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In sports broadcasting, a sports commentator (also known as sports announcer, sportscaster or play-by-play announcer) gives a running commentary of a game or event in real time, usually during a live broadcast, traditionally delivered in the historical present tense. The comments are normally a voiceover, with the sounds of the action and spectators also heard in the background. In the case of television commentary, the commentators are on screen rarely if at all during the event (although they may appear on camera at the start or near the end of the broadcast).
Types of commentatorsEdit
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The main commentator, also called the play-by-play announcer or commentator in North America, blow-by-blow in combat sports coverage or lap-by-lap for motorsports coverage, is the primary speaker on the broadcast. They are valued for their articulateness and for their ability to describe each play or event of an often fast-moving sporting event. The ideal play-by-play voice has a vocal timbre that is tolerable to hear over the multiple hours of a sports broadcast and dynamic enough to convey and enhance the importance of the on-game activity. Because of their skills, some commentators like Al Michaels in the U.S., David Coleman in the UK and Bruce McAvaney in Australia may have careers in which they call several different sports at one time or another. Other main commentators may, however, only call one sport (Mike Emrick, for example, is known almost exclusively as an ice hockey broadcaster). The vast majority of play-by-play announcers are male; female play-by-play announcers have not seen sustained employment until the 21st century.
Radio and television play-by-play techniques involve slightly different approaches; radio broadcasts typically require the play-by-play host to say more to verbally convey the on-field activity that cannot be seen. It is unusual to have radio and television broadcasts share the same play-by-play commentator for the same event, except in cases of low production budgets or where a broadcaster is particularly renowned (Rick Jeanneret's hockey telecasts, for example, have been simulcast on radio and television since the late 1990s).
The analyst or color commentator provides expert analysis and background information, such as statistics, strategy on the teams and athletes, and occasionally anecdotes or light humor. They are usually former athletes or coaches in their respective sports, although there are some exceptions.
The term "color" refers to levity and insight provided by analyst. The most common format for a sports broadcast is to have an analyst/color commentator work alongside the main/play-by-play announcer. An example is NBC Sunday Night Football in the United States, which is called by color commentator Cris Collinsworth, a former American football receiver, and play-by-play commentator Al Michaels, a professional announcer. In the United Kingdom, however, there is a much less distinct division between play-by-play and color commentary, although two-man commentary teams usually feature an enthusiast with formal journalistic training but little or no competitive experience leading the commentary, and an expert former (or current) competitor following up with analysis or summary. There are however exceptions to this — most of the United Kingdom's leading cricket and snooker commentators are former professionals in their sports, while the former Formula One racing commentator Murray Walker had no formal journalistic training and only limited racing experience of his own. In the United States, George "Pat" Summerall, a former professional kicker, spent most of his broadcasting career as a play-by-play announcer.
Although the combination of a play-by-play announcer and a color commentator is standard as of 2014[update], in the past it was much more common for a broadcast to have no analysts and just have a single play-by-play announcer to work alone. Vin Scully, longtime announcer for the Brooklyn/Los Angeles Dodgers baseball team, was one of the few examples of this practice lasting into the 21st century until he retired in 2016.
A sideline reporter assists a sports broadcasting crew with sideline coverage of the playing field or court. The sideline reporter typically makes live updates on injuries and breaking news or conducts player interviews while players are on the field or court because the play-by-play broadcaster and color commentator must remain in their broadcast booth. Sideline reporters are often granted inside information about an important update, such as injury, because they have the credentials necessary to do so. In cases of big events, teams consisting of many sideline reporters are placed strategically so that the main commentator has many sources to turn to (for example some sideline reporters could be stationed in the dressing room area while others could be between the respective team benches).
Sports presenter/studio hostEdit
In British sports broadcasting, the presenter of a sports broadcast is usually distinct from the commentator, and often based in a remote broadcast television studio away from the sports venue. In North America, the on-air personality based in the studio is called the studio host. During their shows, the presenter/studio host may be joined by additional analysts or pundits, especially when showing highlights of various other matches.
In video games and particularly eSports, commentators are often called shoutcasters; this terms derives from the free plugin for Winamp called SHOUTcast, which enabled users to live-stream audio-only feeds across the Internet.
