Phantom of the Paradise
Phantom of the Paradise is a 1974 American musical rock opera horror comedy film written and directed by Brian De Palma, and scored by and starring Paul Williams. In the film, a disfigured composer writes his music for a woman he loves so that she will sing it. However, a record producer betrays him and steals his music to open his rock palace, The Paradise. Betrayed, the composer dons a new appearance and exacts revenge on the producer. It co-stars William Finley and Jessica Harper.
|Phantom of the Paradise|
Theatrical release poster
by John Alvin.
|Directed by||Brian De Palma|
|Produced by||Edward R. Pressman|
|Written by||Brian De Palma|
|Narrated by||Rod Serling|
|Music by||Paul Williams|
|Edited by||Paul Hirsch|
|Distributed by||20th Century Fox|
The story is a loosely adapted mixture of several classic European works: Gaston Leroux's novel The Phantom of the Opera, Oscar Wilde's The Picture of Dorian Gray, and Faust by Goethe/Christopher Marlowe. 
The film was a box office failure and received negative reviews; however it earned praise for its music, receiving Academy Award and Golden Globe nominations. Over the years, the film has received much more positive reviews and has become a cult film.
In 1974, music composer/singer-songwriter Winslow Leach is heard by widely acclaimed record producer Swan as Winslow plays an original composition following a set run through by the 1950s-style nostalgia band The Juicy Fruits, which Swan produces. Swan believes Winslow's music perfect to open "The Paradise"—Swan's highly anticipated new concert hall—and has his right-hand man Arnold Philbin steal it under the guise of producing Winslow.
One month later, Winslow goes to Swan's Death Records to follow up about his music but is thrown out. He sneaks into Swan's private mansion and observes several women rehearsing his music for an audition. One is Phoenix, an aspiring singer whom Winslow deems "perfect" for his music. Winslow realizes Swan's plan to open the Paradise with his music after he is thrown out again. In response, he disguises himself as a woman to sneak in and try to speak to Swan. Swan has Winslow beaten and framed for drug dealing. Winslow is given a life sentence in Sing Sing Prison and his teeth are extracted and replaced with metal ones (part of an experimental prisoner program to decrease infection amongst inmates, funded by the Swan Foundation).
Six months later, Winslow hears that The Juicy Fruits have made an anticipated hit record of his music with Swan's backing. After a breakdown, he escapes prison in a delivery box and breaks into the Death Records building. A guard startles Winslow as he is destroying the records and presses, causing him to slip and fall face first into a record press, which crushes and burns the right half of his face, also destroying his vocal cords. He barely manages to escape the studio, falling into the East River as the police arrive.
A disoriented, and now deformed, Winslow sneaks into the Paradise costume department and dons a long, black cape and a silver, owl-like mask, becoming the Phantom of the Paradise. He terrorizes Swan and his musicians and nearly kills The Beach Bums (formerly The Juicy Fruits, who have traded doo-wop for surf music). The Phantom confronts Swan, who recognizes him as Winslow and offers the composer a chance to have his music produced "his" way. In a specially built recording studio, Swan provides the Phantom with an electronic voice-box, enabling him to speak and sing. Swan asks Winslow to rewrite his cantata with Phoenix in mind for the lead. Although Winslow agrees and signs a contract in blood, Swan breaks the deal by telling Philbin that he resents Phoenix's "perfection" for the role. The Phantom completes Faust, but Swan replaces Phoenix with a pill-popping male glam rock prima donna named "Beef" in the lead of Winslow's Faust and relegates Phoenix to backup.
Swan steals the completed cantata and seals the Phantom inside the recording studio with a brick wall. Winslow escapes and confronts Beef (a comic allusion to the shower scene in Psycho) and threatens to kill him if he performs. Beef tries to flee, but is forced by Philbin to stay and play with the band The Undeads (the former Juicy Fruits/Beach Bums), a glam/Goth act who all resemble Cesare the Somnambulist from The Cabinet of Dr. Caligari. As Beef performs, the Phantom, hidden in the rafters, strikes and electrocutes Beef with a stage prop. Horrified, Philbin orders Phoenix onstage. She is an immediate sensation.
