Minions: Original Motion Picture Soundtrack is the soundtrack album to the 2015 film Minions, a spin-off/prequel and the third installment overall in the Despicable Me franchise, directed by Pierre Coffin and Kyle Balda, the latter in his feature directorial debut. The original music is composed by Heitor Pereira who previously worked on Despicable Me (2010) and Despicable Me 2 (2013), where he composed the score with Pharrell Williams. Minions, however is the first film in the franchise, without the involvement of Williams and Pereira taking over the sole credit as the composer.[1] The soundtrack for the film was released, alongside the film, on July 10, 2015, by Back Lot Music.[2][3]
| Minions: Original Motion Picture Soundtrack | ||||
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| Soundtrack album by | ||||
| Released | July 10, 2015 | |||
| Recorded | 2015 | |||
| Venue | Los Angeles, California | |||
| Studio |
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| Genre | Film score | |||
| Length | 1:07:11 | |||
| Label | Back Lot Music | |||
| Producer | Heitor Pereira | |||
| Despicable Me chronology | ||||
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| Heitor Pereira chronology | ||||
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Development edit
Pereira who watched the Despicable Me films, observed audience reaction to the Minion characters, and felt that "this is now a part of their lives, and I want to do justice to this dedication from the audience", resulting him to score for Minions.[4] The score was fully orchestrated and dramatic to give a feel of "classic action film". As the film was mostly set during the 1960s, Pereira recorded the music using vintage microphones which were used by The Beach Boys and Frank Sinatra, which he felt as "an opportunity to pay homage to the musicians and technicians of that time" and also inspired composers such as Henry Mancini, Lalo Schifrin and John Barry.[5] He had stated on the selection of popular songs from the 1960s, saying "Those songs represent an era but they also have to have a relationship to the moment in the movie where they appear. The directors love music and those were the songs that they felt at the moment represented the storytelling the most, like "You Really Got Me" or "My Generation".[6] He also featured some of the songs in the film are sung by the Minions themselves. He added that "it was fun to write music around it and try to make the orchestral music and band music to somehow be holding hands with the music of the period without sounding like somebody that wrote the music then".[6]
"I'm from Brazil, but the first time I heard The Beatles, I didn't have a clue what they were singing about. But the rhythm and the waves of the sounds that the language created somehow already put me in a certain frame of mind. I find that the same goes with the Minions' language."
Pereira compared the music for the Minions to that of the Three Stooges, where the difference is Minions could not speak English. He further said that "Their language is not language, but the cumulative aspect of the repetition of those words is like creating a language in itself [...] In Minions, a lot of things go by and then the narrator has left the movie and now they are out there on their own. Instead of compensating for their lack of language I decided to back off, give them space, and let their phonetic sounds be very clear. That was a lot of fun because we almost made a dictionary of their sounds and let the music follow the same kind of repetition."[6] Pereira took the music from their travel through time and acquired all the personalities through the score.[6]
While the Minions had their own themes, Pereira wrote a new theme for Scarlet Overkill (Sandra Bullock), who has stated that "Scarlet is not like Lucy in Despicable Me 2. Lucy was helping. I tried to make her a little more sweet in a way. But with Scarlet, I tried to make her sound as hard as possible, powerful and mean but with a groove. She is a beautiful character and we can use her movements to accent the music. For example where she puts all the villains to a test, so that the one that captures the diamond is the one that eventually she will chose to be her helper."[6]
The score was recorded at Los Angeles in Newman Scoring Stage, 20th Century Fox Studios and EastWest Studios. The Los Angeles Orchestra performed the score consisting of 24 violins, 12 violas, eight cellos, five basses, five saxophones, including a bass sax, five trumpets, two trombones, tuba, a choir of nearly 40-50 members, a rhythm section and a drummer. In order to create the British jazz sound resembling the music of the United Kingdom in the 1960s, Pereira invited a jazz ensemble consisted of woodwinds, clarinets, piccolos alongside drums and brass, in the same room, instead of recording each instrumentalists in separate sections. He also used percussion instruments for big cues.[4]
