Wikipedia

List of paintings by J. M. W. Turner

This is an incomplete list of the oil paintings of J. M. W. Turner (23 April 1775 – 19 December 1851),[1] a master noted for his skill in the portrayal of light, and in the painting of maritime scenes.[2]

J.M.W. Turner, Self-portrait, c. 1799

Timeline edit

  • 1787–1801 Student
  • 1802–1818 Academician
  • 1819–1835 Extensive wanderer
  • 1836–1851 Modernism

Paintings by Turner edit

This list includes paintings attributed to Turner.

In substitute of specific knowledge on the date of a painting's creation (in cases where this is not known), the year of exhibition has been put, is it would likely correlate.

1787–1801 Student edit

Image Title Year Location Dimensions (cm.) Comments
  Landscape with Windmill and Rainbow (partly after Gainsborough) 1795–1800 Tate Britain, London 70.5 x 90.2 The Painting is attributed to Turner. It is highly likely to be a Turner work, and part of the Turner Bequest also.[3]
  Interior of a Romanesque Church c.1795–1800 Tate Britain, London 61 x 50.2
  Fishermen at Sea 1796 Tate Britain, London 91.4 × 122.2
  Diana and Callisto (after Wilson) 1796 Tate Britain, London 56.5 x 91.4
  Interior of a Gothic Church 1797 Tate Britain, London 27.9 × 40.6
  Moonlight, a Study at Millbank 1797 Tate Britain, London 31.5 × 40.5
  Limekiln at Coalbrookdale 1797 Yale Center for British Art, Connecticut 28.9 x 40.3
Beech Trees at Norbury Park c. 1797 National Gallery of Ireland, Dublin 44 x 43.1 Turner was invited to Norbury Park in Surrey by the owner William Lock in 1797. The painting was bequeathed to the gallery in 1900 by Henry Vaughan.[4][5]
  Aeneas and the Sibyl, Lake Avernus 1798 Tate Britain, London 76.5 × 98.4
  Caernarvon Castle 1798 Tate Britain, London 15.2 × 23.2
  Shipping by a Breakwater 1798 Tate Britain, London 30.2 x 19.4
  View of a Town 1798 Tate Britain, London 24.1 x 32.4
  Buttermere Lake, with Part of Cromackwater, Cumberland, a Shower 1798 Tate Britain, London 88.9 × 119.4
  Dunstanburgh Castle, north-east coast of Northumberland, sunrise after a squally night 1798 National Gallery of Victoria, Melbourne 92.2 × 123.2
  Tivoli and the Roman Campagna (after Wilson) 1798 Tate Britain, London 72.4 × 96.5
  Morning amongst the Coniston Fells, Cumberland 1798 Tate Britain, London 122.9 × 89.9
  Kilgarren Castle, Pembrokeshire 1798-1799 Cragside, Rothbury 89 x 19.7
  Self-Portrait 1799 Tate Britain, London 74.3 x 58.4
  Harlech Castle, from Tygwyn Ferry, Summer's Evening Twilig 1799 Yale Center for British Art, Connecticut 87 x 119.4
  View in Wales: Mountain Scene with Village and Castle - Evening 1799-1800 Tate Britain, London 58.1 x 72.7
  A Beech Wood with Gypsies Seated in the Distance 1799-1801 Fitzwilliam Museum, Cambridge 27 x 19
  A Beech Wood with Gypsies round a Campfire 1799-1801 Fitzwilliam Museum, Cambridge 27 x 19
  View on Clapham Common 1800-1805 Tate Britain, London 32.1 x 44.5
  Welsh Mountain Landscape 1799-1800 Fitzwilliam Museum, Cambridge 64.1 x 98.8
  Dolbadarn Castle 1799–1800 The National Library of Wales, Aberystwyth 45.5 x 30
  Landscape with Lake and Fallen Tree 1800 Tate Britain, London 39.1 × 60.6
  Dolbadern Castle 1800 The Royal Academy, London 119.4 x 90.2
  The Fifth Plague of Egypt 1800 Indianapolis Museum of Art, Indianapolis 120 × 180
  Dutch Boats in a Gale 1801 National Gallery, London on long term loan from The Capricorn Foundation 162.5 × 221