Swan seduces Phoenix in her dressing room after the show with promises of stardom. As she leaves, she is spirited away by the Phantom to the roof. The Phantom tells Phoenix his true identity and implores her to leave the Paradise so Swan won't destroy her. But Phoenix does not recognize or believe him and flees. At Swan's mansion, the Phantom observes Swan and Phoenix in a tight embrace. Heartbroken, he stabs himself through the heart with a bowie knife. However, Swan tells the Phantom that he cannot die until Swan himself has died. The Phantom attempts to stab Swan, but Swan is unharmed. Looking down at Winslow, Swan hisses in an almost reptilian voice, "I'm under contract, too."
Rolling Stone announces the wedding between Swan and Phoenix during Faust's finale. The Phantom learns that Swan made a pact with the Devil in 1953: Swan will remain youthful forever unless the videotaped recording of his contract is destroyed, and photos age and fester in his place. The tape reveals footage of Winslow signing his contract with Swan and a new one Swan made with Phoenix. On a live TV camera, the Phantom realizes Swan is planning to have Phoenix assassinated during the ceremony. He destroys all the recordings and heads off to the wedding.
During the wedding, the Phantom stops the assassin from hitting Phoenix, who instead shoots and kills Philbin. The Phantom swings onto the stage and rips off Swan's mask, exposing him as a monster on live television. A crazed Swan attempts to strangle Phoenix but the Phantom intervenes and stabs him repeatedly. In doing so, the Phantom's own stab wound reopens and he starts bleeding. As he is dying, Swan is carried around by the audience, who join in the mania, stabbing him. The dying Winslow removes his mask to reveal his own face and holds out a hand to Phoenix. Swan dies, allowing Winslow to die of his own wound. As Winslow succumbs, Phoenix finally recognizes him as the kind man she met at Swan's Mansion and embraces him in death.
- William Finley as Winslow Leach/The Phantom
- Paul Williams as The Phantom's singing voice
- Paul Williams as Swan
- Jessica Harper as Phoenix
- Gerrit Graham as Beef
- Raymond Louis Kennedy as Beef's singing voice
- George Memmoli as Arnold Philbin (named in tribute to Mary Philbin who starred as Christine in the 1925 film version of Phantom of the Opera)
- Archie Hahn, Jeffrey Comanor, and Peter Elbling (credited as Harold Oblong) as The Juicy Fruits / The Beach Bums / The Undead
- Rod Serling (uncredited) as introductory voice
The film's soundtrack album features all songs excluding "Never Thought I'd Get to Meet the Devil" and "Faust" (1st Reprise). All words and music are by Paul Williams.
- "Goodbye, Eddie, Goodbye" – The Juicy Fruits
- "Faust" – Winslow
- "Never Thought I'd Get to Meet the Devil" – Winslow
- "Faust" (1st Reprise) – Winslow, Phoenix
- "Upholstery" – The Beach Bums
- "Special to Me" – Phoenix
- "Faust" (2nd Reprise) – The Phantom
- "The Phantom's Theme (Beauty and the Beast)" – The Phantom
- "Somebody Super Like You" (Beef construction song) – The Undead
- "Life at Last" – Beef
- "Old Souls" – Phoenix
- "The Hell of It" (plays over end credits) – Swan
This section does not cite any sources. (August 2013) (Learn how and when to remove this template message)
The record press in which William Finley's character was disfigured was a real pressing plant (an injection-molding press at Pressman Toys). He was worried about whether the machine would be safe, and the crew assured that it was. The press was fitted with foam pads (which resemble the casting molds in the press), and there were chocks put in the center to stop it from closing completely. Unfortunately, the machine was powerful enough to crush the chocks and it gradually kept closing. Finley was pulled out in time to avoid injury.
