Reefer Madness (originally made as Tell Your Children and sometimes titled The Burning Question, Dope Addict, Doped Youth, and Love Madness) is a 1936 American propaganda film about drugs, revolving around the melodramatic events that ensue when high school students are lured by pushers to try marijuana—from a hit and run accident, to manslaughter, suicide, conspiracy to murder, attempted rape, hallucinations, and descent into madness from marijuana addiction. The film was directed by Louis J. Gasnier and featured a cast of mainly little-known actors.
|Directed by||Louis J. Gasnier|
|Screenplay by||Arthur Hoerl|
|Story by||Lawrence Meade|
|Edited by||Carl Pierson|
|Distributed by||Motion Picture Ventures|
|1936 (original release)|
($1,843,000 in 2019)
Originally financed by a church group under the title Tell Your Children, the film was intended to be shown to parents as a morality tale attempting to teach them about the dangers of cannabis use. It is notable for being one of the few times in Hollywood where the generation gap between the Lost Generation and the Greatest Generation is portrayed. Soon after the film was shot, it was purchased by producer Dwain Esper, who re-cut the film for distribution on the exploitation film circuit, exploiting vulgar interest while escaping censorship under the guise of moral guidance, beginning in 1938–1939 through the 1940s and 1950s.
The film was "rediscovered" in the early 1970s and gained new life as an unintentional satire among advocates of cannabis policy reform. Critics have called it one of the worst films ever made and has gained a cult following among marijuana-smokers . Today, it is in the public domain in the United States.
Mae Coleman and Jack Perry are a cohabitating couple who sell marijuana. The unscrupulous Jack sells the drug to teenagers over Mae's objections; she'd rather stick to an adult clientele. Ralph Wiley, a sociopathic college-dropout-turned-dealer, and siren Blanche help Jack recruit new customers. Ralph and Jack lure high school student Bill Harper and college student Jimmy Lane to Mae and Jack's apartment. Jimmy takes Bill to a party where Jack runs out of reefer and Jimmy, who has a car, drives him to pick up more. When they get to Jack's boss' "headquarters", Jimmy asks for a cigarette as Jack gets out and he gives him a joint. By the time Jack returns, Jimmy is unknowingly high; he drives away recklessly and hits a pedestrian. A few days later, Jack tells Jimmy that the man died of his injuries and agrees to keep Jimmy's name out of the case—if Jimmy will agree to "forget he was ever in Mae's apartment." As the police did not have enough specific details to track Jimmy down, he indeed escapes punishment.
Bill, whose once-pristine record at school has rapidly declined, has a fling with Blanche while high. Mary, Jimmy's sister and Bill's girlfriend, goes to Mae's apartment looking for Jimmy and accepts a joint from Ralph, thinking it's a regular cigarette. When she refuses Ralph's advances, he tries to rape her. Bill comes out of the bedroom and, still high, hallucinates that Mary is willingly offering herself to Ralph and attacks the latter. As the two are fighting, Jack knocks Bill unconscious with the butt of his gun, which inadvertently fires, killing Mary. Jack puts the gun in Bill's hand, framing him for Mary's death by claiming he blacked out. The dealers lie low for a while in Blanche's apartment while Bill's trial takes place. Over the objections of a skeptical juror, Bill is found guilty.
By now Ralph is paranoid from both marijuana and his guilty conscience. Blanche is also high; at one memorable point she plays the piano more and more rapidly as Ralph eggs her on. The boss tells Jack to shoot Ralph to prevent him from confessing, but when Jack arrives, Ralph immediately recognizes the threat and beats him to death with a stick as Blanche laughs uncontrollably in terror. The police arrest Ralph, Mae, and Blanche. Mae's confession leads to the boss and other gang members also being arrested. Blanche explains that Bill was innocent and agrees to serve as a material witness for the case against Ralph, but instead, she jumps out of a window and falls to her death, traumatized by her own adultery and its role in Mary's death. Bill's conviction is overturned, and Ralph, now nearly catatonic, is sent to an asylum for the criminally insane for the rest of his natural life.
The film's story is told in bracketing sequences at a lecture given at a PTA meeting by high school principal Dr. Alfred Carroll. At the film's end he tells the parents he has been told that events similar to those he has described are likely to happen again, then points to random parents in the audience and warns that "the next tragedy may be that of your daughter... or your son... or yours or yours..." before pointing straight at the camera and saying emphatically "... or yours!" as the words "TELL YOUR CHILDREN" appear on the screen.
- Dorothy Short as Mary Lane
- Kenneth Craig as Bill Harper
- Lillian Miles as Blanche
- Dave O'Brien as Ralph Wiley
- Thelma White as Mae Coleman
- Carleton Young as Jack Perry
- Warren McCollum as Jimmy Lane
- Pat Royale as Agnes
- Josef Forte as Dr. Alfred Carroll
- Harry Harvey Jr. as Junior Harper
- Richard Alexander as Pete Daly, Pusher (uncredited)
- Lester Dorr as Joe - Bartender (uncredited)
- Edward LeSaint as The Judge (uncredited)
- Forrest Taylor as Blanche's Lawyer (uncredited)
Production and historyEdit
In 1936 or 1938, Tell Your Children was financed and made by a church group and intended to be shown to parents as a morality tale attempting to teach them about the dangers of cannabis use. It was originally produced by George Hirliman; however, some time after the film was made, it was purchased by exploitation filmmaker Dwain Esper, who inserted salacious shots. In 1938 or 1939, Esper began distributing it on the exploitation circuit where it was originally released in at least four territories, each with their own title for the film: the first territory to screen it was the South, where it went by Tell Your Children (1938 or 1939). West of Denver, Colorado, the film was generally known as Doped Youth (1940). In New England, it was known as Reefer Madness (1940 or 1947), while in the Pennsylvania/West Virginia territory it was called The Burning Question (1940). The film was then screened all over the country during the 1940s under these various titles and Albert Dezel of Detroit eventually bought all rights in 1951 for use in roadshow screenings throughout the 1950s.
