The Masque of Anarchy
The Masque of Anarchy (or The Mask of Anarchy) is a British political poem written in 1819 (see 1819 in poetry) by Percy Bysshe Shelley following the Peterloo Massacre of that year. In his call for freedom, it is perhaps the first modern statement of the principle of nonviolent resistance.
The poem was not published during Shelley's lifetime and did not appear in print until 1832 (see 1832 in poetry), when published by Edward Moxon in London with a preface by Leigh Hunt. Shelley had sent the manuscript in 1819 for publication in The Examiner. Hunt withheld it from publication because he "thought that the public at large had not become sufficiently discerning to do justice to the sincerity and kind-heartedness of the spirit that walked in this flaming robe of verse". The epigraph on the cover of the first edition is from Shelley's The Revolt of Islam (1818): "Hope is strong; Justice and Truth their winged child have found."
Use of masque and mask is discussed by Morton Paley; Shelley used mask in the manuscript but the first edition uses masque in the title. The poem has 372 lines, largely in four-line quatrains; two more quatrains appear in some manuscript versions.
Shelley begins his poem, written on the occasion of the Peterloo Massacre, Manchester 1819, with the powerful images of the unjust forms of authority of his time, "God, and King, and Law" – and then imagines the stirrings of a radically new form of social action: "Let a great assembly be, of the fearless, of the free". The crowd at this gathering is met by armed soldiers, but the protesters do not raise an arm against their assailants:
"Stand ye calm and resolute,
Like a forest close and mute,
With folded arms and looks which are
Weapons of unvanquished war.
And if then the tyrants dare,
Let them ride among you there;
Slash, and stab, and maim and hew;
What they like, that let them do.
With folded arms and steady eyes,
And little fear, and less surprise,
Look upon them as they slay,
Till their rage has died away:
Then they will return with shame,
To the place from which they came,
And the blood thus shed will speak
In hot blushes on their cheek:
Rise, like lions after slumber
In unvanquishable number!
Shake your chains to earth like dew
Which in sleep had fallen on you:
Ye are many—they are few!"
Shelley elaborates on the psychological consequences of violence met with pacifism. The guilty soldiers, he says, will return shamefully to society, where "blood thus shed will speak / In hot blushes on their cheek". Women will point out the murderers on the streets, their former friends will shun them, and honourable soldiers will turn away from those responsible for the massacre, "ashamed of such base company". A version was taken up by Henry David Thoreau in his essay Civil Disobedience, and later by Mohandas Karamchand Gandhi in his doctrine of Satyagraha. Gandhi's passive resistance was influenced and inspired by Shelley's nonviolence in protest and political action. It is known that Gandhi would often quote Shelley's The Masque of Anarchy to vast audiences during the campaign for a free India.
The poem mentions several members of Lord Liverpool's government by name: the Foreign Secretary, Castlereagh, who appears as a mask worn by Murder, the Home Secretary, Lord Sidmouth, whose guise is taken by Hypocrisy, and the Lord Chancellor, Lord Eldon, whose ermine gown is worn by Fraud. Led by Anarchy, a skeleton with a crown, they try to take over England, but are slain by a mysterious armoured figure who arises from a mist. The maiden Hope, revived, then calls to the people of England:
"Men of England, heirs of Glory,
Heroes of unwritten story,
Nurslings of one mighty Mother,
Hopes of her, and one another!
What is Freedom? Ye can tell
That which Slavery is too well,
For its very name has grown
To an echo of your own
Let a vast assembly be,
And with great solemnity
Declare with measured words, that ye
Are, as God has made ye, free.
The old laws of England—they
Whose reverend heads with age are grey,
Children of a wiser day;
And whose solemn voice must be
Thine own echo—Liberty!
Rise, like lions after slumber
In unvanquishable number!
Shake your chains to earth, like dew
Which in sleep had fallen on you:
Ye are many—they are few!"
Political authors and campaigners such as Richard Holmes and Paul Foot, among others, describe it as "the greatest political poem ever written in English". In his book An Encyclopedia of Pacifism, Aldous Huxley noted the poem's exhortation to the English to resist assault without fighting back, stating "The Method of resistance inculcated by Shelley in The Mask of Anarchy is the method of non-violence".
Author, educator, and activist Howard Zinn refers to the poem in A People's History of the United States. In a subsequent interview, he underscored the power of the poem, suggesting: "What a remarkable affirmation of the power of people who seem to have no power. Ye are many, they are few. It has always seemed to me that poetry, music, literature, contribute very special power." In particular, Zinn uses "The Mask of Anarchy" as an example of literature that members of the American labour movement would read to other workers to inform and educate them.
Use in politicsEdit
The rallying language of the poem had led to elements of it being used by political movements. It was recited by students at the Tiananmen Square protests of 1989 and by protesters in Tahrir Square during the Egyptian revolution of 2011. The phrase "like lions after slumber, in unvanquishable number" from the poem was used as a motto/slogan by the International Socialist Organization in their organ. The line "Ye are many-they are few" inspired the campaign slogan "We are many, they are few" used by protesters during the Poll tax riots of 1989–90 in the United Kingdom, and also inspired the title of the 2014 documentary film We Are Many, which focused on the global 15 February 2003 anti-war protests.
Jeremy Corbyn, the former leader of the British Labour Party, quoted the final stanza from the poem at his rally in Islington, on the final day of campaigning for the 2017 general election. Corbyn subsequently quoted the final stanza again during his speech at the Pyramid stage at the 2017 Glastonbury Festival. Academic and writer John Sutherland has suggested that the title of the party's 2017 manifesto, "For the Many, Not the few", was derived from the poem. The phrase 'a community in which power, wealth and opportunity are in the hands of the many, not the few' also appears in the revised version of Clause IV of the Labour Party Constitution.
In popular cultureEdit
The poem's words "... like lions after slumber, In unvanquishable number" are quoted by the title and closing line of the Scritti Politti song "Lions After Slumber". They are also referenced in the opening lines of the song "Blaze" by Strike Anywhere and quoted as the epigraph and referenced in the title of the 1940 autobiography of activist Ella Reeve Bloor, We Are Many. Lines from the poem are quoted on the sleeve of The Jam's 1980 album Sound Affects.
Lines from the poem inspired and are featured in John Vanderslice' 2004 song "Pale Horse".
In the 2006 episode of Heartbeat titled "The Heart of a Man", Stan Keaton, the character played by Jeff Hordley, quotes the last verse in its entirety whilst standing outside the Aidensfield Arms with his fellow sacked workers.
The main verse of the musical composition titled 'Mask of Anarchy' performed by Southern California hardore band Bullet Treatment uses an interpolation of the main refrain from the Shelley poem, "rise like lions after slumber, In unvanquishable number...".
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|Wikisource has original text related to this article:|
- Shelley, Percy Bysshe (1832). The Mask of Anarchy. London: Edward Moxon.
- Bloy, Marjorie. "The Masque of Anarchy". A Web of English History.
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- The Masque of Anarchy public domain audiobook at LibriVox