The "electronic room" in which Winslow composes his cantata (and where Swan restores his voice) is in fact the real-life recording studio The Record Plant. The walls covered with knobs are in reality an oversize custom-built electronic synthesizer dubbed TONTO, which still exists to this day.
A novelization of the film was written by Bjarne Rostaing. Apparently based on an early draft of the screenplay, the novel excludes the supernatural angle of the film.
Swan Song controversyEdit
As originally filmed, the name of Swan's media conglomerate "Swan Song Enterprises" had to be deleted from the film prior to release due to the existence of Led Zeppelin's label of the same name in real life. Although most references were removed, the name "Swan Song" remains visible in several scenes.
Phantom of the Paradise opened in the United States on October 31, 1974 and soon flopped. The film's only successful major market during its theatrical release was Winnipeg, Manitoba where it opened on Boxing Day 1974 and played continuously in local cinemas over four months and over one year non-continuously until 1976. The soundtrack album sold 20,000 copies in Winnipeg alone and was certified Gold in Canada. It played occasionally in Winnipeg theatres in the 1990s and at the Winnipeg IMAX theatre in 2000 and always "drew a dedicated audience".
The song "The Hell of It" was performed by Williams in 1977 on The Brady Bunch Hour, season 1, episode 9.
Vincent Canby of The New York Times wrote that the film attempted to parody "'Faust,' 'The Phantom of the Opera,' 'The Picture of Dorian Gray,' rock music, the rock music industry, rock music movies and horror movies. The problem is that since all of these things, with the possible exception of 'Faust' (and I'm not really sure about 'Faust'), already contain elements of self-parody, there isn't much that the outside parodist can do to make the parody seem funnier or more absurd than the originals already are." Gene Siskel of the Chicago Tribune gave the film two stars out of four, writing that "what's up on the screen is childish; it has meaning only because it points to something else. To put it another way, joking about the rock music scene is treacherous, because the rock music scene itself is a joke." Variety called the film "a very good horror comedy-drama" with "excellent" camera work, and stated that all the principal actors "come across extremely well." Kevin Thomas of the Los Angeles Times called the film "delightfully outrageous," adding that De Palma's sense of humor "is often as sophomoric as that which he is ostensibly spoofing. Fortunately, this tendency diminishes as 'Phantom of the Paradise' progresses, with the film and the Faustian rock opera within it gradually converging and finally fusing in a truly stunning and ingenious finale." Pauline Kael of The New Yorker was positive, stating, "Though you may anticipate a plot turn, it's impossible to guess what the next scene will look like or what its rhythm will be. De Palma's timing is sometimes wantonly unpredictable and dampening, but mostly it has a lift to it. You practically get a kinetic charge from the breakneck wit he put into 'Phantom;' it isn't just that the picture has vitality but that one can feel the tremendous kick the director got out of making it." Richard Combs of The Monthly Film Bulletin wrote, "Too broad in its effects and too bloated in style to cut very deeply as a parody of The Phantom of the Opera, Brian De Palma's rock horror movie is closer to the anything goes mode of a Mad magazine lampoon ... Phantom of the Paradise nevertheless offers fair competition to and comes on much like Tommy."
The film was given a Blu-ray release on August 4, 2014 by Shout! Factory under the Scream Factory label. This edition features an audio commentary, interviews, alternate takes, the original "Swan Song" footage, and original trailers, TV spots and radio spots.
A fan-organized festival, dubbed "Phantompalooza", was held in 2005 in Winnipeg, where the fanbase took particularly strong root. That event featured appearances by Gerrit Graham and William Finley, in the same Winnipeg theatre where the film had its original run in 1975. A second "Phantompalooza" was staged April 28, 2006, reuniting many of the surviving cast members and featuring a concert by Paul Williams.
A successful concert production of the show, adapted by Weasel War Productions, premiered March 12, 2018 at The Secret Loft in New York City.