Such education-exploitation films were common in the years following adoption of the stricter version of the Production Code in 1934. Other films included Esper's own earlier Marihuana (1936) and Elmer Clifton's Assassin of Youth (1937) and the subject of cannabis was particularly popular in the hysteria surrounding Anslinger's 1937 Marihuana Tax Act, a year after Reefer Madness.
Preservation and copyright statusEdit
The concept of after-market films in film distribution had not yet been developed, especially for films that existed outside the confines of the studio system, and were therefore considered "forbidden fruit." For this reason, neither Esper nor original producer George Hirliman bothered to protect the film's copyright; it thus had an improper copyright notice invalidating the copyright. Over 30 years later, in the spring of 1972, the founder of NORML, Keith Stroup, found a copy of the film in the Library of Congress archives and bought a print for $297. As part of a fundraising campaign, NORML showed Reefer Madness on college campuses up and down California, asking a $1 donation for admission and raising $16,000 toward support for the California Marijuana Initiative, a political group that sought to legalize marijuana in the 1972 fall elections. Robert Shaye of New Line Cinema eventually heard about the underground hit and went to see it at the Bleecker Street Cinema. He noticed the film carried an improper copyright notice and realized it was in the public domain. Seeking material for New Line's college circuit, he was able to obtain an original copy from a collector and began distributing the film nationally, "making a small fortune for New Line."
In 2004, Legend Films restored and colorized a print of the film, featuring intentionally unrealistic color schemes that add to the film's campy humor. The smoke from the "marihuana" was made to appear green, blue, orange and purple, each person's colored smoke representing their mood and the different "levels of 'addiction'". Film Freak Central criticized the colorization, writing that the color choices would better suit a film about LSD than a film about cannabis.
Reception and legacyEdit
Reefer Madness is considered to be a cult classic and one of the most popular examples of a midnight movie. Its fans enjoy the film for the same unintentionally campy production values that made it a hit in the 1970s.
The review aggregation website Rotten Tomatoes reported a 39% approval rating with an average rating of 4.4/10 based on 26 reviews. However, Metacritic assigned a score of 70 out of 100, based on 4 critics, indicating "generally favorable reviews".
The Los Angeles Times has claimed that Reefer Madness was the first film that a generation embraced as "the worst." Leonard Maltin has called it "the granddaddy of all 'Worst' movies." Las Vegas CityLife named it the "worst ever" runner-up to Plan 9 from Outer Space, and AMC described it as "one of the worst movies ever made."
Sean Abley's stage adaptation, Reefer Madness, ran for a year in Chicago in 1992, and had one showing in 1993 as well.
The film was spoofed in the 1998 musical Reefer Madness (1998), which was later made into the television film Reefer Madness (2005) featuring actors Alan Cumming, Kristen Bell, Christian Campbell and Ana Gasteyer.
The colorized DVD release featured a comedic audio commentary by writer, comedian and actor Michael J. Nelson of Mystery Science Theater 3000 and RiffTrax (later Mike would be joined by Kevin Murphy and Bill Corbett both in later live and studio versions).
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- Bryan Senn (1996). Golden horrors: an illustrated critical filmography of terror cinema, 1931-1939. McFarland. p. 408. ISBN 9780786401758. Retrieved December 19, 2013.
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- Stemme, Joe (September 4, 2005). "What's the Worst Movie Ever?". Los Angeles Times. Retrieved November 17, 2013.
- Peter Howell (April 15, 2004). "Nip Reefer In The Bud". The Toronto Star. Retrieved December 19, 2013.
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- "Reefer Madness Questions". Poverty Row Horrors. April 3, 2011. Retrieved December 19, 2013.
- Before Reefer Madness, High Times and 4/20, There Was the Marijuana Revenue Stamp|Smithsonian Magazine
- Shaye, Robert (May 22, 2003). "Graduation 2003".
- Schaefer, Eric (1999). "Bold! Daring! Shocking! True!": A History of Exploitation Films, 1919-1959. Duke University Press. pp. 1–2. ISBN 0822323745.
- Patrick Anderson (1981). "Chapter 5". High in America: The True Story Behind NORML and the Politics of Marijuana. Viking Press.
- DVD Talk
- Hoover, Travis Mackenzie, Reefer Madness (DVD review), Film Freak Central, retrieved December 23, 2006.
- CULT-CLASSIC REEFER MADNESS ON BLU-RAY FEBRUARY|HighDefDiscNews
- "REEFER MADNESS (TELL YOUR CHILDREN) (DOPED YOUTH)". Rotten Tomatoes. Retrieved October 4, 2019.
- "Reefer Madness". Metacritic. Retrieved October 4, 2019.
- Maltin, Leonard (2003). Leonard Maltin's Movie and Video Guide 2004. Signet. ISBN 0-451-20940-0.
- Stemme, Joe (September 24, 2009). "What's the Worst Movie Ever?". Los Angeles Times. Archived from the original on September 3, 2013. Retrieved November 17, 2013.
- "Reefer Madness (1936)". AMC (TV channel). Retrieved November 17, 2013.
- "Playscripts.com information page for Reefer Madness by Sean Abley".
- "Amazon". ASIN B00018D3XM. Retrieved December 23, 2006.
- RiffTrax Live version also on same official site
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