Memorial (Clifford Brown album)

Memorial is a 1956 jazz album by trumpeter Clifford Brown issued posthumously. It was originally released on the Prestige label as PRLP 7055. It principally includes fast bop pieces, also arranged for a brass section. Ira Gitler, who was supervising session for Prestige label at the time, confessed he was greatly impressed by Brown: "When Brownie stood up and took his first solo on "Philly J J", I nearly fell off my seat in the control room. The power, range and brilliance together with the warmth and invention was something that I hadn't heard since Fats Navarro" Tracks 1-4 were recorded abroad with a Swedish All Star Group. Tracks 5-9 were recorded in New York as a Tadd Dameron led 10 inch LP minus the alternate take. Clifford and Benny Golson were the only horn soloists.[1]

Memorial
Studio album by
Released1956
RecordedJune 11, 1953
New York City
September 15, 1953
Stockholm
GenreJazz
Length45:00
LabelPrestige
PRLP 7055
Clifford Brown chronology
Memorial Album
(1956)
Memorial
(1956)
The Clifford Brown Big Band in Paris
(1956)
Professional ratings
Review scores
SourceRating
Allmusic link

Track listing edit

  1. "Stockholm Sweetnin'" (Quincy Jones) - 5:29
  2. "'Scuse These Blues" (Quincy Jones) - 4:29
  3. "Falling in Love with Love" (Richard Rodgers, Lorenz Hart) - 5:25
  4. "Lover Come Back to Me" (Sigmund Romberg, Oscar Hammerstein II) - 5:22
  5. "Philly J J" (Tadd Dameron) - 5:14
  6. "Dial 'B' for Beauty" (Dameron) - 4:37
  7. "Theme of No Repeat" (Dameron) - 5:23
  8. "Choose Now" [#1] (Dameron) - 4:57
  9. "Choose Now" [#2] (Dameron) - 3:26

Tracks 1 – 4 recorded on September 15, 1953 in Stockholm and Tracks 5 – 9 recorded on June 11, 1953 in New York City

Personnel edit

On tracks 1-4 - (also released as Clifford Brown and Art Farmer with The Swedish All Stars)

On tracks 5-9 - (also released as A Study In Dameronia)

Production edit

  • Quincy Jones - supervision (on tracks 1 – 4)
  • Ira Gitler - supervision (on tracks 5 – 9)
  • Doug Hawkins - engineer (on tracks 5 – 9)

References edit

  1. ^ Original liner notes