Mammy (1930) is an American pre-Code musical drama film with Technicolor sequences, released by Warner Bros. The film starred Al Jolson and was a follow-up to his previous film, Say It with Songs (1929). Mammy became Al Jolson's fourth feature, following earlier screen efforts as The Jazz Singer (1927), The Singing Fool (1928) and Say It with Songs (1929). The movie relives Jolson's early years as a minstrel man. The songs were written by Irving Berlin, who is also credited with the original story titled Mr. Bones.
|Directed by||Michael Curtiz|
|Produced by||Walter Morosco|
|Written by||Irving Berlin (play)|
James Gleason (play)
|Music by||Irving Berlin|
|Edited by||Owen Marks|
|Distributed by||Warner Bros. Pictures|
84 minutes (existent)
The story deals with the joys and tribulations of a travelling minstrel troupe known as the Merry Meadow Minstrels. Al Jolson plays as a blackface endman while Lowell Sherman plays as the interlocutor. Hobart Bosworth plays as the owner of the show, while his daughter, played by Lois Moran, serves as Al Jolson's love interest in the picture. Sherman's character, however, is also in love with Moran's. The show is in a miserable state until Jolson entertains a sheriff and manages to convince him to invest in the show. The show becomes very successful thanks to this investment and Jolson is eventually able to visit his mother. Some time after he returns, he tells Moran that he loves her and this causes Sherman to become jealous. After a heated argument between Jolson and Sherman over Moran, a character played by Mitchell Lewis, who is upset because he was caught cheating at cards, puts real bullets in Jolson's stage gun. Since Jolson pretends to shoot Sherman in the minstrel show act, Lewis knows that this will result in Sherman's death and that Jolson will be blamed for the murder. After Sherman is shot, Jolson is arrested but manages to escape and take a freight train out of town. Eventually, Lewis confesses to the crime and Jolson is thereby proven to be innocent.
- "Let Me Sing and I'm Happy"
- "Here We Are"
- "Who Paid the Rent for Mrs. Rip Van Winkle?"
- "The Knights of the Road" (missing on surviving prints)
- "The Call of the South" (missing on surviving prints)
- "Yes, We Have No Bananas"
- "Across The Breakfast Table, Looking At You"
- "In the Morning"
- "Night Boat to Albany"
- "Pretty Baby"
- "When You and I Were Young, Maggie"
- "To My Mammy"
According to Warner Bros records the film earned $789,000 domestically and $158,000 foreign.
The original Technicolor sequences were found in a Dutch print (a copy of the International Sound Version) which had Dutch titles inserted in several places. This print was restored by the UCLA Film and Television Archive, and released on DVD from the Warner Archive Collection, along with its Overture and Exit Music. Unfortunately, sections of those Technicolor sequences were lost when Dutch titles were inserted, and some of the cuts from color to sepia tinted black and white are not smooth. Additionally, two songs are missing from all existing prints that were in the original release: "The Call of the South" and "Knights of the Road". They were written by Irving Berlin and sung by Al Jolson.
- Warner Bros financial information in The William Shaefer Ledger. See Appendix 1, Historical Journal of Film, Radio and Television, (1995) 15:sup1, 1-31 p 11 DOI: 10.1080/01439689508604551
- Movies from a.a.p. Warner Bros. features and cartoons, Popeye cartoons at Internet Archive