This article includes a list of references, but its sources remain unclear because it has insufficient inline citations. (October 2019) (Learn how and when to remove this template message)
Petty and his wife, Vi Ann Petty (Brady)
|Born||May 25, 1927,|
Clovis, New Mexico, U.S.
|Died||August 15, 1984 (aged 57),|
Lubbock, Texas, U.S.
|Occupation(s)||Musician, songwriter, record producer|
|Associated acts||Norman Petty Trio|
Petty was born in the small town of Clovis, New Mexico, United States. He began playing piano at an early young age. While in high school, he regularly performed on a fifteen-minute show on a local radio station. After his graduation in 1945 he was drafted into the United States Air Force, returned and married his high school sweetheart Violet Ann Brady on June 20, 1948. The couple lived briefly in Dallas, Texas, where Petty worked as a part time engineer at a recording studio. Eventually moving back to their hometown of Clovis, New Mexico.
Petty and his wife, Vi, founded the Norman Petty Trio with guitarist Jack Vaughn. Due to the local success of their independent debut release of "Mood Indigo", they landed a recording contract with RCA Records and sold half a million copies of the recording, and were voted Most Promising Instrumental Group of 1954 by Cashbox magazine. In 1957, their song "Almost Paradise" hit number 18, and Petty won his first BMI writers award. The song had various cover versions released with Roger Williams' version selling the best.
Despite the success of his own records, Petty began construction of his Clovis, studio in late 1954. The new studio was state of the art, his estimated spending at about $100,000. With the success of "Almost Paradise" it was completed to its current state in mid 1957. In his original 7th Street studio, aside from songs for his own musical group he also produced early singles (several which were hits) for Texas musicians Roy Orbison, Buddy Knox, Waylon Jennings, Charlie "Sugartime" Phillips, Sonny West, Carolyn Hester and Terry Noland. He also produced all of Buddy Holly's recordings that can be classified as rockabilly. Also, the hits "Sugar Shack" and "Bottle of Wine" by Jimmy Gilmer and the Fireballs and "Wheels" by the String-A-Longs were recorded at Petty's studio in the early 1960s.
Due to the success with instrumental groups, Petty was a reputable producer for bands of that genre to record with and his Clovis Studio was one of the top "go-to" studios for the guitar instrumental (surf) sound in the early 1960s.
Petty produced a number of Canadian recording artists, including Wes Dakus & the Rebels, Barry Allen, Gainsborough Gallery, and the Happy Feeling, all which had chart success in their homeland. Throughout the 1950s and 1960s, recordings produced by Petty, in various musical styles, were issued by virtually every major record label in the United States and Canada, with numerous regional successes.
Petty served as Buddy Holly's producer and also as his first manager until late 1958. Many of Holly's best and most polished efforts were produced at the Clovis studio. After Holly's death, Petty was put in charge of overdubbing unfinished Holly recordings by request of the Holley family (Buddy's parents) and demos which had charting success overseas.
Petty purchased the Mesa Theater on Main Street in Clovis in 1960. In 1963, he launched the FM radio station KTQM starting as an easy-listening station, later switching to country-and-western music, and then in 1968 to Top 40 rock. The country genre had local appeal, so he applied for a new station license and started KWKA 680 AM in 1971, airing country-and-western music. Petty ran both stations until 1979. The stations were sold by Curry County Broadcasting to Zia Broadcasting in 2010.
Petty died in Lubbock, Texas, in August 1984, of leukemia. Later in 1984 he was posthumously named Clovis Citizen of the Year. His wife, Vi, died in March 1992. She helped start the "Norman and Vi Petty Music Festival" in Clovis in 1987, which ran until 1997. It featured many artists who had recorded at the Clovis studio and also popular hit makers. Robert Linville requested the name from the Chamber and started the festivals again from 1998 until his death in 2001.
Norman and Vi were given awards for "Outstanding Graduate Accomplishment" (in the classes of 1945 and 1946, respectively) by the Clovis Municipal Schools Foundation and Alumni Association in April 2011. The awards are presented to Clovis High School graduates for achievement in their sphere of business; the recipients are chosen because their strength of character and citizenship, to serve as models for today's CHS students. The plaques were given to Vi's relative Nick Brady, who turned them over to Kenneth Broad of the Petty estate to display during studio tours. The original 7th Street Studio is available for tours by appointment only.
The King of Clovis, a book about Petty by Frank Blanas, was published in 2014.
Petty's Nor-Va-Jak record label was revived in 2016 as "Nor-Va-Jak Music", with authorization from Norman Petty Studios, for the purpose of reissuing Petty productions that were not previously available on CD.
- Colin Larkin, ed. (2002). The Virgin Encyclopedia of Fifties Music (Third ed.). Virgin Books. p. 325. ISBN 1-85227-937-0.
- "Show 12, Big Rock Candy Mountain: Rock 'n' Roll in the Late Fifties. [Part 2] : UNT Digital Library". Digital.library.unt.edu. 1969-04-27. Retrieved 2010-09-02.
- Blanas, Frank (2013). The King of Clovis: The Untold Story of Music Producer Norman Petty: The Man Behind Rock 'n Roll's Greatest Legends. Stroud: Rollercoaster Books. ISBN 978-0957446212.
- "Nor-Va-Jak Music". Authorized CDs of Petty Productions, discography, info
- "Almost Paradise: The Definitive History". DVD documentary
- "Norman Petty Studios/Nor-Va-Jak Music" on Facebook
- "Norman Petty". Rockabillyhall.com. 1997-03-21. Retrieved 2010-09-02.
- Pore-Lee-Dunn Productions. "Interview with the Fireballs". Classicbands.com. Retrieved 2010-09-02.
- "Interview with Norman Petty". Songwriter magazine, International Songwriters Association
- "Norman Petty Interview" on Pop Chronicles (recorded April 1968)