Bros. Pictures
(USA & Canada)
Columbia Pictures
Release date
October 26, 2001 (2001-10-26)
Running time
91 minutes
CountryUnited States
Budget$42 million
Box office$68.5 million



Ghost hunter Cyrus Kriticos (F. Murray Abraham) and his psychic assistant Dennis Rafkin (Matthew Lillard) lead a team on a mission to capture a spirit called the Juggernaut (John DeSantis). Several men, including, apparently, Cyrus, are killed while the team is able to catch the ghost.

Cyrus's nephew Arthur (Tony Shalhoub), a widower, is informed by Cyrus's estate lawyer, Ben Moss (J. R. Bourne), that he has inherited Cyrus' mansion. Financially insecure, Arthur decides to move there with his two children, Kathy (Shannon Elizabeth) and Bobby (Alec Roberts) and their nanny Maggie (Rah Digga).

Posing as a power company inspector, Dennis meets the family and Moss as they tour the mansion. The residence is made entirely of glass sheets inscribed with Latin phrases, which Dennis recognizes as barrier spells. While searching the basement, Dennis is hit by psychic flashes and discovers the twelve angry ghosts he and Cyrus captured are imprisoned in the house, held captive by the spells. As Dennis warns Arthur, Moss slips downstairs and picks up a valise of cash, unwittingly triggering a mechanism that seals the house and releases the ghosts one by one. He dies when a set of sliding doors snaps shut, cutting him in half. Bobby slips away from Kathy and Maggie and enters the basement, where he sees several of the ghosts, particularly that of the Withered Lover - his mother Jean, who had died of injuries sustained in a house fire. He is knocked unconscious and dragged away.

Using a pair of spectral glasses that allow the wearer to see into the supernatural realm, Dennis convinces Maggie that the ghosts are real. Dennis discovers that the Jackal, one of the most dangerous of the twelve ghosts, has been released and that the family is now in grave danger. The Jackal attacks Kathy when she and Arthur enter the basement in search of Bobby, but they are saved by Kalina Oretzia (Embeth Davidtz), a spirit liberator who is attempting to free the ghosts. Kathy disappears soon afterward, and the four adults gather in the library, where Arthur learns that Jean's ghost is trapped in the house. Kalina explains that the house is a machine, powered by the captive ghosts, that can allow its user to see the past, present, and future. The only way to shut it down, she says, is through the creation of a thirteenth ghost from a sacrifice of pure love. Arthur realizes that he must become that ghost by dying to save his children.

Armed with a pane of the special glass, Arthur and Dennis enter the basement to find the children. Dennis barricades Arthur into a corner behind the glass, protecting Arthur but allowing two ghosts, the Hammer and the Juggernaut, to beat Dennis to death. It is then revealed that Cyrus faked his death to lure Arthur to the house; Kalina is his secret partner. Cyrus has orchestrated the abduction of Kathy and Bobby so that Arthur will become the thirteenth ghost, which will not stop the machine as Kalina had claimed, but trigger its activation. Cyrus kills Kalina and summons the ghosts to activate the machine.

Arthur arrives at the main hall and witnesses all twelve ghosts orbiting a clockwork device of rotating metal rings, with his children at the center. Discovering Cyrus' true fate, Arthur fights Cyrus while Maggie disrupts the machine's controls, releasing the ghosts from its power. The ghosts hurl Cyrus into the rings, slicing him to pieces. With the encouragement of Dennis' ghost, Arthur jumps into the machine, avoiding the rings and saving his children. The walls of the house shatter as the malfunctioning machine rips itself apart, freeing the ghosts. Dennis smiles at Arthur and departs, and Jean's ghost appears before the family and tells them that she loves them before she and all the other ghosts disappear. As the family leaves the house, Maggie exclaims that she is quitting.


