Professional wrestling attacks
Attacking maneuvers are offensive moves in professional wrestling, used to set up an opponent for a submission hold or for a throw. There are a wide variety of attacking moves in pro wrestling, and many are known by several different names. Professional wrestlers frequently give their finishers new names. Occasionally, these names become popular and are used regardless of the wrestler performing the technique.
Professional wrestling contains a variety of punches and kicks found in martial arts and other fighting sports; the moves listed below are more specific to wrestling itself. Many of the moves below can also be performed from a raised platform (the top rope, the ring apron, etc.); these are called aerial variations. Moves are listed under general categories whenever possible.
A maneuver that involves a wrestler attacking with the core of the body. It is executed from an upright, running position using momentum and weight to run over the opponent.
The wrestler takes a short charge into an opponent in the corner of the ring without leaving the feet as he/she opens both arms just before reaching the opponent, resulting in hitting with the chest and abdominal area while throwing both arms inwards as in a bearhug, crushing the opponent into the turnbuckle. This is normally used by bigger, heavier wrestlers.
A variation named after, innovated and popularized by Sting. It involves the wrestler trapping the opponent in a corner. Then the wrestler will charge at the opponent usually from the opposite corner, launching themselves and sandwiching the opponent between them and the turnbuckle as grabbing a hold on the top rope.
This move, innovated by, popularized and subsequently named after Lou Thesz, sees the attacking wrestler jumping towards a standing opponent, knocking them over their back, sitting on their waist and pinning them in a body scissors. A variation, popularized by Stone Cold Steve Austin, involves an attacking standing wrestler performing a thesz press on a running opponent, then repeatedly striking the opponent in the face with mounted punches.
Also known as vertical splash body press, this variation is made by a charging wrestler (usually standing on the second or top rope) against a standing opponent, landing on their chest and shoulders while remaining upright, the wrestler employs the momentum to bring their opponent down to the mat into a seated senton.
These are attacks performed by striking the opponent's neck, shoulders or chest with the edge of a hand.
Also known as knife edge chop, is the act of a wrestler slice-chopping the chest of the opponent using an upwards backhand swing. Many wrestlers use this attack, and the crowd commonly responds with a "Woooo!" noise in honor of Ric Flair, who popularized the move.
A double variation of the aforementioned chop, the wrestler lunges forward or jumps forward in a pressing fashion while crossing arms forming a "X", hitting both sides of the opponent's neck.
Spinning knife edge chop
This variation sets the wrestler spinning 180 or full 360° striking the opponent's chest with a backhand chop.
A downward diagonal attack to the side of the opponent's neck or shoulder. The words kesa and giri in Japanese mean "monk's sash" and "cut" respectively, and it is based on a legitimate defensive cut in traditional Japanese swordsmanship.
The act of chopping both the opponent's shoulders or sides of the neck in a downward swinging motion at the same time.
The wrestler draws a hand back and hits the opponent vertically, usually hitting the top of the head. This move is primarily used by very tall, large wrestlers such as The Great Khali and Andre the Giant.
Also known as throat strike or sword stab. Similar to a conventional wrestling uppercut, the wrestler strikes the opponent's throat upwards with the tips of all five stiffed fingers of a supine hand. Abdullah the Butcher and Sgt. Slaughter were professional wrestlers known for its use as signature move.
Thumb to the throat
A simple maneuver derived from the thumb chokehold having a wrestler drawing back a hand and striking the windpipe with only the thumb, sometimes while holding the opponent by the nape. Performed by wrestlers like Ernie Ladd and Umaga.
A move in which one wrestler runs towards another extending their arm out from the side of the body and parallel to the ground, hitting the opponent in the neck or chest, knocking them over. This move is often confused with a lariat.
Popularized by Mick Foley and named after his "Cactus Jack" gimmick. The attacking wrestler charges at an opponent against the ring ropes and clotheslines them, the charge´s force and momentum knocks both the wrestler and the opponent over the top rope outside the ring.
An attack used by a wrestler where instead of knocking down a standing opponent, aims to squash them against the turnbuckle.
Any variant where instead of aiming at just one opponent, the attacking wrestler knocks down two opponents at once.
Also known as a jumping clothesline or a flying clothesline, this move involves the attacking wrestler running towards an opponent, then leaping into the air before connecting with a clothesline. This variant's use is commonly associated with The Undertaker and Roman Reigns. Another version sees an attacking wrestler leap up into the air and connecting with a clothesline onto an opponent leaning against the corner turnbuckle.
As the opponent runs to the ropes on one side of the ring and rebounds against them, the attacker also runs to the same ropes and rebounds ensuring to be behind them and performs the clothesline as the opponent turns to face them.
Three-point stance clothesline
In this attack a wrestler uses a three-point stance, then runs and clotheslines the opponent. Famously used by performers with known football background, such as "Hacksaw" Jim Duggan or "Mongo" McMichael.
Double axe handle
Also known as a double sledge or polish hammer after its most noted user, Ivan Putski. It sets an attacking wrestler clutching both hands together, swinging them downwards hitting usually the opponent's back, face, or top of the head. The many names of this move come from the attack mimicking the motion seen when people swing a sledgehammer or axe. There is also a top rope variation.
Attacks in which an attacking wrestler jumps and falls down onto an opponent on the floor, striking with a specific part of the body.
The wrestler either falls forward, or jumps up and drops down, hitting a lying opponent with a kesagiri chop on the way down, usually landing in a kneeling position.
A move in which a wrestler jumps or falls down on an opponent driving their elbow into anywhere on the opponent's body. A common elbow drop sees a wrestler raise one elbow before falling to one side and striking it across an opponent. Dwayne Johnson innovated the high impact elbow drop and called it "The People's Elbow".
Another common elbow drop is the pointed elbow drop, that sees a wrestler raise both elbows up and drop directly forward dropping one, or both elbows onto the opponent.
