Organ (オルガン, Orugan) is a 1996 Japanese horror film written, directed and produced by Kei Fujiwara. She also stars in it as one of two organ thieves who remove organs from their captives while they are still alive. It is known for its excessive gore and violence.
|Directed by||Kei Fujiwara|
|Produced by||Kei Fujiwara|
|Written by||Kei Fujiwara|
|Music by||Kenji Nasa|
|Edited by||Kenji Nasa|
|110 minutes (102 for the Japanese theatrical release)|
Two undercover detectives, Numata and Tosaka, infiltrate a plastic covered den where they discover a gang of organ thieves led by the high school teacher Saeki and his one-eyed sister Yoko (Kei Fujiwara) who are in the middle of cutting open a victim who is still alive. After a gun battle ensues, Tosaka is captured and Numata escapes, but not before Numata is injected with a mysterious liquid. He stumbles around the streets in a daze and is fired from his job.
Tosaka's identical twin leads the other police officers in a search to find his brother, but when they finally find him, he's nothing more than a human vegetable. Saeki works as a biology teacher at a girls' high school where he offers private lessons to teens whom he harvests for virgin blood and organs. We learn later that Saeki's mother bit off his genitals when he was young and, like his victims, Saeki is now rotting away. Yoko tries to defend the two of them from the police, as well as the organ thieves' yakuza bosses who are not happy with the sudden police presence.
After working on the production of Tetsuo: The Iron Man, Kei Fujiwara formed an experimental theater company called the Organ Vital company, which produced a play called Organ. The company then adapted the play into the film Organ.
The cast pooled together their savings to buy the film stock and lights, borrowed camera equipment from friends, and also filled all the technical roles themselves. The sets were constructed using free materials they foraged. Fujiwara only allowed one take for each shot, unless there was a technical error. She told the actors that they could do more takes if they paid for the additional film footage, knowing full well that the actors couldn't afford that; she says this helped the actors focus on getting the best performance the very first time.
The film screened at the 1996 Toronto International Film Festival and the Vancouver International Film Festival. For the Japanese release of the film, Eirin ordered eight minutes of the film to be cut out. Foreign distributors instead released the full 110 minute version of the film.
The film has seen generally negative reception from English critics. Derek Elley of Variety compared the film to the Japanese film Tetsuo: The Iron Man stating that "where 'Tetsuo' had a cartoonish energy, 'Organ' is an increasingly limp farrago of body make up and ketchup. Fujiwara makes an impressions as the bizarre one-eyed amazon, but her role, like all others, is undeveloped." Time Out London wrote that "Diminishing returns hit splatter movies faster than most other genres, and this starts straining for effect and repeating itself within its first hour". Jason Gibner of Allmovie awarded the film three stars and wrote that though the film "can often be impossible to watch, the overall bizarre nature of the film will hook some viewers who want to discover where this twisted gore fest will go next."
- Mes, Tom; Sharp, Jasper (2005). The Midnight Eye guide to new Japanese film. Stone Bridge Press. ISBN 1880656892.
- Noé, Amber (27 November 2019). "Capturing a World in a Crystal Ball: A Conversation with Kei Fujiwara". Mubi. Retrieved 18 January 2020. CS1 maint: discouraged parameter (link)
- Elley, Derek (October 21, 1996). "Organ". Variety. Retrieved July 26, 2018. CS1 maint: discouraged parameter (link)
- "Organ (1996)". Time Out London. Retrieved January 12, 2010. CS1 maint: discouraged parameter (link)
- Gibner, Jason. "Organ: Review". Allmovie. Retrieved January 12, 2012. CS1 maint: discouraged parameter (link)