While sports broadcasts took place from 1912, Florent Gibson of the Pittsburgh Star newspaper broadcast the first sports commentary in April 1921, covering the fight between Johnny Ray and Johnny "Hutch" Dundee at the Motor Square Garden, Pittsburgh.
In 1975, the National Hockey League (NHL) made headlines when two coaches from the NHL All-Star Game in Montreal allowed Robin Herman and Marcel St. Cyr. access into the men's locker room. Both were believed to have been the first women ever allowed to enter a professional men's locker room to conduct a post-game interview. Sport organizations began to follow in the NHL's footsteps and allowed for other female sportswriters to be given the same access as men sportswriters.
It was not until the year 1977 when Melissa Ludtke, a sportswriter from Sports Illustrated, was given the assignment to cover the New York Yankees playoff series but was denied entry into the men's locker room. Baseball commissioner Bowie Kuhn and other officials chose to discriminate against her based on her sex. Knowing that this would put Sports Illustrated in a disadvantage from other publishers, Time Inc. and Ludtke filed a lawsuit against Kuhn.
The lawsuit was taken to the United States District Court in 1978 where Judge Constance Baker Motley ruled the act as violating the 14th Amendment of the United States Constitution. The court ruled that the Yankees organization devise a plan to protect the players of their privacy while female sportswriters conducted interviews, suggesting the use of towels.
After the access of allowing women in was put into effect, the Yankees organization allowed reporters to spend ten minutes interviewing players and was then asked to leave and wait. Male reporters were unhappy with this and blamed the women from keeping them out and not being able to do their job. For some men they finally understood what women reporters had been dealing with.
In 1990, the issue made its way back into the headlines when Lisa Olson made a public statement revealing that players from the New England Patriots had exposed themselves while interviews were being conducted. This prompted other female reporters who had been harassed to come forward. Accusations were made that women appeared as being "too friendly" while performing interviews or conversing too long with players as though they were flirting. Their credibility became undermined. Thus, the issue of sexism was still present, despite the equal access to men's locker rooms.
In professional wrestlingEdit
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Though not always the case, in professional wrestling, the color commentator is usually a "heel sympathizer" (or a supporter of the "bad guys") as opposed to the play-by-play announcer, who is more or less the "voice of the fans" as well as supporters of the "good guys" (or babyfaces). Though both are supposed to show neutral stance while announcing, the color commentators (especially when they support heels) are usually more blatant about their stance than the play-by-play announcers. Jesse "The Body" Ventura and Bobby "The Brain" Heenan pioneered the "heel sympathizer" for color commentary in wrestling. Jerry "The King" Lawler later made a successful transition into the role, though Lawler has since shown more sympathy for faces (partially due to being over with fans after nearly forty years in wrestling). In some cases, commentators are also active managers for wrestlers, usually following continuity as heels. Former Extreme Championship Wrestling color commentator Cyrus was known for having dual roles as a heel manager and a somewhat neutral commentator. It has also been used to keep injured wrestlers in the public eye while they recuperate. Special guest color commentators serve a twofold purpose, the primary is usually to place them in position to interfere with the match they are calling, but also serves to tell the promotors if this performer can "talk" on his own in the ad lib driven commentary role.
|Wikimedia Commons has media related to sports commentators.|
- Announcerless game, December 1980 NFL game purposely broadcast without TV commentators as an experiment.
- List of sports announcers
- List of Major League Baseball retired numbers#Broadcasters
- http://inklingmedia.net/2012/05/02/color-commentary-and-play-by-play-a-well-rounded-approach-to-facebook/#.Uk8WfhzN63Y Archived 2014-01-16 at the Wayback Machine.
- "Archived copy". Archived from the original on 2014-01-16. Retrieved 2014-02-03.
- Hill, Nathan (December 7, 2017). "The Overwatch Videogame League Aims to Become the New NFL". Wired. Retrieved December 7, 2017.
- Patterson, Ted (2002). The Golden Voices of Baseball. Sports Publishing LLC. p. 12. ISBN 1-58261-498-9.
- "The first woman through the locker room door, 35 years ago".
- "This is why female sportswriters can go in men's locker rooms".
- "Suit won entry to locker room".