Corkscrew elbow drop
This variation sees the wrestler raise one elbow before falling and simultaneously twisting around as falls to one side, striking the opponent with the elbow anywhere on the body. Sometimes, the wrestler will swing one leg around before the fall, gaining momentum for the corkscrew twist, first invented by "Nature Boy" Buddy Landel in 1984.
Spinning headlock elbow drop
This is any elbow drop which is performed after applying a headlock, the most widely known variation is the inverted facelock elbow drop, in which a wrestler puts the opponent into an inverted facelock, and then turns 180°, dropping the elbow across the opponent's chest, driving them down to the mat.
Another variation of this move sees the executor use the whole arm as a lariat instead of just the elbow, a side headlock from a jumping position variant can also be executed, and twisted around into a sitout lariat. An inverted variation of this move sees the wrestler applying a front facelock before executing an elbow or a lariat to the back of the opponent's head causing them to land on the mat or into a facebreaker where the wrestler places their knee in front of the opponent whilst when executing the move.
A wrestler performs a series of theatrics before jumping or falling down, driving a fist usually to the opponent's forehead, the more theatrics the wrestler inputs on the move it is often referred to as delayed or falling fist drop. Popularized by wreslters like "The Million Dollar Man" Ted DiBiase and The Honky Tonk Man.
There is a snapping variation called karate fist drop that can be performed in a series, setting the wrestler besides a fallen opponent in a front stance known as Zenkutsu dachi. Then the wrestler drops to their rear leg's knee delivering the fist at the opponent's stomach, to rise up back again.
A move setting an attacking wrestler jumping or falling down on an opponent, driving his head usually at the opponent's face or midsection. The most common variation sets the attacking wrestler standing at the fallen opponent's feet, taking them by the ankles to spread their legs. Then the attacker releases the grip as he/she jumps or falls down, delivering the forehead to the opponent's groin.
A move in which a wrestler jumps/falls down on an opponent driving his knee into anywhere on the opponent's body. It is often sold as more powerful if the wrestler bounces off the ropes first. A variation sets the wrestler kneeling besides a fallen opponent, then performing a handstand to drive their knee to the opponent's midsection.
Knee drop bulldog
A version that involves the wrestler placing one knee against the base of a bent over opponent's neck, then dropping to force the opponent down to the mat, landing on the opponent's upper body. There is also a diving version.
A whole number of attacks in which a wrestler will jump/fall and land the back of his leg across an opponent's chest, throat, or face.
An elbow attack sees the wrestler using front or back elbow to connect it in any part of the opponent's body.
Also known as reverse elbow, sees the wrestler giving the back with to a standing or running opponent, and then striking with the back of the elbow to the opponent's face, neck or chest.
Corner back elbow
The wrestler strikes a back elbow to a cornered opponent, lying (facing inwards or outwards the ring) against the corner. This is usually struck from a running wrestler.
Discus back elbow
The wrestler faces away from the opponent, spins around to face away from the opponent and strikes the opponent's face with a back elbow.
This move is a strike that is brought from a high position and travels vertically toward the floor, dropping the point of the elbow directly on the target. Often this will set an attacking wrestler bending an opponent over to deliver the elbow at the back of the opponent. This type of "12-6 elbow" is illegal in the Unified Rules of Mixed Martial Arts.
Mounted elbow drop
The wrestler approaches to a cornered opponent, climbs the second or top rope beside the opponent with a leg on each side. The wrestler then jumps down off the ropes, delivering a bionic elbow to the opponent's head, neck (if the opponent's neck is bent-down or sideways) or the shoulder.
The wrestler makes a punching motion, but tucks their hand towards the chest so the elbow and forearm make contact. These can be used in place of punches, for striking with a clenched fist is illegal in most wrestling matches. A high impact version is used by Wade Barrett as his finishing move, The Bull hammer.
Discus elbow smash
Also called roaring elbow or rolling elbow, the wrestler facing away from the opponent, spins 180° from the stood direction striking with an elbow. Another variation sees the wrestler first facing the opponent, spinning a full 360° to face the opponent again while hitting them.
Short-arm elbow smash
This variation is set up by a wrestler performing an Irish whip but keeping the opponent's wrist held, then the wrestler pulls the opponent back and hits using the other arm's elbow.
A maneuver aming to hurt and/or humiliate an opponent, usually having them sitting or leaning the back of the head against the bottom corner turnbuckle, while the attacking wrestler repeatedly rub the boot's sole across their face. Once the maneuver is finished, the attacking wrestler can execute either a running kick, knee, drop or many other strikes that first sees them running towards or rebounding off the opposing ropes and charging at the fallen opponent.
Boot lace eye-rake
A variation that sees the attacking wrestler placing their shin or instep over the opponent's face, and either pushing the opponent's head or their own leg down, raking the opponent's eyes across the laces of their boot.
Double boot scrape
With the opponent lying back on the mat, the wrestler stands at the opponent´s top of the head and leaps to rake both points of the boots over the opponent's face, while falling back on their feet.
Spinning boot scrape
In the same sense, and as performed by Eddie Guerero, this move sees a wrestler putting one foot over the face of an opponent lying on the mat. As stepping, he/she spins around the point of their foot, rubbing the fallen opponent's face.
The wrestler clenches both fists and rises both arms, striking the sides of a cornered opponent's head in a stabbing motion one forearm at the time. Popularized by Big Van Vader as the Vader Hammer.
An attacking wrestler uses one hand to take hold of an opponent by the nape or hair and leaning them forward while extending the other arm in a raised position, clenching the fist before throwing the forearm forward down onto the opponent, clubbing him / her across the back of the head/neck. This will often send the opponent to the mat front-first.
Inverted forearm club
A variation that sees the attacking wrestler take hold of an opponent and lean them backwards to expose the chest, allowing the attacking wrestler to club the opponent and send them to the mat back-first. Another variation sets the opponent into an inverted facelock by the wrestler as he/she clubs repeatedly the opponent's chest with their forearm.
