Place de la Nation
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The Place de la Nation (formerly Place du Trône, subsequently Place du Trône-Renversé during the Revolution) is a circle on the eastern side of Paris, between Place de la Bastille and the Bois de Vincennes, on the border of the 11th and 12th arrondissements.
The Triumph of the Republic
by Aimé-Jules Dalou
|Length||252 m (827 ft)|
|Width||252 m (827 ft) (circular with diameter = 252 m)|
|Quarter||Sainte-Marguerite . Picpus|
|From||Rue du Faubourg Saint-Antoine|
|To||Avenue du Trône|
|Completion||Already present on the Delagrive plan in 1728|
|Denomination||2 July 1880|
To this day, Paris bears traces of the Mur des Fermiers généraux, a wall built between 1784 and 1791, one of the several city walls built between the early Middle Ages and the mid 19th century well beyond the buildings of Paris in a campaign to encircle houses, gardens and monasteries for the purpose of controlling the flow of goods and to enable their taxation by the Farmers General.
The wall's construction left a vast grassy space of vines and market gardens as far as the medieval city wall and the walls of the gardens of the old village of Picpus, which contained large convents, schools and retreats. A throne was erected in this space on 26 July 1660 for the solemn arrival of Louis XIV and Maria Theresa of Spain following their wedding in Saint-Jean-de-Luz. This gave the square its original name of "Square of the Throne", Place du Trône.
Originally, the square accommodated two pavilions and two columns of the barrière du Trône designed by Claude Nicolas Ledoux and built for the barrier of octroi (for tax collection) which surrounded the entrance to the cours de Vincennes. The columns were surmounted by statues of Kings Philip II and Louis IX.
During the Revolution, the square was renamed Place du Trône-Renversé - Square of the Toppled Throne - on 10 August 1792. A guillotine was set up in the southern half of the square, near the Pavilion of Law built by Ledoux. Those guillotined there were buried in the nearby Picpus Cemetery and include:
- André-Marie Chénier, 25 July 1794.
- Cécile Renault, Henri Admirat and Jean-Baptiste Michonis, 17 June 1794.
- Josse-François-Joseph Benaut, composer, 13 July 1794.
- The Martyrs of Compiègne, Carmelite nuns, 17 July 1794
The central monument, The Triumph of the Republic, is a bronze sculpture created by Aimé-Jules Dalou. It was erected to mark the centenary of the Revolution, at first in plaster in 1889 and then in bronze in 1899. The figure of Marianne, personifying the Republic, stands on a globe in a chariot pulled by lions and surrounded by various symbolic figures, and looks towards the Place de la Bastille. When the monument was erected, it was surrounded by a large pond. Additional sculptures of alligators, symbols for the threats to democracy, were removed during the Nazi occupation of Paris and melted down.
On 22 June 1963, the magazine Salut les copains organised a concert at Place de la Nation, featuring singers such as Johnny Hallyday, Richard Anthony, Eddy Mitchell and Frank Alamo. It attracted over 150,000 young people. The headline of the following day's issue of the journal Paris-Presse read, "Salut les voyous !". The photographer Jean-Marie Périer, who was a friend of many of the performers, photographed the concert. The Place de la Nation was the location of the Foire du Trône before the Pelouse de Reuilly.
- "Where the Statues of Paris were sent to Die". Messy Nessy's Cabinet of Chic Curiosities. 7 January 2016.
- (in French) Recherche des rues de Paris