Track listing edit
All music is composed by Heitor Pereira
| No. | Title | Writer(s) | Performer | Length |
|---|---|---|---|---|
| 1. | "Universal Fanfare" | Jerry Goldsmith[a] | The Minions (Pierre Coffin) | 0:32 |
| 2. | "Happy Together" | Garry Bonner, Alan Gordon | The Turtles | 2:54 |
| 3. | "I'm a Man" | Steve Winwood, Jimmy Miller | The Spencer Davis Group | 3:05 |
| 4. | "You Really Got Me" | Ray Davies | The Kinks | 2:14 |
| 5. | "My Generation" | Pete Townshend | The Who | 3:16 |
| 6. | "Mellow Yellow" | Donovan | Donovan | 3:41 |
| 7. | "Revolution (The Beatles)" | John Lennon & Paul McCartney | The Minions (Pierre Coffin) | 2:22 |
| 8. | "Minions Through Time" | 4:34 | ||
| 9. | "Kevin, Stuart and Bob" | 2:57 | ||
| 10. | "Minions Run Amok" | 1:29 | ||
| 11. | "Tortellini" | 0:21 | ||
| 12. | "The VNC" | 1:11 | ||
| 13. | "Minions in the U.S.A." | 2:13 | ||
| 14. | "Orlando" | 0:46 | ||
| 15. | "Scarlet Overkill" | 1:07 | ||
| 16. | "Ruby Fight" | 2:58 | ||
| 17. | "Make 'Em Laugh" | Nacio Herb Brown and Arthur Freed | The Minions (Pierre Coffin) | 0:44 |
| 18. | "Scarlet's Fortress" | 3:31 | ||
| 19. | "Traveling Tribe" | 0:49 | ||
| 20. | "Tower of London" | 1:39 | ||
| 21. | "Hair" | James Rado, Gerome Ragni | The Minions (Pierre Coffin) | 0:54 |
| 22. | "Fighting the Crown Keeper" | 1:43 | ||
| 23. | "King Bob" | 0:57 | ||
| 24. | "Theme From The Monkees (The Monkees)" | Tommy Boyce and Bobby Hart | The Minions (Pierre Coffin) | 0:29 |
| 25. | "Dungeon Mayhem" | 0:35 | ||
| 26. | "Goodbye Fabrice" | 2:28 | ||
| 27. | "Minion Mission" | 4:56 | ||
| 28. | "Sneaking In" | 2:34 | ||
| 29. | "King Kong Kevin" | 3:30 | ||
| 30. | "Our Hero Is Back" | 1:14 | ||
| 31. | "Minions Victory" | 2:49 | ||
| 32. | "Greatest Renegade Unveiling (GRU)" | 2:39 | ||
| Total length: | 67:11 | |||
Reception edit
The music received positive critical response. Filmtracks.com wrote "don't expect to sit through a soundtrack like Minions without having already recognized some affinity for the film, because it is quite challenging to tolerate without any sense of context. Those listening to the score "cold" may find the action cues ("Minion Mission" in particular) to be of standalone interest, as the orchestra is nicely layered with the solo woodwind and vocal layers in these parts, but the rest may yield psychological unrest for the uninitiated. Although the album presentation's cues are quite short, as expected, the entire original score portion clocks in at over 45 minutes, a nice treat for fans of Pereira's wild and gregarious approach to the concept"[7] Unger the Radar wrote "Heitor Pereira has delivered one of the best scores of the year so far and certainly one of the best animated scores of his career. With his name firmly cemented in the Remote Control family and a real gift in film scoring, he is certainly an artist and a strong name to watch because he certainly knows how to pick projects and provide some very strong music. Minions is just another notch in his belt of powerful scores."[8]
Chart performance edit
| Chart (2013–14) | Peak position |
|---|---|
| Belgian Albums (Ultratop Flanders)[9] | 101 |
| Belgian Albums (Ultratop Wallonia)[10] | 170 |
| US Top Soundtracks (Billboard)[11] | 9 |
Notes edit
- ^ 2012 Universal Pictures fanfare composed and arranged by Brian Tyler
References edit
- ^ Newman, Melinda (July 13, 2015). "Behind the Music of 'Minions' (Exclusive Video)". The Hollywood Reporter. Retrieved August 11, 2022.
- ^ "Back Lot Music to Release 'Minions' Soundtrack". Film Music Reporter. May 20, 2015. Archived from the original on October 2, 2015. Retrieved May 26, 2015.
- ^ "'Minions' Soundtrack Details". Film Music Reporter. June 3, 2015. Archived from the original on June 18, 2020. Retrieved January 16, 2021.
- ^ a b c "Composer Heitor Pereira Discusses The Music, Sounds And Rhythms For His MINIONS Score". We Are Movie Geeks. July 20, 2015. Retrieved August 5, 2022.
- ^ Newman, Melinda (July 14, 2015). "Behind the Music of 'Minions': Watch". Billboard. Retrieved August 5, 2022.
- ^ a b c d e "Heitor Pereira's Music for 'Minions'". HuffPost. July 2, 2015. Retrieved August 5, 2022.
- ^ "Filmtracks: Minions (Heitor Pereira)". www.filmtracks.com. Retrieved August 11, 2022.
- ^ Radar, Unger the (September 9, 2015). "Soundtrack Review: Minions". Unger the Radar. Retrieved August 11, 2022.
- ^ "Ultratop.be – Soundtrack / Heitor Pereira – Minions" (in Dutch). Hung Medien. Retrieved August 11, 2022.
- ^ "Ultratop.be – Soundtrack / Heitor Pereira – Minions" (in French). Hung Medien. Retrieved August 11, 2022.
- ^ "Soundtracks – Week of August 1, 2015 – Billboard". Billboard. Retrieved December 13, 2022.