  • Tony Shalhoub as Arthur Kriticos
  • Embeth Davidtz as Kalina Oretzia
  • Matthew Lillard as Dennis Rafkin
  • Shannon Elizabeth as Kathy Kriticos
  • Alec Roberts as Bobby Kriticos
  • Rah Digga as Maggie Bess
  • F. Murray Abraham as Cyrus Kriticos
  • J.R. Bourne as Ben Moss
  • Mikhael Speidel as Billy Michaels/The First Born Son
  • Daniel Wesley as Jimmy "The Gambler" Gambino/The Torso
  • Laura Mennell as Susan LeGrow/The Bound Woman
  • Kathryn Anderson as Jean Kriticos/The Withered Lover
  • Craig Olejnik as Royce Clayton/The Torn Prince
  • Shawna Loyer as Dana Newman/The Angry Princess
  • Xantha Radley as Isabella Smith/The Pilgrimess
  • C. Ernst Harth as Harold Shelburne/The Great Child
  • Laurie Soper as Margaret Shelburne/The Dire Mother
  • Herbert Duncanson as George Markley/The Hammer
  • Shayne Wyler as Ryan Kuhn/The Jackal
  • John DeSantis as Horace "Breaker" Mahoney/The Juggernaut (credited as John De Santis)
  • Ken Kirzinger as Station Stunt performer

The GhostsEdit

While the backstories for nearly all the ghosts are not mentioned in the movie, they are hinted at and are explicitly described in the "Ghost Files", a special feature on the DVD. With a few exceptions, they seem to become more dangerous as their numbers increase.

The First Born Son: A ghost of a little bratty boy named Billy Michaels, who loved to pretend to be a cowboy. One day, another little kid challenged Billy to a duel, but that boy’s cap gun was no match for the real steel- tipped arrow that Billy's ghost still carries. Unlike most of the ghosts, this one is a mild threat, never attacking anyone and just saying "I want to play."

The Torso: Jimmy 'The Gambler' Gambino was a gambler in the early 1900s, who caught the attention of the Mafia. After he lost a boxing bet, the Mafia cut him into pieces and wrapped him in cellophane, dumping the remains in the ocean. His ghost appears as a torso with a severed head nearby, and is more a neutral spirit than actively hostile.

The Bound Woman: Susan LeGrow was the richest girl in town and was very popular. Her one flaw was the way she toyed with boys and men. During her senior prom night, she was killed by a jilted ex named Chet Walters, a star quarterback. Her ghost lures Bobby into the dangerous basement and still shows bound ropes holding her arms.

The Withered Lover: Jean Kriticos was a happy and devoted wife and mother. She died as a result of fire injuries at St Luke's Hospital half a year before the events of the film begin. Unlike most of the ghosts, she is not dangerous; she is benevolent.

The Torn Prince: Royce Clayton was a gifted and famous teenage baseball player in the 1940s and ‘50s who caught the eye of colleges around the USA. Thanks to his challenger, a greaser who set him up, Royce died in an accident caused by cut brake lines. His remains are still buried at the baseball diamond, and his ghost carries his baseball bat.

The Angry Princess: Dana Newman was a beautiful but abused lady who lived in the later 1900s. She had plastic surgery to alter her perceived flaws, and after a botched experiment that mutilated her eye, she brutally killed herself in a bathtub at the clinic. Her ghost often carries blood, is naked, and carries the same knife she used to commit suicide.

The Pilgrimess: Isabella Smith came to the North America as a colonist in order to find a new life after being an orphan in England. The tight-knit community ostracized and ignored her and used her as a scapegoat, calling her a witch when crops and animals mysteriously died. She denied such accusations, but she was trapped in a burning barn and somehow remained unharmed. That sealed her fate, and she died of starvation, condemned to the pillory that she carries with her as a ghost; her skin is badly damaged.

The Great Child: Harold Shelburne was a special-needs man who never outgrew diapers and had to be spoon fed even as a fully grown adult; he often made baby sounds. After being mocked, teased and tormented relentlessly all his life, he caused a massacre at the old freak show where he and his mother, Margaret Shelburne, lived. Some of the freaks had kidnapped and killed his mother as a joke one night. The circus owner, Jimbo, had Harold mutilated beyond recognition. His ghost appears as Harold did in life, with a small patch of hair, a bib covered in vomit and cloth diapers; he still holds the ax that he used to kill his enemies.