An attacking wrestler charges at the opponent and then hits the opponent in the chest or face upwards with a forearm to force them back and down to the mat.
Flying forearm smash
While running towards an opponent (usually after bouncing off the ropes), an attacking wrestler would leap up into the air, before connecting the forearm smash.
Sliding forearm smash
While running towards an opponent (usually after bouncing off the ropes), the attacking wrestler extends the forearm forward and does a slide across the mat before connecting.
A lesser used version that sees the wrestler standing over a crawling opponent on all fours, delivering the forearm inwards and sideways onto the opponent's temple repeatedly in a swinging motion. This move is named after the way some police officers used to submit a suspect by torture or in cases involving forced confession. Kurt Angle used to perform this maneuver as a mean to set an opponent up for a submission hold.
An attack where a wrestler uses the head to strike a part of the opponent's body, usually the forehead or chin (unlike a legitimate headbutt), to daze him /her counting on the superior hardness of the wrestler's head and the momentum delivered to hurt the opponent without hurting the wrestler. Many wrestlers deliver a headbutt to an opponent's head by holding the opponent's head and delivering the headbutt to their own intervening hand instead, relying on it to cushion the blow.
The wrestler stands facing an upright opponent, lowers the head and then jumps or charges forwards, driving the top of the head into the abdomen of the opponent. There is also a double-team version of the move.
Reverse battering ram
The attacking wrestler performs an Irish whip to the opponent and runs to bounce against the ropes front or side first at the other side of the ring, then jumps and turns mid-air to deliver a headbutt against the opponent's head. A popular move in Lucha libre, often associated to Rayo de Jalisco Jr.. There's another variation where after bouncing, the attacker jumps arching the back, plunging the top of the head into the opponent's chest.
The wrestler holds both the opponent's arms under his / her own, and delivers a series of headbutts to the opponent, who is unable to counter.
An attack where a charging wrestler jumps striking both knees simultaneously into the head, chest or back of the opponent.
Go 2 Sleep
Sometimes abbreviated to GTS, this move sees a wrestler place an opponent in a fireman's carry to drop the opponent in front of them. While the opponent is falling, the wrestler quickly lifts the left knee up, towards the opponent's face. Former WWE wrestler CM Punk is known for using the move.
Kenta, the creator of the original maneuver, also uses an inverted variation in which he lifts his opponent into an Argentine backbreaker rack, throwing the opponent forward, and striking his knee in the back of the opponent's head. He uses the original GTS as Hideo Itami in WWE since CM Punk retired from WWE.
A modified version, used by Tye Dillinger called the Tye Breaker, sees the wrestler performing the GTS but, rather than dropping the opponent in front of him to execute the move, throwing the legs of the opponent out backwards to rotate them 180°, before making the opponent land face first over the bent right knee.
An attack in which a wrestler will charge towards the opponent, then jumps up and raises a knee to hit the opponent usually into the side of the head. This move has been closely associated with Harley Race, often being referred to as a "Harley Race High-Knee". It has later been popularized as a signature move by WWE Superstars as Triple H and CM Punk.
Running single leg high knee
This variation, more akin to a running single leg dropkick, sees the attacking wrestler running and leaping towards the opponent while throwing one knee forwards to strike the opponent's face. This move was made popular in Japan by Kenta and later adopted by WWE wrestler Daniel Bryan.
An attack in which a wrestler brings the knee up to hit the opponent under the chin as if performing an uppercut. This can either be performed in mid clinch or with the attacking wrestler charging at a kneeling or bent over opponent, lifting the knee upwards to strike underneath the jaw or the side of the head. A double variation sets a wrestler standing in front of the opponent, then while performing the mid clinch leaps throwing both knees upwards to strike the opponent´s chin, and releases the hold to fall back on his / her feet.
A strike created by The Great Muta delivered to an opponent down on one knee. After stepping off the opponent's raised knee with one foot, the wrestler swings the other leg and strikes the opponent's head with either the side of the knee or shin. A slight variation known as shining apprentice sees the wrestler use a running enzuigiri to the kneeling opponent's head without the use of the opponent's knee for leverage. Many other "shining" attacks exist, including big boots and dropkicks. The shining wizard can be applied to a standing opponent as well; this would be likely applied by stepping off the opponent's chest and then delivering a knee smash to the opponent's face. AJ Lee uses this move.
Also known as a discus knee or rolling knee, the wrestler advances towards a sitting or bent over opponent, performs a 360° spin and uses the momentum to deliver a jumping knee strike to the opponent's head.
A kick in wrestling is an attack using any part of the foot or lower leg to strike the opponent's body or head.
Involves the attacker originally facing his opponent. Then turning 180° and bending the rear leg at the knee or extending it backwards in full, exploiting the turning momentum to strike the opponent in the chest or stomach. Also known as reverse side kick or heel kick. It is a very popular attack in Mexico, known by its original name La Filomena, for it was innovated and named by Murciélago Velázquez. A jumping back kick is a variation that involves the attacker conducting the turning motion while jumping.
Even though several other kicks may be confused with a back kick, it must be considered that this attacks are indistinctively applied heel/calf-first.
This kick starts with a standing wrestler jumping to either side, connecting the side of their lead leg´s calf-heel cord area to the opponent's face or chest.
Also referred to as jumping leg lariat or running calf kick, it sees an attacking wrestler charging towards an opponent, then taking a sidestep, he/she jumps and wraps their lead leg's kneepit around the opponent's head or neck knocking them to the ground. A variation has the attacking wrestler standing on the top turnbuckle or springboarding from the top rope to get the required height to execute it.
Also known as reverse roundhouse kick, it sees the attacking wrestler spinning 360° on their rear foot gaining power and momentum from spinning in place, then connecting their lead foot's heel/calf to a charging opponent's face. It is common to see this move executed after an opponent is Irish whipped off the ropes. A short-arm variation is also possible.
