Robert F. Colesberry Jr. (March 7, 1946 – February 9, 2004) was an American film and television producer, best known as a co-creator of the television series The Wire (2002–2008) for HBO, executive producer of the miniseries The Corner (2000), and a producer for Martin Scorsese's After Hours (1985), Alan Parker's Mississippi Burning (1988), and Billy Crystal's 61* (2001).[1][2] Colesberry was also an occasional actor.[1]
Robert F. Colesberry Jr. | |
|---|---|
| Born | March 7, 1946 |
| Died | February 9, 2004 (aged 57) |
| Occupation(s) | Film and television producer; actor |
| Years active | 1976–2004 |
| Spouse | Karen L. Thorson (1992-2004; his death) |
Early life
editColesberry was born in Philadelphia.[1][2] Colesberry served as an artillery lieutenant in the Army in the mid-1960s.[2][3] Colesberry also briefly played baseball and operated a bar in Wildwood, New Jersey.[3]
Career
editAfter being discharged from the Army, he attended Southern Connecticut State University, where he became interested in drama.[1][2][3] He later transferred to New York University's Tisch School of the Arts, from which he received his B.F.A. in 1974.[1][2][3]
Colesberry began working on films in New York.[3] He was assistant director for Andy Warhol's Bad (1977) and first assistant director on Alan Parker's musical film Fame (1980).[2] Colesberry was then a producer for Barry Levinson's The Natural (1984), and Martin Scorsese's black comedies The King of Comedy (1982) and After Hours (1985).[3]
Colesberry received Oscar and Golden Globe nominations for his work on Parker's Mississippi Burning (1988) and Emmy nominations for 61* (2001) and the television movie Death of a Salesman (1985), based on the Arthur Miller play.[2]
In 1999, Colesberry began his association with HBO as executive producer of The Corner (2000), a six-hour miniseries adaption of The Corner: A Year in the Life of an Inner-City Neighborhood, a nonfiction book by Baltimore Sun reporter David Simon and former Baltimore police detective Ed Burns. The show was nominated for four Primetime Emmys in 2000, winning two, including the Award for Outstanding Miniseries, and won a Peabody Award.[3]
In 2000, Colesberry created the HBO series The Wire, written by Simon and Burns.[3] Simon, Burns, Colesberry, and George Pelecanos were the "brain trust" of The Wire.[4] Colesberry had a recurring cameo on the series as homicide detective Ray Cole.[1][2]
Colesberry was posthumously awarded a Peabody Award for his work on The Wire in May 2004.[1]
Personal life
editIn 1992, Colesberry was married to Karen L. Thorson; Thorson was also a filmmaker and producer on The Wire.[1]
Colesberry was a longtime resident of both New York City and Amagansett, New York.[5]
Death
editColesberry died in Manhattan at the age of 57 from complications following cardiac surgery on February 9, 2004.[1] Following his death, the Robert F. Colesberry Scholarship Fund for young filmmakers was established in his honor at the NYU Tisch School.[2][5] Colesberry was survived by his wife Karen L. Thorson; two sisters, Jean Brown and Christine Strittmatter; and 11 nephews and nieces.[2][3]
Colesberry's death occurred soon after his directing debut on The Wire second-season finale, "Port in a Storm" (2003). The final episode of the fourth season, "Final Grades" (2006), and the series finale, "-30-" (2008), were dedicated to him. In episode three of the third season, "Dead Soldiers" (2004), Detective Cole (portrayed by Colesberry) dies off-screen (said to have died while exercising), and the episode depicts an emotional Irish wake for Detective Cole.[6][7]
Filmography
editHe was a producer in all films unless otherwise noted.
