Orphism (religion)(Redirected from Orphic Hymn)
Orphism (more rarely Orphicism; Ancient Greek: Ὀρφικά) is the name given to a set of religious beliefs and practices originating in the Ancient Greek and Hellenistic world, as well as by the Thracians, associated with literature ascribed to the mythical poet Orpheus, who descended into the Greek underworld and returned. Orphics also revered Persephone (who annually descended into the Underworld for a season and then returned) and Dionysus or Bacchus (who also descended into the Underworld and returned). Orpheus was said to have invented the Mysteries of Dionysus. Poetry containing distinctly Orphic beliefs has been traced back to the 6th century BC or at least 5th century BC, and graffiti of the 5th century BC apparently refers to "Orphics".
Classical sources, such as Plato, refer to "Orpheus-initiators" (Ὀρφεοτελεσταί), and associated rites, although how far "Orphic" literature in general related to these rites is not certain. As in the Eleusinian mysteries, initiation into Orphic mysteries promised advantages in the afterlife.
The main elements of Orphism differed from popular ancient Greek religion in three ways: by characterizing human souls as divine and immortal but doomed to live (for a period) in a "grievous circle" of successive bodily lives through metempsychosis, or the transmigration of souls; by prescribing an ascetic way of life which, together with secret initiation rites, was supposed to guarantee not only eventual release from the "grievous circle" but also communion with god(s); and by being founded upon sacred writings about the origin of gods and human beings.
Distinctively Orphic views and practices are attested as early as Herodotus, Euripides, and Plato. The recently published Derveni papyrus allows Orphic mythology to be dated to the end of the 5th century BC, and it is probably even older. Other inscriptions found in various parts of the Greek world testify to the early existence of a movement with the same core beliefs that were later associated with the name of Orphism.
The Orphic theogonies are genealogical works similar to the Theogony of Hesiod, but the details are different. They[clarification needed] are possibly influenced by Near Eastern models. The main story has it that Dionysus (in his incarnation as Zagreus) is the son of Zeus and Persephone; Zeus gives his inheritance of the throne to the child, as Zeus is to leave due to Hera's anger over a child being born by another mother; the Titans are enraged over the proclamation of attendance and under Hera's instigation decide to murder the child. Dionysus is then tricked with a mirror and children's toys by the Titans, who murder and consume him. Athena saves the heart and tells Zeus of the crime, who in turn hurls a thunderbolt on the Titans. The resulting soot, from which sinful mankind is born, contains the bodies of the Titans and Dionysus. The soul of man (the Dionysus part) is therefore divine, but the body (the Titan part) holds the soul in bondage. Thus, it was declared that the soul returns to a host ten times, bound to the wheel of rebirth.
There are two Orphic stories of the rebirth of Dionysus: in one it is the heart of Dionysus that is implanted into the thigh of Zeus; in the other Zeus has impregnated the mortal woman Semele, resulting in Dionysus's literal rebirth. Many of these details differ from accounts in the classical authors. Firmicus Maternus, a Christian author, gives a different account with the book On the Error of Profane Religions. He says that Jupiter (Zeus) originally was a (mortal) king of Crete—a concept of Euhemerus—and Dionysos was his son. Dionysos was murdered, and then cannibalized. Only his heart was salvaged by Athena. A statue of gypsum (the same substance the Titans used to disguise themselves) was then made to look like Dionysos, and the heart placed within.
- The "Protogonos Theogony", lost, composed c. 500 BC, which is known through the commentary in the Derveni papyrus and references in classical authors (Empedocles and Pindar).
- The "Eudemian Theogony", lost, composed in the 5th century BC. It is the product of a syncretic Bacchic-Kouretic cult.
- The "Rhapsodic Theogony", lost, composed in the Hellenistic age, incorporating earlier works. It is known through summaries in later neo-Platonist authors.
- Orphic Hymns. 87 hexametric poems of a shorter length composed in the late Hellenistic or early Roman Imperial age.
Burial rituals and beliefsEdit
Surviving written fragments show a number of beliefs about the afterlife similar to those in the "Orphic" mythology about Dionysus' death and resurrection. Bone tablets found in Olbia (5th century BC) carry short and enigmatic inscriptions like: "Life. Death. Life. Truth. Dio(nysus). Orphics." The function of these bone tablets is unknown.
Gold-leaf tablets found in graves from Thurii, Hipponium, Thessaly and Crete (4th century BC and after) give instructions to the dead. Although these thin tablets are often highly fragmentary, collectively they present a shared scenario of the passage into the afterlife. When the deceased arrives in the underworld, he is expected to confront obstacles. He must take care not to drink of Lethe ("Forgetfulness"), but of the pool of Mnemosyne ("Memory"). He is provided with formulaic expressions with which to present himself to the guardians of the afterlife.