Spinning heel kick
A jumping version of the spin kick that usually involves the wrestler spinning 360° so their body is somewhat horizontal before hitting the opponent with the back of their leg(s) or heel(s) on the opponent's face or chest.
This attack is performed after an opponent catches the leg of a wrestler who has attempted a kick of some sort (performing a maneuver known in wrestling as "Leg-feed"), then while the opponent throws the leg out away from himself, the wrestler continues spinning all the way out with his leg still extended to connect the kick.
Rolling wheel kick
Properly named Ajisegiri and also known as rolling koppu kick or rolling liger kick, it sets the wrestler rolling towards a standing opponent, extending a leg which connects with the back, chest, or head of the opponent.
Also known as jumping axe kick, this is a standing version of a leg drop performed on a bent over opponent usually in the middle of the ring. The wrestler bounces off the ropes, jumps, driving one leg into the back of the head / neck of the opponent, similar to a pair of scissors. Popularized by Booker T.Alicia Fox uses this move.
Often referred to as side kick or crescent kick, it sees the wrestler delivering a kick with the lead foot to the opponent's face, chin, neck or breastbone, usually preceded by a sidestep. "Gentleman" Chris Adams is credited for its innovation. It is famously the finisher of Shawn Michaels, who calls it Sweet Chin Music and occasionally adds theatrics before using the move. The Young Bucks also use the move. Carmella uses this as her finisher and so do the Usos
A thrust where the wrestler turns the torso away lifting one leg horizontally and extending it torwards the opponent, striking in the torso with the sole of their foot. A spin kick variation sees the wrestler spin around and then performing the kick with the outer leg, which is known as rolling sole butt in Japan. There is also jumping variation where the wrestler jumps straight up, spins in the air, and then delivers the sole butt with the outer leg targeting the head of the opponent.
A sole kick can be differentiated from any other because it is always applied with the ball/core of the foot in a thrusting fashion.
Otherwise known as Yakuza kick. This attack is usually done with the opponent charging towards the wrestler, using the opponent's momentum to deliver the wrestler's sole to the upper-body or head. This move is commonly performed by tall wrestlers to enhance its view as a strong attack even though the wrestler themselves are not moving and the opponent is running into the foot, and because of that their height makes it easy for their legs to reach the head of normal-sized wrestlers. There is also an arched variation of this move. Big Cass uses this move. Sami Zayn uses this move calling it the Helluva kick. Billie Kay also uses this move calling it the Shades of Kay.
An attacking wrestler jumps up and kicks forward with one foot after the other in a pedalling motion, with the foot that gets lifted second being extended fully to catch a charging opponent directly in the face. Another variation sees the attacking wrestler charge at a standing opponent before delivering the attack. Similar in effect to the big boot. This move is used by Sheamus as a finisher, the Brogue Kick.
An attack where the wrestler jumps up and kicks the opponent with the soles of both feet, this usually sees the wrestler twist as they jump so that when the feet connect with the opponent one foot is raised higher that the other (depending on which way they twist) and the wrestlers fall back to the mat on their side or front. This is commonly employed by light and nimble wrestlers who can take advantage of their agility.
The wrestler drops to one knee and extends the other leg to knock away the opponent’s legs, then quickly pivots their body around.
While facing away from a charging opponent, the wrestler bends down and pushes out one foot, striking the opponent with the bottom of it. A double mule kick variation is usually done with the wrestler facing away from the opponent, bending over and making a handstand. If acrobatically inclined, the wrestler can then roll forward, back into a standing position. Sometimes done in a corner, the wrestler takes hold on the top rope and kicks backwards with both legs to the opponent, hitting with both soles.
The most commonly used savate kick in wrestling is the Chassé jambe arriére, a piston-action kick to an opponent's head or chin. This kick is often confused with the Superkick but it can be differentiated for it is performed from an upright stance with the rear foot, instead of the lead foot. Rusev calls it Machka Kick.
This kick, used by almost all wrestlers, is appealed just for show or as a setup for a hold or throw. The most common way to perform this attack sees the wrestler striking the opponent upwards in the midsection or stomach to bend the opponent over. Another variation sees the wrestler holding back their own foot with one hand, taking it up their side or lower back and releasing it, striking a bent over opponent in the back of the head.
This maneuver can be differentiated from any other kick noting that it is always performed striking with the point of the foot-instep-shin area.
Also known as Pelé kick after the association football player, the attacker performs a standing back flip while having their back to the opponent. The attacker then hits the opponent in the head with one or both legs, with the wrestler usually landing on hands and feet facing downward. There are many variations of this maneuver since it can be performed from a backroll, a corckscrew, a handspring or a handstand.
Corner backflip kick
This variation, also known as tiger wall flip and popularized by Satoru Sayama, sees an opponent propped up in the corner as an attacking wrestler charges towards them, running up the ropes (beside the opponent), or in some cases, up the opponent, and, as he/she reaches the top, kicking off the opponent's chest to perform a backflip so the wrestler lands on their hands and feet.
The wrestler first performs a crane stance, by standing on one leg, with the other knee raised and arms extended in a crane position. The wrestler then strikes the opponent's head or face with either the standing or raised leg.
The term Enzui is the Japanese word for medulla oblongata and giri means "to chop". Thus, an enzuigiri (often misspelled 'ensuigiri' or 'enzuiguri') is any attack that strikes the back of the head. It is usually associated with lighter weight class wrestlers, as well as wrestlers who have a martial arts background or gimmick. It is often used as a counter-move after a kick is blocked and the leg caught, or the initial kick is a feint to set up the real attack. A common variation of the enzuigiri sees the wrestler stepping up the opponent's midsection, and hitting the back of the opponent's head with the other foot.
Jumping high kick
Properly called Gamengiri (from the original Japanese Gamen / "face" and Giri / "Cut"), it is a variation of an enzuigiri where the wrestler jumps up not taking a step or hold with the lead foot and kicks the opponent in the side of the head/face. Sonya Deville uses this move.