Film
edit| Year | Title | Credit | Notes | Ref. |
|---|---|---|---|---|
| 1976 | Little Girl... Big Tease | Associate producer | ||
| 1982 | The King of Comedy | Associate producer | ||
| 1983 | Baby, It's You | Associate producer | ||
| 1984 | Reckless | Associate producer | ||
| The Natural | Associate producer | |||
| Falling in Love | Associate producer | |||
| 1985 | After Hours | |||
| 1987 | Housekeeping | |||
| 1988 | The House on Carroll Street | |||
| Mississippi Burning | ||||
| 1990 | Come See the Paradise | |||
| 1991 | Billy Bathgate | |||
| 1994 | Being Human | |||
| The Road to Wellville | ||||
| 1995 | The Scarlet Letter | Co-producer | ||
| 1997 | The Devil's Own | |||
| 1998 | Long Time Since | Executive producer | ||
| 1999 | Ride with the Devil | |||
| 2001 | Peroxide Passion | Executive producer | ||
| K-PAX | Final film as a producer |
- As an actor
| Year | Title | Role |
|---|---|---|
| 1978 | Rockers | Tourist |
| 1984 | Reckless | Marine Recruiter |
| 1988 | Mississippi Burning | Cameraman |
| 1991 | Billy Bathgate | Jack Kelly |
- Second unit director or assistant director
| Year | Film | Role |
|---|---|---|
| 1977 | Andy Warhol's Bad | First assistant director |
| Short Eyes | Assistant director | |
| 1980 | Windows | |
| Fame | First assistant director |
- Production manager
| Year | Film | Role |
|---|---|---|
| 1976 | Little Girl... Big Tease | Unit production manager |
| 1979 | Boardwalk | Production supervisor |
| 1982 | The King of Comedy | Production manager |
| 1983 | Baby, It's You | |
| 1984 | Reckless | Unit production manager |
| The Natural | ||
| Falling in Love | ||
| 2001 | K-PAX |
- Soundtrack
| Year | Film | Song |
|---|---|---|
| 1980 | Fame | Lyrics: "Hot Lunch Jam" |
- Miscellaneous crew
| Year | Film | Role |
|---|---|---|
| 1977 | Thieves | Production coordinator |
| 1978 | The Wiz | Assistant production coordinator |
| 1983 | Copkiller | Production coordinator |
- Location management
| Year | Film | Role |
|---|---|---|
| 1977 | Nasty Habits | Location coordinator: USA |
| 1978 | Fingers | Location coordinator |
- Thanks
| Year | Film | Role |
|---|---|---|
| 2004 | A Dirty Shame | Special thanks |
Television
edit| Year | Title | Credit | Notes |
|---|---|---|---|
| 1978 | Summer of My German Soldier | Associate producer | Television film |
| 1985 | Death of a Salesman | Television film | |
| 2000 | The Corner | Executive producer | |
| 2001 | 61* | Television film | |
| 2002−04 | The Wire | Executive producer |
- As an actor
| Year | Title | Role |
|---|---|---|
| 2000 | The Corner | Judge |
| 2002−03 | The Wire | Det. Ray Cole |
- Second unit director or assistant director
| Year | Title | Role |
|---|---|---|
| 1978 | ABC Weekend Special | Assistant director |
| 2003 | The Wire | Second unit director |
- Production manager
| Year | Title | Role | Notes |
|---|---|---|---|
| 2001 | 61* | Unit production manager | Television film |
- Soundtrack
| Year | Title | Song | Notes |
|---|---|---|---|
| 1982 | Fame | Lyrics: "Hot Lunch Jam" | Uncredited
|
| 1983 | Un, dos, tres... responda otra vez | Lyrics: "S' Wonderful" "Hot Lunch Jam" |
|
| 1993 | Lo Kolel Sherut | Writer: "Pesha" |
- As director
| Year | Title |
|---|---|
| 2003 | The Wire |
- Thanks
| Year | Title | Role |
|---|---|---|
| 2008 | The Wire | Dedicatee |
References
edit- ^ a b c d e f g h i Robert F. Colesberry Jr.; Producer for Film and Television, 57 (February 17, 2004), New York Times.
- ^ a b c d e f g h i j Robert Colesberry, 57; TV Producer Helped Create 'The Wire' (February 13, 2004), Los Angeles Times.
- ^ a b c d e f g h i Robert F. Colesberry, 57, co-creator of "The Wire" (February 13, 2004), Baltimore Sun.
- ^ Brett Martin, Difficult Men: Behind the Scenes of a Creative Revolution: From The Sopranos and The Wire to Mad Men and Breaking Bad (Penguin 2013), p. 63.
- ^ a b Rafael Alvarez, The Wire: Truth Be Told, p. 247.
- ^ Jimmy J. Aquino, "Rock Box" Track of the Day: The Pogues, "The Body of an American" (February 5, 2011).
- ^ Alan Sepinwall, The Revolution Was Televised: The Cops, Crooks, Slingers, and Slayers Who Change (Simon & Schuster 2013), p. 83.
- ^ http://www.hbo.com/thewire/cast/crew/robert_f_colesberry.shtml HBO: The Wire: Cast and Crew: Crew Bio: Robert F. Colesberry - Executive Producer. Retrieved on May 21-2009.
