Monstrance

A monstrance, also known as an ostensorium (or an ostensory),[1] is a vessel used in Roman Catholic, Old Catholic, High Church Lutheran and Anglican churches for the more convenient exhibition of some object of piety, such as the consecrated Eucharistic host during Eucharistic adoration or Benediction of the Blessed Sacrament. It is also used as reliquary for the public display of relics of some saints.[2] The word monstrance comes from the Latin word monstrare,[3] while the word ostensorium came from the Latin word ostendere. Both terms, meaning "to show", are used for vessels intended for the exposition of the Blessed Sacrament, but ostensorium has only this meaning.[2]

A traditional "solar" monstrance

Liturgical contextEdit

In the Catholic tradition, at the moment of consecration the elements (called "gifts" for liturgical purposes) are transformed (literally transubstantiated) into the body and blood of Christ. Catholic doctrine holds that the elements are not only spiritually transformed, but are (substantially) transformed into the body and blood of Christ. Although the elements retain the appearance, or accidents of bread and wine, they become the body and blood of Christ. The presence of Jesus Christ God in the Eucharist is known as the doctrine of the Corporeal Presence within the Roman Catholic Magisterium. The Corporeal Presence is believed to be real (in Latin: realiter) and of the whole (totaliter) Christ, in Body, Soul and Spirit. The name "Corporeal Presence" concerns the Corporal reserved to the chalice, paten and the ciborium during the Holy Mass.

Other Christians (notably in the Anglican Church, Old Catholic Church, and Lutheran Church) accept the doctrine of the Real Presence, whilst rejecting transubstantiation as a philosophical concept (cf. sacramental union). Owing to these beliefs, the consecrated elements are given the same adoration and devotion that Christians of these traditions accord to Christ himself.

Within churches of these traditions the reserved sacrament serves as a focal point of religious devotion. In many of them, during Eucharistic adoration, the celebrant displays the sacrament in the monstrance, typically on the altar. When not being displayed, the reserved sacrament is locked in a tabernacle (more common in Roman Catholicism) or aumbry (more common in the other traditions mentioned).

Use and designEdit

 
The Blessed Sacrament in a monstrance carried in a procession by a priest wearing a humeral veil
 
Two monstrances, showing the contrast between the modern simplified design on the right with its more ornate predecessor on the left

In the service of benediction, (the priest blesses the people with the Eucharist displayed in the monstrance). This blessing differs from the priest's blessing, as it is seen to be the blessing by Christ rather than that of the individual priest. The exposition of the monstrance during Benediction is traditionally accompanied by chanting or singing of the hymn Tantum Ergo.

Monstrances are usually elaborate in design; most are carried by the priest. Others may be much larger fixed constructions, typically for displaying the host in a special side chapel, often called the "Chapel of the Blessed Sacrament". For portable designs, the preferred form is a sunburst[4] on a stand, usually topped by a cross.

Before the Council of Trent, the most common design was the tower.[5] The sun design derives from Latin American Catholicism, where missionaries employed monstrances with the sunburst to appropriate sun imagery to the eucharist, and hence supplant sun worship among the natives.[6][7] This was part of a larger scale entwining of helioatry that was present both in Catholicism and pagan cults in Latin American.[5]

Medieval monstrances were more varied in form than contemporary ones. Those used for relics, and occasionally for the host, typically had a crystal cylinder in a golden stand, and those usually used for hosts had a crystal window in a flat-faced golden construction, which could stand on its base. The monstrance was most often made of silver-gilt or other precious metal, and highly decorated. In the center of the sunburst, the monstrance normally has a small round glass the size of a Host, through which the Blessed Sacrament can be seen. Behind this glass is a round container made of glass and gilded metal, called a lunette, which holds the Host securely in place. When not in the monstrance, the Host in its luna is placed in a special standing container, called a standing pyx, in the Tabernacle. Before the current design, earlier "little shrines" or reliquaries of various shapes and sizes were used.

Noted monstrancesEdit

  • [1]The Cathedral of Valencia (Spain)- The Monstrance of Corpus Christi.

Every year, during the Corpus Christi procession in Valencia, the largest Monstrance in the world, made of 600 kg of silver, 5kg of gold, 75 grams of platinum, hundreds of precious stones and thousands of pearls, runs through the streets of Valencia under a shower of flower petals. To understand its origin one must go back to 1940, the year in which the master Valencian goldsmith Francisco Pajarón Suay began building it, commissioned by the Cathedral in order to replace the one destroyed in 1936 during the civil war. It took 15 years to complete, and it wouldn't have been possible without the donations from the Valencian people. It was created as an offering to the people of Valencia after suffering during the Civil War sacrileges that destroyed large part of the Cathedral's works of art. The Monstrance of Corpus Christi is also known as the Monstrance of the Poor, as it was largely paid for by devotees and the local parish. Each devotee donated whatever they could. Not just physical money, but also in the form of cutlery, candlesticks, ornaments, jewellery and household items made with precious metals. The precious stones were placed directly in the Monstrance and the rest was melted down to create different parts of the monument. The master goldsmith and jeweller Francisco Pajaron Suay (his workshop in Valencia founded in 1890 is still in business today) orchestrated a team of carvers, carpenters, blacksmiths, enamelers and goldsmiths. In total, they put in more than 500,000 hours of work, used 11 kilometres of silver solder and almost 36,000 screws to unite more than 20,000 pieces. This monstrance is considered the greatest piece of artwork created by a goldsmith in the 20th century and treasured by the Cathedral of Valencia and its devotees. When not in use during the processions it is protected behind glass in the Cathedral Museum for everyone to contemplate.