In this version, the wrestler either starts by lying down or dropping down on the mat while the opponent stands near to their head. The wrestler then throws a leg and kicks up over their waist and chest, hitting the opponent with the point of the foot, usually in the head. It can be used as a counter to an attack from behind. For example, an opponent attempts a full nelson, the wrestler breaks the opponent’s lock by raising both arms, falling to the canvas back-first and kicking the opponent in the head with one foot.
A kickboxing-style kick with the shin (generally protected by a shin guard) striking an opponent's face, chest or thighs. This move is used in shoot-style environments and by many Japanese wrestlers. In WWE, Daniel Bryan popularized the shoot kicks as the Yes! Kicks while the crowd would respond with a chant of "Yes!" every time a kick connected.
Sometimes also referred to as soccer kick. The wrestler strikes an opponent sitting on the mat with the foot extended downwards vertically from the base of the spine to the back's midsection. Used by Katsuyori Shibata as the P.K. (penalty kick).
Based on the field goal kick but named for the punt kick used in American football, sees the wrestler taking a run up to a kneeling opponent and strike them in the head with the point of the foot. It is similar to the soccer kick in MMA. WWE wrestler Randy Orton performed this move as his finisher maneuver to cause storyline concussions.
Properly speaking, a roundhouse kick in wrestling is a variation of a shoot kick with a slight difference. While in the later (a proper roundhouse kick in execuition) the attack stops after connecting the opponent, in a roundhouse kick the wrestler will keep spinning well passed a sitting/kneeling opponent's head or a standing opponent's ribcage, giving a 180 or even a full 360° turn.
Tiger feint kick
A move in which a wrestler jumps through the second and top rope while holding on to the ropes, using the momentum to swing back around into the ring. Originally performed as a fake dive to make opponents and fans think that the wrestler was about to dive through the ropes to opponents outside of the ring, later modified to become a kick to the head of an opponent who is hung on the second rope. This move requires high agility and is mainly used by smaller wrestlers in Japan and Mexico. Popularized internationally by Rey Mysterio, who called the move 619 (after the area code for Mysterio's hometown).
In wrestling, a lariat is performed when an attacking wrestler runs towards an opponent and wraps an arm around the opponent's upper chest or neck, forcing him / her to the ground. This move is similar to a clothesline, the difference being that in a clothesline the wrestler's arm is kept straight to his / her side during the move, while in the lariat the wrestler strikes the opponent with his arm often in a swinging motion and sometimes dropping face first besides the opponent.
Typically, a lariat is used as a finishing move while the clothesline is simply a basic strike attack. The main difference aside from the mechanics of the movement is the stiffness, a lariat is essentially a very stiff, swinging clothesline.
Crooked arm lariat
It is performed when an attacking wrestler runs towards an opponent with the arm bent upward at the elbow 60–90 degrees, wraps the arm around the opponent's neck forcing him / her to the ground. Hulk Hogan is often referred as its innovator.
The attacking wrestler first uses the ropes to build up speed. then leaps forward and wraps his / her arm around the opponent's neck, causing the power of the force to knock down the opponent.
The wrestler runs towards his opponent, wraps an arm around the opponent's upper chest and neck, and swings both legs forward, using this momentum to pull the opponent down with him to the mat back-first. Popularized by "Macho Man" Randy Savage.
Also called enzui lariat, it sets the attacking wrestler charging against the opponent's back, driving them to the mat face first.
A variation where the wrestler grabs one of the opponent's wrists with a hand and pulls the opponent closer, striking with his / her other arm. This can also be used in combination with a hammerlock as in the case of Ariya Daivari.
This maneuver is performed when the wrestler doesn't run but simply strikes the opponent while standing next to them or waiting for a charging opponent. Popularized by Stan Hansen. The wrestler can also hold the opponent's head up before performing the lariat with his / her other arm. Kenta Kobashi uses this variation as one of his many finishing moves called Burning lariat.
This move sees the wrestler delivering an open-handed strike with arm movement akin to a cross, usually to the opponent's chin, face or chest. This is a legitimate offensive-defensive maneuver in karate known as Shotei uchi and is often performed by wrestlers with known martial arts background, particularly in Japan where is often associated to former sekitori. Several of these attacks can also be performed with the opponent in a side headlock.
Sometimes referred to as a frying pan or an open-hand chop. Despite of the name, it refers to a slap properly and not a chop. The wrestler strikes downwards the chest, nape or back of an opponent, using the open palm of the hand.
Double open hand chop
Also called blazing chop, this variation sees a standing wrestler striking the chest of a charging opponent with both palms sideways, shoving them down to the mat back first.
The wrestler delivers an overpowering open-hand slap crossing the opponent´s face, ears, or nape. This simple strike is more often performed by female wrestlers or villains. A variation associated to Dusty Rhodes and his family involves a charging wrestler attacking with a slap as if performing a clothesline.
Properly speaking, an uppercut is a punch used in boxing that usually aims at the opponent's chin. It is, along with the hook and the overhand, one of the main punches that count in statistics as a "Power punch", while in wrestling, any close-fisted punch is considered an illegal attack. Therefore, it is an upward variant of a palm strike in execution. Usually seen performed by tall, heavy wrestlers like Kane and Goldust.
An illegal attack using a simple close-fisted punch normally to the stomach, lower back or head of the opponent. Unlike most illegal attacks, punches almost never result in disqualification. Instead, the referee simply admonishes the wrestler to stop, usually to no effect. Punches are often used by both villains and heroes alike. However, when villains perform the strike while either the opponent is not expecting it, or when the referee is in some way distracted, it seems more devastating.
Often aimed at a kneeling opponent or one sat on the top turnbuckle. In this variation of a simple close-fisted punch, the wrestler strikes the opponent with the back of the fist in the head or chest, often repeatedly.
Spinning back fist
The wrestler holds an arm out horizontally and executes a back fist whilst turning the body swiftly, hitting the opponent on rotation.
