Karel Goeyvaerts's Piece for Piano and Tape (Stuk voor piano en geluidsband) was composed in 1964. It explores the potential relations between a live piano performance and a manipulated recording, distributing them around a central axis in the manner of his 1950s serial music's procedures.[1] Goeyvaerts originally thought of synchronizing both parts, but he subsequently decided to contrast the different natures of the fixed recording and the live performance.[2]
Recordings edit
Jan Michiels. Megadisc, 1996
References edit
- ^ Goeyvaert biography in the Belgian Center of Musical Documentation's website
- ^ Booklet notes Archived 2012-10-17 at the Wayback Machine by Mark Delaere for the 1996 Megadisc release
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