I am a son of Earth and starry sky. I am parched with thirst and am dying; but quickly grant me cold water from the Lake of Memory to drink.
Other gold leaves offer instructions for addressing the rulers of the underworld:
The book The works of Aristotle (1908, p. 80 Fragments) mentioned
- Aristotle says the poet Orpheus never existed; the Pythagoreans ascribe this Orphic poem to a certain Cercon (see Cercops).
- The Orphics were an ascetic sect; wine, to them, was only a symbol, as, later, in the Christian sacrament. The intoxication that they sought was that of "enthusiasm," of union with the god. They believed themselves, in this way, to acquire mystic knowledge not obtainable by ordinary means. This mystical element entered into Greek philosophy with Pythagoras, who was a reformer of Orphism as Orpheus was a reformer of the religion of Dionysus. From Pythagoras Orphic elements entered into the philosophy of Plato, and from Plato into most later philosophy that was in any degree religious.
Bertrand Russell (1947) pointed out about Socrates
- He is not an orthodox Orphic; it is only the fundamental doctrines that he accepts, not the superstitions and ceremonies of purification.
- Sexuality in Greek and Roman Culture by Marilyn B. Skinner, 2005, page 135, "... of life, there was no coherent religious movement properly termed "Orphism" (Dodds 1957: 147-9; West 1983: 2-3). Even if there were, ..."
- Three Faces of God by David L. Miller, 2005, Back Matter: "... assumed that this was a Christian trinitarian influence on late Hellenistic Orphism, but it may be that the Old Neoplatonists were closer ..."
- History of Humanity: From the seventh century B.C.E. to the seventh century C.E. Routledge reference, Siegfried J. de Laet, UNESCO, 1996, ISBN 92-3-102812-X, pp. 182–183.
- Apollodorus (Pseudo Apollodorus), Library and Epitome, 1.3.2. "Orpheus also invented the mysteries of Dionysus, and having been torn in pieces by the Maenads he is buried in Pieria."
- Backgrounds of Early Christianity by Everett Ferguson, 2003, page 162, "Orphism began in the sixth century BCE"
- W. K. C. Guthrie, The Greeks & Their Gods (Beacon, 1954), p. 322; Kirk, Raven, & Schofield, The Presocratic Philosophers (Cambridge, 1983, 2nd edition), pp. 21, 30–31, 33; Parker, "Early Orphism", pp. 485, 497
- Parker, "Early Orphism", pp. 484, 487.
- "The Derveni Papyrus: An Interdisciplinary Research Project". Harvard University, Center for Hellenic Studies.
- Kirk, Raven, & Schofield, The Presocratic Philosophers (Cambridge, 1983, 2nd edition), pp. 30–31
- Firmicus Maternus, De errore profanarum religionum 6.4
- British Museum Collection
- Sider, David; Obbink, Dirk (2013-10-30). Doctrine and Doxography. p. 160. ISBN 9783110331370.
- Numerous tablets contain this essential formula with minor variations; for the Greek texts and translations, see Fritz Graf and Sarah Iles Johnston, Ritual Texts for the Afterlife: Orpheus and the Bacchic Gold Tablets (Routlege, 2007), pp. 4–5 (Hipponion, 400 BC), 6–7 (Petelia, 4th century BC), pp. 16–17 (Entella, possibly 3rd century BC), pp. 20–25 (five tablets from Eleutherna, Crete, 2nd or 1st century BC), pp. 26–27 (Mylopotamos, 2nd century BC), pp. 28–29 (Rethymnon, 2nd or 1st century BC), pp. 34–35 (Pharsalos, Thessaly, 350–300 BC), and pp. 40–41 (Thessaly, mid-4th century BC) online.
- Tablet from Pelinna, late 4th century BC, in Graf and Johnston, Ritual Texts for the Afterlife, pp. 36–37.
- Parker, "Early Orphism", p. 501.
- Aristotle; Ross, W. D. (William David), 1877; Smith, J. A. (John Alexander), 1863-1939 (1908). The works of Aristotle. p. 80.
- Bertrand Russel (1947). History of Western Philosophy. George Allen and Unwin. p. 37.
- Bertrand Russel (1947). History of Western Philosophy. George Allen and Unwin. p. 111.
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- Online Text: The Orphic Hymns translated by Thomas Taylor
- The Orphic Hymns translated by Thomas Taylor – alternative version
- Alexander Fol, Orphica Magica I, Sofia 2004
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