Also named spinning punch or tornado punch. The attacker performs a 180 or 360° degree turn similar to a discus motion and hits the opponent in the head with a swinging hook.
The attacker lifts a charging opponent up in the air as if performing a back body drop but instead of tossing him / her over the head, the attacker pushes the opponent upward performing a flapjack. As the opponent falls to the mat face-first, the attacker hits the opponent with a liver shot. Popularized by Ludvig Borga.
The wrestler raises the opponent's left arm up over his / her head, sometimes folding it back behind the neck as well, then delivers a strong straight into the side of the ribcage. The move is alleged to rely on "Oriental pressure points" to strike a nerve causing the opponent's heart to momentarily stop, rendering them unconscious. Stan "The Man" Stasiak, Ox Baker and Big John Studd are professional wrestlers well known for their use of the heart punch as a wrestling maneuver.
This attack involves a wrestler standing on the middle or top ropes and delivering repeated crosses to the face while the opponent is backed up against the turnbuckles. A variation sees the wrestler striking a fallen opponent either mounting in front of them or kneeling besides and having the opponent in a side headlock. The crowd tends to count the punches, which typically end at ten, provided they're not interrupted by the opponent pushing the wrestler off or by the referee admonishing the attacking wrestler.
This attack sees a wrestler leap into the air, snapping the rear leg back before striking with a swinging overhand to the opponent's head. Popularized by Roman Reigns.
A theatrical variation in which the wrestler rotates the attacking arm in a "winding-up" motion before striking the opponent, making the punch appear more effective in the same way of a bolo punch in boxing.
In Spanish, the word senton (Properly spelled as Sentón) refers to landing on the lower back or buttocks after taking a fall. Either on purpose (as for comedic effect) or accidentally.
Having a fallen opponent lying next to the apron, the attacking wrestler grabs either the opponent's head, torso or leg and places it on the bottom rope. Taking hold of the top rope, the wrestler proceeds to jump and sit repeatedly on the opponent's neck, chest or leg as he/she stomps hard, to hurt or incapacitate the opponent.
Leapfrog body guillotine
This move sees the opponent's chest resting on the second rope, facing out of the ring. The attacker running from behind performs a leapfrog and lands on his opponent's back, neck or head, sliding through the ropes out of the ring as he/she forces the opponent's chest against the second rope.
Having an opponent seated in the corner of the ring, the attacking wrestler jumps in the corner, straddling on the opponent's midsection, bouncing up and down. Normally treated as having comic or sexual connotations rather than as a legitimately painful move, the latter particularly true during some matches between female wrestlers.
Similar to a bronco buster, the attacking wrestler jumps onto a standing opponent in the corner, straddling and sitting on the opponent's chest, while resting feet on the second rope. The attacking wrestler then follows with mounted punches.
Also named rear view or butt thump, is usually performed with a running start, then the attacking wrestler jumps into the air, spinning around, and thrusting the pelvis backwards, thus hitting the opponent's face or chest with hip or buttocks. Another variation called reverse body avalanche sees large, heavy wrestlers giving the back to a cornered opponent as they take hold on the top rope, thrusting the pelvis repeatedly against the opponent's midsection as if performing turnbuckle thrusts. Naomi uses this move calling it Rear View
Also known as vertical splash or butt drop, is the most common form to perform this maneuver. A wrestler jumps down to a sitting position across the chest or stomach of a fallen opponent. This particular move is usually executed one of two ways. One is to see the wrestler stand over the opponent and drop to either a seated position (like Rikishi) or a kneeling position (like Bastion Booger's Trip to the Batcave). The other is performed with the opponent lying near one of the turnbuckles, with the wrestler climbing to the middle rope and bouncing on it before performing the senton (Yokozuna's Banzai Drop). A variation of the seated senton was performed by Earthquake, whose Earthquake Splash would see him run off the ropes to gain momentum for the senton and then jump onto the opponent while running. It is also an obvious and often-used counter to the sunset flip.
Another slight variation on a standard senton sees the attacking wrestler jump and flip forward 180° so that the lower back impacts on the opponents chest or head.
A somersault senton performed to an opponent sitting in a corner to be sandwiched between the turnbuckle and the wrestler's lower back.
A maneuver that sees a standing wrestler strike usually ramming with a shoulder, by keeping an arm down by the side into a charging opponent's chest or abdomen. However, often this will see a larger wrestler displaying superior size and strength by challenging an opponent to attack, standing still slightly to one side and having the opponent charging towards trying to execute a strike, only to get knocked down (often several times) and see any attempt of the hapless opponent having no effect. A slight variation called body block, sees an opponent run at the large wrestler who would simply engulf the charging opponent by swinging their arms round and forcing the opponent to impact the wrestler's entire body.
This variation sees the wrestler performing this attack coming from behind an opponent and droping down to connect with their shoulder into the back of one of the opponent's knees, this is often used to weaken the leg for submission holds.
The attacking wrestler runs the ropes to gain momentum before leaping at the opponent with a high shoulder block. This variation is usually preceded by an Irish Whip to an adjacent side of the ring, or to counter an opponent already running the ropes, further increasing the moves impact. It was innovated by Monty Brown and also used by Mojo Rawley.
Short-arm shoulder block
A variation where the wrestler grasps one of the opponent's wrists firmly with both hands and pulls the opponent's arm towards them. From this point on, the attack can be executed one of two ways. In one the wrestler rams their shoulder repeatedly against the opponent's own to incapacitate or hurt the arm, setting it up for a submission or as a mean of punishment. Popularized by Diamond Dallas Page and Batista.
In the other, the wrestler strikes lunging their shoulder against the opponent's chest or chin, then releasing the hold to leave the opponent fall to the mat. This maneuver was performed extensively by Beth Phoenix.
