Rabotnitsa (Russian: Работница; English: The Woman Worker) is a women's journal, published in the Soviet Union and Russia and one of the oldest Russian magazines for women and families. Founded in 1914, and first published on Women's Day, it is the first socialist women's journal, and the most politically left of the women's periodicals. While the journal's beginnings are attributed to Lenin and several women who were close to him, he did not contribute to the first seven issues.
1923 cover of Rabotnitsa
It was re-organized in May 1917 as a Bolshevik journal administered by the Zhenotdel, the Women's Section of the Central Committee of the Communist Party of the Soviet Union, becoming their central publication. Later that year, its editors organized the First Conference of Working Women of the Petrograd Region, promoting the Bolshevik cause in the elections to the Constituent Assembly. From the start of the Russian Revolution of 1917, Rabotnitsa served as the official women's publication under the Communist Party in Russia.
The journal Rabotnitsa was established in 1914 in St. Petersburg. While some state it was initiated by Nadezhda Krupskaya, Lenin's wife, the idea is credited to Konkordiia (née Gromova) Samoilova. Inessa Armand, a close friend of Lenin, was instrumental in actualizing the magazine. Anna Yelizarova-Ulyanova, one of Lenin's sisters, found a press willing to print two issues per month. The first editor was a male, Felix Vasilievich Martsinkevich, while the publisher was a female, D.F. Petrovskaia, the wife of a Bolshevik Duma deputy. Its editorial board was composed of Armand and Samoilova, as well as A. I. Yelizarova-Ulyanova, N. K. Krupskaya, P. F. Kudelli, L. R. Menzhinskaya, Y. F. Rozmirovich, and L. N. Stal. It prospered at the encouragement and support provided by Lenin. It was published by Izdatel'stvo "Pressa" in the Russian language. The money needed to support the publication was collected from women workers.
The first issue was published on International Women's Day, 23 February 1914, with 12,000 copies. It lacked a cover, illustrations and an issuing body. It was a quarterly journal for the period 24 February (8 March) to June 1914. In its first year, its circulation was 12,000. Initially, there were seven issues of which three were confiscated by the police as there was strict censorship by the Communist Party. The magazine ceased its publication after the seven issues due to the difficulties associated with World War I.
The journal restarted on 10 May (23), 1917, its cover announcing that it was now a part of the central Committee of the Russian Social Democratic Workers' Party. Following the October 1917 Revolution, the magazine created a citywide awareness of the revolution. This was followed by the "First All-Russian Congress of Women Workers" in 1918 after which the tsarist government closed the magazine, and all members of the editorial board were jailed. Its publication was resumed in Moscow in January 1923. Ulyanova worked for the magazine at that time, but did not follow the instructions of her brother, Lenin, who by now was abroad, and she resisted efforts by Armand to make the magazine more theoretical.
In 1926, the magazine published articles about a perceived male resistance to women entering metal and machine-tool work jobs, which were typically dominated by men. Within 10 years the magazine congratulated its readership, stating that women "form more than one quarter of all metal workers and machine construction workers, and almost a quarter of all workers in the coal industry..." In 1933, Joseph Stalin complemented the magazine with a personal greeting. A 1935 issue was on the topic of motherhood; in 1936, that was an article on narcotics easing labour pain; and in 1946, there was an article on new fabrics. For Rabotnitsa, the period between 1914 and 1944 has been described as "the most dramatic and challenging years of its existence", when strong ties were maintained between the press and the political leadership of the country.
Rabotnisa was relaunched in 1996.
Rabotnitsa is one of the oldest Russian language magazines exclusively devoted to women and families. The magazine's basic theme is to advocate proletarian internationalism and international labor solidarity as a means to checkmate imperialism. Its advocacy is for "social justice, the emancipation of women, and worldwide peace." The magazine meant to make women workers aware of the political situation in the country and acted as a catalyst in participation of women in the socialist revolution in Russia. The magazine's editors wrote about transforming domestic life through raising the consciousness of men, and blamed social problems on the lingering influence of patriarchy. The magazine paved the way for the women workers to "participate in state and public life and in the building of communism". It was instrumental in awakening the women workers to the political reality of the times and brought them under the party's banner. It also helped in propagating Leninist ideology of the socialist revolution.
Like Krest'yanka ("the peasant woman"), Rabotnitsa's audience was the ordinary woman and not the activist; and these were the only publications that were available both throughout the country as well as throughout the Stalin era for that audience. Rabotnitsa functioned as a women's supplement to Pravda ("truth").
The magazine cost four kopeks in 1914, and the circulation that year was 12,000; in 1918, it was between 30,000 and 40,000. By 1930, it was published in bimonthly press runs of 265,000 copies. In 1974, circulation was 12.6 million; and in 1986, it was 13.3 million. In the 1990s, its circulation was reported to be a record high. It began as a bi-weekly pamphlet, evolved into an illustrated weekly, and later became a monthly journal.
Awards and criticismEdit
Criticism from the Bolshevik women readership centered on the magazine being out of touch with its audience. However, this may have been aimed at Armand. Editors preferred stories of interest to women workers, as well as their poetry and fiction, while Armand preferred theoretical and propaganda pieces written by émigré women such as herself. In spite of a poor review of its quality, Soviet women found the magazine to be "a friend, an adviser, a consultant, and an entertainer".
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