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"Synchronicity II" is a song by the Police, and the third single from their album Synchronicity. Written by lead singer and bassist Sting, it was released as a single in the UK and the U.S. by A&M Records, reached No. 17 in the UK Singles Chart[3] and No. 16 on the Billboard Hot 100 in December 1983.[4] It featured the non-album track "Once Upon a Daydream" on the b-side. The song was described by People Weekly as "aggressive" and "steely."[5]

"Synchronicity II"
Synchronicity II singlecover.jpg
Single by The Police
from the album Synchronicity
B-side"Once Upon a Daydream"
ReleasedOctober 1983 (1983-10)
Format7-inch single
Recorded
  • Late 1982
  • January 1983
Studio
Genre
Length5:04
LabelA&M (AM 153)
Songwriter(s)Sting
Producer(s)
The Police UK singles chronology
"Wrapped Around Your Finger"
(1983)
"Synchronicity II"
(1983)
"King of Pain"
(1984)
The Police US singles chronology
"King of Pain"
(1983)
"Synchronicity II"
(1983)
"Wrapped Around Your Finger"
(1984)
Music video
"Synchronicity II" on YouTube
Alternative cover
Brazilian single picture sleeve
Brazilian single picture sleeve

Contents

BackgroundEdit

The song, which refers to Carl Jung's theory of synchronicity, nominally tells the story of an emasculated husband and harried father whose home, work life, and environment are dispiriting and depressing. In an early stretch of lyrics we find "Grandmother screaming at the wall", as well as "mother chants her litany of boredom and frustration, but we know all her suicides are fake". Later, we hear about humiliation by his boss ("and every single meeting with his so-called superior/is a humiliating kick in the crotch"), all the while he "knows that something somewhere has to break". Meanwhile, something monstrous is emerging from a "dark Scottish lake/loch", a reference to the Loch Ness Monster—a parallel to the father's own inner anguish.

There's a domestic situation where there's a man who's on the edge of paranoia, and as his paranoia increases a monster takes shape in a Scottish lake, the monster being a symbol of the man's anxiety. That's a synchronistic situation.

— Sting, 'A Visual Documentary', 1984[6]

Interpretations of the lyrical content vary widely.[7][8] Writing in Entertainment Weekly about a 1996 Sting tour, Chris Willman said:

"The late-inning number that really gets [the crowd] galvanized is the edgy old Police staple that has the most old-fashioned unresolved rock tension in it, 'Synchronicity II'—which, after all, is a song about a domestic crisis so anxiety producing that it wakes up the Loch Ness Monster."[9]

Sting explained the theme of the song to Time magazine:

"Jung believed there was a large pattern to life, that it wasn't just chaos. Our song Synchronicity II is about two parallel events that aren't connected logically or causally, but symbolically."[10]

"Synchronicity II" also may have taken inspiration from the poem "The Second Coming" by William Butler Yeats.[11] The theme of "The Second Coming" is similar to that of "Synchronicity II"—a civilisation beginning to collapse, and the rise of something new, something perhaps savage, to take its place.

In "Synchronicity II" guitarist Andy Summers "forgoes the pretty clean sounds for post-apocalyptic squeals and crashing power chords", writes Matt Blackett in Guitar Player magazine.[12] Summers claims that the feedback apparent on the track was a mistake, saying, "I blasted and wailed for six minutes, the tape was rolling, but I couldn't hear anything through the cans. I was messing about, doing all this shit and waiting for them to start."

The flip side, "Once Upon A Daydream", was a composition cowritten by Andy Summers and Sting. As Sting remembers, "It's a set of chords Andy came up with and I wrote some lyrics to them by the swimming pool in Monserrat. It's very dark but that was The Ghost [in the Machine] period. Very intense".[13]

Music videoEdit

The music video for "Synchronicity II" was directed by Godley & Creme, filmed at a sound stage on the outskirts of London. In it the band are seen performing on top of giant piles of guitars, drums, junk, car parts, wires, with debris and papers flying about, punctuated by footage of Loch Ness for each chorus. The band members stood apart from each other on separate towers made of scaffolding, wearing dystopian outfits. A misty and stormy appearance was created with air blowers and dry ice. During the filming, Copeland's tower caught fire and the crew started to leave the building. Creme told the director of photography to keep the cameras rolling despite the danger.[14]

Track listingEdit

12" UK Single AMX 153
No.TitleLength
1."Synchronicity II"5:04
2."Once Upon a Daydream"3:28

ChartsEdit

Chart (1983-84) Peak
position
Irish Singles Chart 12
UK Singles Chart 17
US Billboard Hot 100 16
Canadian Singles Chart 21

In popular cultureEdit

"Synchronicity II" is covered and appears as a playable track on the PlayStation 2 game Guitar Hero Encore: Rocks the 80s. The master track of the song also appears in Rock Band Track Pack Volume 1 for PlayStation 2 and Wii, then the downloadable content for the music video game series Rock Band and Rocksmith.

PersonnelEdit

CoversEdit

ReferencesEdit

  1. ^ Buskin, Richard (March 2004). "Classic Tracks: The Police's 'Every Breath You Take'". Sound On Sound.
  2. ^ All Music Guide: The Definitive Guide to Popular Music. Hal Leonard Corporation. 2001. p. 311. ISBN 9780879306274.
  3. ^ The Police in the UK Charts, The Official Charts.
  4. ^ "Synchronicity II" in the Billboard Charts, Billboard.com.
  5. ^ "Synchronicity." People Weekly v20.(25 July 1983): pp14(1).
  6. ^ "'Synchronicity II' / 'Once Upon a Daydream'". sting.com.
  7. ^ Interpretations of the content of "Synchronicity II" on www.songfacts.com
  8. ^ Interpretations of the content of "Synchronicity II" on www.songmeanings.net
  9. ^ "King of painlessness" (rock star Sting). Chris Willman. Entertainment Weekly n339 (August 9, 1996 n339): pp30(4).
  10. ^ "Official Police business" (music group Police). Jay Cocks. Time v122.(August 15, 1983): pp50(1).
  11. ^ Jones, Chris (2007). "The Police Synchronicity Review". BBC Music. Retrieved 1 November 2014.
  12. ^ "The 50 greatest tones of all time." (Critical Essay). Matt Blackett. Guitar Player 38.10 (Oct 2004): p44(17).
  13. ^ Message in a Box: The Complete Police Recordings, booklet, A&M, 1993
  14. ^ Tannenbaum, Rob; Marks, Craig (2011). I Want My MTV: The Uncensored Story of the Music Video Revolution. Penguin. p. 9. ISBN 9781101526415.