  • La Lechuga is a monstrance built between 1700 and 1707 that is currently owned by the Banco de la Republica of Colombia. It consists of 9 kilograms of 18 karat gold, 1,485 emeralds which gave the name to the piece due to its color, and other gems from various parts of the world.[8]
  • The Cathedral of Toledo, Spain, boasts one of the most famous monstrances in European medieval history. Made of pure gold (the first gold brought over from the New World by Admiral Columbus)[9] and encrusted with several jewels, it has merited several papal processions, acclamations and uses. Most recently among these is Pope Benedict XVI in his World Youth Day Apostolic Visit in 2011. It has also been immortalized in several 18th-century and 19th-century devotional handbooks. This portable monstrance (or ostensory) is housed within a second, fixed monstrance made of partially gilded silver.
  • The Vatican monstrance (Latin: Ostensorio Vaticana) of is one of the most exquisite monstrances used by recent Popes, as it is an exact miniature of the Baldachin inside St. Peter's Basilica. It is complete in ornamentation including the angels adorning its rooftop. It was most recently used by Pope Benedict XVI.
  • Saint Raymond Nonnatus and Saint Clare of Assisi are often portrayed with monstrances. Nonnatus used a Gothic box-style monstrance while Clare is often portrayed with a solar version.
  • Founderess of the Eternal World Television Network, Mother Angelica of the Annunciation, was often portrayed with a golden solar monstrance pendant.
  • The Church of St. Stanislaus Kostka, one of Chicago's famed Polish Cathedrals, is home to one of the largest monstrances in the world, a 9-foot-wide (2.7 m) Iconic Monstrance of Our Lady of the Sign. It is part of the planned Sanctuary of The Divine Mercy, which is being constructed adjacent to the church.[10] The Monstrance is to be installed in the sanctuary's adoration chapel, to be the focus of 24-hour Eucharistic Adoration. The clergy will conduct no liturgies or vocal prayers in the chapel, either by individuals or groups, as the space is meant for private meditation and contemplation.
  • In the treasury at the St. Loreta Church in Prague, there is on display a monstrance featuring 6,000 diamonds.
  • On top of the main dome of the Mariavite Temple of Mercy and Charity in Płock, Poland, is a large monstrance. The monstrance is adorned with four angels, each measuring almost 4 feet in height. The following Polish phrase is inscribed below the monstrance: Adorujmy Chrystusa Króla panującego nad narodami (in English, "Let us adore Christ the King reigning over all nations".)
  • Perrot's Ostensorium was presented by 17th century fur trader Nicolas Perrot to the priests at the St. Francis Xavier Mission in 1686, located at what is now modern Green Bay, Wisconsin. It was buried by the priests when the local Indians became hostile and burned the mission buildings. It was dug up by accident in 1802 and is currently in the Neville Public Museum in Green Bay, Wisconsin. It is the oldest surviving physical artifact of French settlement west of the Alleghenies.[11]

GalleryEdit

For displaying the sacred hostEdit

As reliquariesEdit

See alsoEdit

ReferencesEdit

  1. ^ "Altar vessels". New Advent Catholic Encyclopedia. Retrieved on 2014-11-16.
  2. ^ a b "". New Advent Catholic Encyclopedia. Retrieved on 2014-11-16.
  3. ^ "Demonstrate", The American Heritage Dictionary, men in Appendix I, Indo-European Roots
  4. ^ Instructio Clement., 5
  5. ^ a b Kilroy-Ewbank, Lauren (2018). Holy organ or unholy idol? : the Sacred Heart in the art, religion, and politics of New Spain. Leiden. p. 208. ISBN 978-90-04-38496-5. OCLC 1056201987.
  6. ^ Diarmaid., MacCulloch (2014). Christianity : the first three thousand years. Penguin Books. ISBN 978-1-101-18999-3. OCLC 883343728.
  7. ^ Lara, Jaime (2008). Christian texts for Aztecs : art and liturgy in colonial Mexico. Notre Dame, Ind.: University of Notre Dame Press. ISBN 978-0-268-03379-8. OCLC 181599761.
  8. ^ "La Lechuga". www.banrepcultural.org. Retrieved 2020-06-27.
  9. ^ catedralprimada.es. "Catedral Primada Toledo". Catedral Primada Toledo (in Spanish). Retrieved 2020-06-27.
  10. ^ https://news.yahoo.com/s/usnw/20080523/pl_usnw/world___s_largest_monstrance_to_be_unveiled (dead link 5 July 2021)
  11. ^ Butler, J.D. (February 1880). "Nicolas Perrot's ostensorium". Watchman. Green Bay. Retrieved November 6, 2014.

External linksEdit