The Dire Mother: Margaret Shelburne, Harold’s mother, was a shy little lady, standing three feet tall. She never could stand up for herself. At the freak show where she lived, she was raped by the Tall Man, another circus freak, and gave birth to her illegitimate son Harold, whom she loved more than life itself. She smothered and spoiled him from infancy and never stopped as he grew; this is the main reason for Harold's mental handicap. The two were abused to the point where Harold killed almost the entire circus after Margaret died. As ghosts, they remain together, with Harold being protective. Like the Torso, she is not aggressive.

The Hammer: A happy and honest family man, George Markeley was falsely accused of stealing by a higher up named Nathan, and threatened with exile from their old Western town. George refused to leave, and his family was killed by Nathan and his band of thugs while walking home from the town market one day. Seeking justice in the corrupt town, George took his blacksmith's hammer and killed those responsible, but the townsfolk chained him to a tree and drove railroad spikes into his body. His left hand was cut off and his hammer was crudely attached to it. His ghost is one of the more angry spirits, and is partially responsible for Dennis' death.

The Jackal: Born to a prostitute in 1887, Ryan Khun developed a sick appetite for women, attacking and raping strays and prostitutes in the night. He voluntarily went to Borehamwood Institute for treatment to cure this problem, but the medical practices made him much worse, causing him to go completely insane after years of solitary confinement, and developing a hatred of humanity. After facing the flames, his ghost carries his torn straight jacket with a cubic head brace; it is called a sign of Hell's Winter.

The Juggernaut: Horace 'Breaker' Mahoney was born very disfigured and was an outcast his entire life. His mother abandoned him at a tender age, and his dad put him to work in the junkyard, using his unusual strength to crush cars. After his dad died, Horace went insane: He would take motorists and hitchhikers, tear them apart with his bare hands and feed the remains to his dogs. He after several of these murders, he was arrested. A SWAT team shot and killed him when he broke free of his hand cuffs. As a ghost, he remained at the junkyard, killing intruders. Both Dennis and Cyrus remark that his kill count numbered in the 40s, making this ghost one of the most evil and dangerous of the twelve.


In the US, the film opened ranking 2nd, making $15,165,355.[1] It spent 10 weeks in the US box office, eventually making $41,867,960 domestically, and $68,467,960 worldwide.[1][2]


Reviews for the film were mostly negative, however a cult following does exist. Praise was directed toward the production design but the film was criticized for its lack of scares and a number of strobe effects throughout that could cause seizures. It holds an approval rating of 15% on review aggregator Rotten Tomatoes, based on 94 reviews with an average rating of 3.4/10. The website's critical consensus reads, "The production design is first rate, but 13 Ghosts is distinctly lacking in scares."[3] On Metacritic, the film has a weighted average score of 30 out of 100, based on reviews from 24 critics, indicating "generally unfavorable reviews".[4] Audiences polled by CinemaScore gave the film an average grade of "C+" on an A+ to F scale.[5]

Roger Ebert praised the production values saying, "The production is first-rate...The physical look of the picture is splendid." However, he criticized the story, lack of interesting characters, loud soundtrack, and poor editing.[6] In 2005 he included it on his list of "Most Hated" films.[7]

See alsoEdit


  1. ^ a b "Thirteen Ghosts". Box Office Mojo. IMDb. Retrieved October 23, 2014.
  2. ^ Wee, Valerie (2013). Japanese Horror Films and Their American Remakes. Routledge. p. 220. ISBN 978-1-134-10962-3.
  3. ^ "Thirteen Ghosts (2001)". Rotten Tomatoes. Fandango Media. Retrieved June 28, 2018.
  4. ^ "Thirteen Ghosts Reviews". Metacritic. CBS Interactive. Retrieved June 21, 2018.
  5. ^ "Thirteen Ghosts". CinemaScore. Retrieved March 25, 2019.
  6. ^ Ebert, Roger (October 26, 2001). "13 Ghosts". Ebert Digital LLC. Retrieved October 23, 2014.
  7. ^ Ebert, Roger (August 11, 2005). "Ebert's Most Hated". Ebert Digital LLC. Retrieved October 23, 2014.

External linksEdit