This sets an attacking wrestler charging towards a standing opponent, bringing the body parallel to the ground and driving one shoulder into the opponent's midsection, pulling on their legs, as in a double leg takedown, and forcing them back-first into the mat. This simple, but powerful-looking move has been used by many famous wrestlers as a finisher, such as Goldberg, Edge, Bobby Lashley, Roman Reigns, Batista, Charlotte Flair and many more.
In this variation, the wrestler does not pull on the opponent's legs in a double leg takedown, relying only on the strike's momentum to force the opponent down. Rhyno uses this variation as his finisher, The Gore.
Spear with multiple punches
This move is performed to an opponent set up resting back first against the turnbuckle. Then the wrestler takes hold of the second rope both hands opening their arms, and strikes driving the attacking shoulder into the opponent’s midsection, often repeatedly, as he/she swings the legs back and forth to gain momentum. A variation sees smaller wrestlers using the top of their heads instead of the shoulder or running from the center of the ring.
A Splash is an attack very similar to a body press in function but not in execution, the difference lies in that it is executed from a falling position, most of the times the attack is performed horizontally, and most variations can seamlessly transition into a pin.
This maneuver involves a wrestler jumping forward and landing stomach-first across an opponent lying on the ground below. On some occasions a wrestler has a short running start before executing the move.
The attacking wrestler performs a cartwheel before landing stomach-first across an opponent lying on the mat. Usually perfomered by small, nimble wrestlers men or women.
Also known as crossbody block, it sets a wrestler jumping onto his opponent and landing horizontally across the opponent's torso, forcing the opponent to the mat and usually resulting in a pinfall attempt. There is also an aerial variation, known as a diving crossbody, where wrestler leaps from an elevated position towards the opponent. This attack is known as a Plancha in Lucha libre.
An uncommon variation of the move which sees the wrestler being held and spun into a tilt-a-whirl by the opponent, when the wrestler reaches a point where he / she is horizontally positioned against the opponent's torso, falls down pushing down the opponent onto the back against the canvas. This move is better described as a counter for a tilt-a-whirl backbreaker, or for a tilt-a-whirl mat slam.
Also known as foot stomp, this attack sees a wrestler stamping a foot on any part of a fallen opponent. One variation performed by large, heavy wrestlers implies simply to step on the opponent's stomach as they walk, often referred to as a big walk. This variation, when performed by a villain, aims to the head of the opponent but in a crudest, vicious way.
Seth Rollins' version of the move is a running stomp to the back of the head of a bent-over opponent, forcing the opponent face-first into the ground. It was eventually banned from use by WWE in 2015, before Rollins would return to using this move as a finisher in early 2018. Impact Wrestling wrestler Laurel Van Ness also uses this move as a finishing move.
Double foot stomp
When a wrestler jumps and stamps both feet on any part of an opponent. Also known as double stomp. This can be performed from an elevated position as a diving double foot stomp. Large, heavy wrestlers often perform this move by simply standing over a defenseless opponent next to the apron both feet and grabbing a hold on the top rope, squashing the fallen body.
A wrestler performs a series of stomps all over the body of a fallen opponent in the order of left arm, left chest, left stomach, left upper leg, left lower leg, right lower leg, right upper leg, right stomach, right chest, right arm, and finally the jaw. Innovated by and named after the former NWA World Heavyweight Champion Ron Garvin in the late 1980s. It was later popularized by Randy Orton.
Some moves are meant neither to pin an opponent, nor weaken them or force them to submit, but are intended to set up the opponent for another attack.
This is a move in which a wrestler will spin in place before hitting an attack, like the discus clothesline, discus punch, or the discus forearm. The move is usually used instead of charging towards an opponent to build up momentum for an attack, often the discus spin is used to evade incoming attacks.
The wrestler runs towards the ropes and performs a handstand right next to them, using his momentum to throw his legs against the ropes, using the spring to throw himself backwards back onto his feet, and using the momentum still to leap backwards, usually to deliver an attack. A back elbow strike variation is the most common. Another common variation of the handspring transition sees the attacking wrestler Irish-whip their opponent onto a turnbuckle from an adjacent corner. Once the opponent crashes with their back onto the turnbuckle, the wrestler immediately performs a handspring combo towards the opponent across the ring. The acrobatic combination usually consists of a cartwheel followed by one or two back-tucks leaving the wrestler's back facing the opponent. When the wrestler is in close range of the opponent, they are free to use the momentum of the handspring combination to leap backwards and strike with either a back-elbow, a back-thump, a dropkick or any other convenient attack.
Sometimes abbreviated to "Hi-impact", this term defines any attack performed by a charging wrestler with enough speed and momentum that once started it can not be stopped. The opponents receiving such attacks can be against the ropes/turnbuckle, lying on the mat or even trying to perform an attack against the charging wrestler themselves.
Named after the children´s game, is an evasion maneuver that sees a wrestler standing in front of an incoming opponent as he/she leaps upwards performing a split, so the opponent misses their onrush. It can also be employed to set up an attack.
This is an evasion performed by bending over backwards into a bridging position to counter any clothesline, punch, etc. This is named after The Matrix film series, as it is performed similarly to when Neo, in the movies, avoids a string of bullets.
This is a move in which a wrestler performs a tilting sequence, similar to that of an actual pendulum, in between the ring ropes (usually near a ringpost) in order to gain momentum to perform an attack or a counterattack. The usual move was the clothesline or a lariat. Nigel McGuiness known for utilize it as the Jawbreaker Lariat, Dean Ambrose as the Lunatic Lariat and Kyle O'Reilly as the Nigel.
A rolling thunder refers to the action of a forward roll towards an opponent using the complete rotation to spring up onto their feet and into the air and perform an attack. The most popular version of this ends it with a jumping somersault senton. Rob Van Dam popularized this move.
This transitioning maneuver is a set up for a short ranged attack, performed by Irish-whipping the opponent, but holding onto the wrist. When the held arm is completely extended, the wrestler pulls the opponent back and strikes them with the free arm. Alternatively, the Irish whip is used instead of or repleaced by an arm wrench or a wrist lock, or by simply grabbing a hold of one of the opponent's wrists with one the wrestler's hands, pulling it towards themselves and striking with their spare arm or going for a hold or sweep.
