The Bride Came C.O.D.
The Bride Came C.O.D. is a 1941 Warner Bros. screwball romantic comedy starring James Cagney as a pilot and Bette Davis as a runaway heiress, and directed by William Keighley. Although the film was publicized as the first screen pairing of Warner Bros.' two biggest stars, they had actually made Jimmy the Gent together in 1934, and had wanted to find another opportunity to work together.
|The Bride Came C.O.D.|
theatrical release poster
|Directed by||William Keighley|
|Produced by||Hal B. Wallis|
|Screenplay by||M. M. Musselman
Julius J. Epstein
Philip G. Epstein
|Story by||Kenneth Earl|
|Music by||Max Steiner|
|Edited by||Thomas Richards|
|Distributed by||Warner Bros. Pictures|
|July 12, 1941US|
The screenplay was written by Kenneth Earl, M. M. Musselman, and twins Julius J. Epstein and Philip G. Epstein. The basic plot owes much to It Happened One Night, in which an heiress seeks to marry a playboy of whom her father disapproves, only to end up with a charming working man.
Pilot Steve Collins (James Cagney) agrees to help bandleader Alan Brice (Jack Carson) and heiress Joan Winfield (Bette Davis) elope. Steve then contacts her father Lucius (Eugene Pallette), offering to prevent the marriage and deliver her to him in return for enough money to get out of debt.
Steve tricks Alan into getting off the aircraft, then takes off with Joan. When an irate Joan tries to jump out of the aircraft, Steve sees that she has her parachute on backwards and is forced to crash land near the ghost town of Bonanza. The next morning, they encounter the lone resident, "Pop" Tolliver (Harry Davenport). Joan escapes into an abandoned mine. When Steve follows her, they are trapped by a cave-in. Steve finds a way out, but hides it from Joan on the advice of Pop. Believing that they are going to die, Joan re-examines her frivolous life with great regret. Steve admits he loves her, but when he kisses her, she tastes food on his lips and realizes he has found a way out. They exit the mine to find that Alan has tracked them down, accompanied by a Nevada judge.
Steve does not object when Alan and Joan get married, hiding the fact that Bonanza is in California and therefore the wedding is invalid. The "newlyweds" board another aircraft, but when Joan figures out that they are not really married, she parachutes out to be reunited with Steve.
- James Cagney as Steve Collins
- Bette Davis as Joan Winfield
- Stuart Erwin as Tommy Keenan
- Eugene Pallette as Lucius K. Winfield
- Jack Carson as Alan Brice
- George Tobias as Peewee Dafoe
- William Frawley as Sheriff McGee
- Harry Davenport as "Pop" Tolliver
Both Cagney and Davis were interested in changing their movie personas, with Cagney moving away from the gangster-themed roles, while Davis had been seen only in serious dramas, and a romantic comedy was the way. Cagney insisted on having his brother, William, produce the film, with his past success of Captains of the Clouds (1942) proving that he could move from acting to producing.[N 1] After their work on The Strawberry Blonde (1941), the Cagneys also brought in Julius and Phil Epstein to "invigorate" the script. Davis wasn't the first choice for the Joyce Winfield part, as Ann Sheridan, Ginger Rogers and Rosalind Russell were considered before the role was earmarked for Olivia de Havilland. With the backing of Hal Wallis, however, Davis got the coveted role.
Principal photography took place in the Death Valley, California in January 1941, and was problematic as temperatures soared, the script problems were unresolved and one of the stars actually fell into a cactus, with Davis having 45 quills pulled out of her rear.[N 2]
The New York Times dismissed The Bride Came C.O.D. as "a serviceable romp."  Reviewer Archer Winston in The New York Post succinctly put it: "Okay, Jimmie and Bette. You've had your fling. Now go back to work." Despite the critical reviews, the film was a popular favorite, and one of the year's top 20 box-office films.
For her part, in her later biographies and interviews, Bette Davis derided The Bride Came C.O.D., sarcastically saying, "it was called a comedy." She would also complain that "all she got out of the film was a derriere full of cactus quills."
A year later, animator Chuck Jones spoofed the film in the Warner Bros. Conrad Cat cartoon, "The Bird Came C.O.D." More recent reviews have described the film as neither "memorable nor funny" but said that the two stars still are worth watching even in a forgettable formula feature.
- "Full credits: The Bride Came C.O.D." Turner Classic Movies. Retrieved: August 21, 2012.
- McCabe 2002, p. 119.
- Oriss 1984, p. 43.
- Cagney 1976, p. 101.
- McGilligan 1975 p. 101.
- Warren and Cagney 1986, p. 277.
- Miller, Frank. "Article: The Bride Came C.O.D." Turner Classic Movies. Retrieved: August 18, 2012.
- Chandler 2006, pp. 147–148.
- Strauss, Theodore (as T.S.). "Movie Review: The Bride Came C.O.D. (1941); Bette Davis Tries Comedy in 'The Bride Came C.O.D.' at the Strand." The New York Times, July 26, 1941.
- Sikov 2007, p. 177.
- "The Bird Came C.O.D." IMDb. Retrieved: August 18, 2012.
- Schickel and Perry 2009, p. 106.
- Schwartz, Dennis. "Bride Came C.O.D., The: At best it amounts to average fare." Ozus' World Movie Reviews, March 17, 2007. Retrieved: August 18, 2012.
- "Those Were the Days". Nostalgia Digest. 41 (4): 38. Autumn 2016.
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- Chandler, Charlotte. The Girl Who Walked Home Alone: Bette Davis, A Personal Biography. New York: Simon & Schuster, 2006. ISBN 978-0-7432-6208-8.
- McCabe, John. Cagney. London: Aurum Press, 2002. ISBN 1-85410-833-6.
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- Schickel, Richard and George Perry. Bette Davis: Larger than Life. Philadelphia, Pennsylvania: Running Press, 2009. ISBN 978-0-76243-688-0.
- Sikov, Ed. Dark Victory: The Life of Bette Davis. New York: Henry Holt and Company, 2007. ISBN 0-8050-7548-8.
- Warren, Doug and James Cagney. Cagney: The Authorized Biography. New York: St. Martin's Press, 1986, First edition 1983. ISBN 0-312-90207-7.