Musician Sébastien Tellier wrote about his song "Divine" on his album Sexuality: "This is my tribute to the Beach Boys and the Juicy Fruits (from the 1974 musical Phantom of the Paradise). It's about a time of innocence – when having fun was more important than picking up girls. I visualise a bunch of kids having fun on the beach and I'd really love to play with them."
Upon Finley's death in April 2012, Bret Easton Ellis wrote on Twitter: "RIP: Winslow Leach a.k.a. William Finley one of my favorite characters in one of my favorite movies: De Palma's The Phantom of the Paradise."
According to a Guardian interview with Daft Punk, "Hundreds of bands may tout cinematic references, yet few have them as hard-wired as Daft Punk. Guy-Manuel de Homem-Christo and Thomas Bangalter met two decades ago this year, at the perfect cinema-going ages of 13 and 12... the one movie which they saw together more than 20 times was Phantom of the Paradise, Brian De Palma's 1974 rock musical, based loosely around Phantom of the Opera (both this and Electroma feature 'a hero with a black leather outfit and a helmet')."
The electrocution scene in Romeo's Distress was created in tribute to Beef's death on stage.
- "Phantom of the Paradise (AA)". British Board of Film Classification. August 9, 1978. Retrieved November 19, 2012.
- Szpirglas, Jeff. "Looking back at Brian De Palma's Phantom Of The Paradise". Den of Geek!. Den of Geek.
- "The Swan Archives - Production". swanarchives.org. 2006. Retrieved November 22, 2018.
- Carlson, Doug. "Why Winnipeg?". p. 2. Retrieved August 13, 2012.
- Carlson, Doug. "Why Winnipeg? The 1975 'Phantom of the Paraidse' Phenomenon" www.phantomoftheparadise.ca. p. 1. Retrieved August 13, 2012.
- Carlson, Doug. "Why Winnipeg?". p. 4. Retrieved August 13, 2012.
- Canby, Vincent (November 2, 1974). "Film: Brian De Palma's 'Phantom of the Paradise'". The New York Times. 16.
- Siskel, Gene (December 24, 1974). "A pointless 'Phantom' falters too often". Chicago Tribune. 17.
- "Film Reviews: Phantom Of The Paradise". Variety. October 30, 1974. 42.
- Thomas, Kevin (November 1, 1974). "'Phantom' With a Rock Twist". Los Angeles Times. Part IV, p. 1, 18.
- Kael, Pauline (November 11, 1974). "The Current Cinema". The New Yorker: 178.
- Combs, Richard (May 1975). "Phantom of the Paradise". The Monthly Film Bulletin. 42 (496): 113.
- "Phantom of the Paradise". Rotten Tomatoes. Retrieved December 1, 2018.
- "The 47th Academy Awards (1975) Nominees and Winners". Academy of Motion Picture Arts and Sciences. April 8, 1975. Retrieved November 22, 2018. Academy of Motion Picture Arts and Sciences. "'Phantom of the Paradise' Song Score by Paul Williams; Adaptation Score by Paul Williams and George Aliceson Tipton". Retrieved August 13, 2012.
- "The 32nd Annual Golden Globe Awards (1974)". Hollywood Foreign Press Association. Archived from the original on April 30, 2008. Retrieved August 13, 2012.
- Carlson, Doug. "Why Winnipeg?". Retrieved April 26, 2012.
- "Revised And Reconstructed, Brian De Palma's PHANTOM OF THE PARADISE Is In Concert At Underground Venue, The Secret Loft". March 9, 2018. Retrieved November 22, 2018.
- "Sebastien Tellier--Sexuality". Recordmakers.com. Archived from the original on June 2, 2013. Retrieved May 5, 2012.
- "Bret Easton Ellis --April 19, 2012". Twitter. April 19, 2012. Retrieved May 5, 2012.[non-primary source needed]
- "Punk Fiction". The Guardian. July 13, 2007. Retrieved May 5, 2012.