Skin the cat
This defensive maneuver is used when a wrestler is thrown over the top rope. While being thrown over the wrestler grabs the top rope with both hands and holds on so that he ends up dangling from the top rope but not landing on the apron or on the floor. The wrestler then proceeds to lift his legs over his head and rotates his body back towards the ring to go back over the top rope and into the ring, landing in the ring on his feet. The wrestler can also perform a head scissor hold or a type of kick to strike an opponent on the inside to throw him over. This is a tactic that can be deployed Royal Rumble or Battle Royal matches to save themselves from being eliminated, or to set up another springboard maneuver or a top rope maneuver in a normal match. This move was made famous by Ricky "The Dragon" Steamboat and Shawn Michaels.
In kayfabe, any attack meant to incapacitate or disable an opponent is theoretically an offense punishable by disqualification in regular singles or team matches. Typically performed when the referee is disabled or otherwise distracted. However, most of these attacks are legal in hardcore or no-disqualification matches.
Mainly used by villains, often wrestlers will perform these strikes while the referee is in some way distracted. In lucha libre, this is referred to as a "fault" or "foul". The most well-known illegal moves are those that attack the groin of a male wrestler.
The attacking wrestler drags both hands´ seized fingers down the opponent's back, to cause pain and disconfort.
The wrestler seizes a body part of the opponent and bites down with their teeth. Biting is often used when a wrestler is "trapped", either in a corner of the ring or in a submission hold, as a desperation move.
Also called a thumb to the eye. When a wrestler pokes his thumb or finger(s) into an opponent's eye(s).
This is when a wrestler moves his hand down past an opponent's eye(s), making it appear that the wrestler has dragged their fingers across the opponent's eye(s), to cause pain and visual problems.
As the name implies, this move sees one wrestler take advantage of another's long hair by pulling it. In modern mainstream wrestling, it is more commonly used by female wrestlers. Similarly to a submission hold in the ropes, or a choke, the wrestler is given a five count to stop, before being disqualified.
Seen when a wrestler who is on the opposite side of the ring ropes from an opponent (on the 'apron') grabs him by the head and drops down, forcing the opponent's throat across the ropes. This is an illegal attack because of its use of the rope. A common variation sees the wrestler perform a catapult to the opponent while the opponent is lying down in between the bottom and second ropes.
Similar to the normal hangman, which sees the wrestler standing outside the ring or on the apron, grabs the back of the opponent's head or neck (who is lying against the set of ropes, facing to the inside of the ring) into the ropes. The move can be alternatively called a "reverse" hotshot.
A direct shot to the groin of an opponent; otherwise known as a groin attack, utilized by heel wrestlers such as Ric Flair. It is an offense punishable by disqualification. This illegal attack is mainly used by heel superstars or valets to gain the upper hand on their male opponents. Although kicking an opponent in the groin is the most obvious method, the most popular version sees an attacking wrestler drop to their knees and raise their arm up between the opponent's legs, striking the groin with the inside of their elbow-joint.
A version of a clawhold in which a wrestler will grab hold of an opponent by the testicles and squeeze. This is an illegal maneuver mainly used by wrestlers to gain the upper hand on their opponents and is an offense punishable by disqualification. Another version rarely used in woman's wrestling is called the Vaginal Claw.
Many items are used as weapons in professional wrestling. Some of the more common weapons used include chairs, guitars, folding tables, lifting belts, title belts, "kendo sticks", trash cans and bells. While picking up the upper half of the ring steps for use as a weapon is illegal, slamming an opponent into the ring steps is not considered illegal, though it is frowned upon.
The illegal maneuver of spitting a colored liquid into the face of an opponent in professional wrestling. After doing so, the opponent will (in storyline) be blinded and experience intense stinging in the eyes. Asian mist can come in almost any color, but the most common one used is green. This was created by The Great Kabuki and popularized by The Great Muta and Tajiri
- Green Mist – The most common mist, which obscures the opponent's vision.
- Red Mist – This mist is purported to burn rather than blind.
- Black Mist – An even more powerful mist which is purported to severely blind an opponent for a prolonged period of time.
- Blue Mist – This mist is used to send an opponent to sleep.
- Yellow Mist – This mist is purported to paralyze the opponent.
A wrestler simply hits the opponent with a chair. In modern wrestling folding chairs are used with the strike being performed with the flat face of the chair to slow the swing and distribute the impact, to prevent injury.
This chair shot variation sees the wrestler placing the top of a folded chair under the opponent's chin or by the Adam's Apple, and then while holding the chair with one hand and the back of the opponent's head with another, the wrestler hits the mat with the legs of the folded chair while still placed under the opponent's chin and simultaneously forcing the opponent's head down, thus highly damaging that part of the opponent. The move can be alternatively called a guillotine shot.
This particular attack was popularized by Edge and Christian and involved two wrestlers sandwiching an opponent's head between two chairs with a simultaneous chair shot from both sides. The "One Man Con-chair-to" involves a wrestler placing their opponent so that they are horizontal with their head resting on a chair, then hitting their head from above with a second chair, squashing the head of the opponent between both.
The wrestler (using a concealed lighter) lights a piece of flash paper or a firecracker and throws it at the opponent, giving the impression of a supernatural ball of fire emerging from their hand. Other variation sets a wrestler spitting a flammable substance (e.g. alcohol) onto a lighter or torch.
Simply involves breaking a guitar over an opponent's head. Also known as the El Kabong, a reference to Quick Draw McGraw who would say this phrase prior to hitting someone with a guitar. This was used by The Honky Tonk Man, Jeff Jarrett, and most recently, Elias (Samson).
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We [Edge and Christian] became known as "the chairmen of the WWE" with our illegal finishing move, the Conchairto. Essentially a chair sandwich around our opponents' heads.
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