[6]

1802–1818 Academician edit

Image Title Year Location Dimensions (cm.) Comments
  Jason 1802 Tate Britain, London 90.2 x 119.7
  Fishermen upon a Lee Shore in Squally Weather 1802 Southampton Art Gallery 91.5 x 122
  The Tenth Plague of Egypt 1802 Tate Britain, London 143.5 x 236.2
  Grenoble Seen from the River Drac with Mont Blanc in the Distance 1802 Tate Britain, London 36.2 x 64.1
  Ships Bearing up for Anchorage ('The Egremont Seapiece') 1802 Tate Britain, London 112 x 18
  Mountain Scene with Castle, Probably Martigny 1802-1803 Tate Britain, London 43.8 x 54
  Tummel Bridge, Perthshire 1802-1803 Yale Center for British Art, Connecticut 28.9 x 46.7
  Chateaux de St Michael, Bonneville, Savoy 1802-1803 Yale Center for British Art, Connecticut 91.4 x 121.9
  Bonneville, Savoy 1803 Dallas Museum of Art, Dallas 92.71 × 122.56
  A Coast Scene with Fishermen Hauling a Boat Ashore 1803-1804 Kenwood House, London 91.8 x 122.5
  The Festival of the Opening of the Vintage at Mâcon, France 1803 Museums Sheffield 182.5 x 274.4
  Holy Family 1803 Tate Britain, London 102.2 x 141.6 cm
  Calais Pier, with French Poissards preparing for Sea: an English Packet arriving 1803 National Gallery, London 172 x 240
  Fishing Boats Entering Calais Harbor 1803 Frick Collection, New York City 73.7 x 98.4
  The Pass of Saint Gotthard, Switzerland 1803–1804 Birmingham Museums Trust 80.6 x 64.2
  Narcissus and Echo 1804 Tate Britain, London 86.5 x 117
  Boats Carrying Out Anchors to the Dutch Men of War c.1804 National Gallery of Art, Washington, D.C. 101.6 × 130.81
  The Shipwreck 1805 Tate Britain, London 170.5 x 241.6
  Cattle in a Stream under a Bridge 1805-1807 Tate Britain, London 31.4 x 39.4
  Guildford from the Banks of the Wey 1805 Tate Britain, London 25.4 x 19.7
  Cows in a Landscape with a Footbridge 1805-1807 Tate Britain, London 47.9 x 71.1
  The Thames at Weybridge 1805-1806 Tate Britain, London 90.5 x 121.7
  The Hero of a Hundred Fights 1800- 1810 Tate Britain, London 90.8 x 121.3 Reworked and exhibited in 1847. It depicts a bronze statue of Wellington being removed from its mould.
  Windsor Castle from the Thames 1805 Tate Britain, London 91 x 122
  Venus and the Dead Adonis 1805? Tate Britain, London 31.8 x 45.1
  The Deluge 1805 Tate Britain, London 142.9 x 235.6
  Windsor Castle from the Meadows 1805 Tate Britain, London 22.2 x 55.6
  Sunset on the River 1805 Tate Britain, London 15.6 x 18.7
  The Destruction of Sodom 1805 Tate Britain, London 146 x 237.5
  Walton Reach 1805 Tate Britain, London 36.8 x 73.7
  Windsor from Lower Hope 1805 Tate Britain, London 32.1 x 73.7
  Godalming from the South 1805 Tate Britain, London 20.3 x 34.9
  A Thames Backwater with Windsor Castle in the Distance 1805 Tate Britain, London 86.7 x 121
  Willows beside a Stream 1805 Tate Britain, London 86 x 116.2
  Fall of the Rhine at Schaffhausen c.1805-06 Museum of Fine Arts, Boston 148.6 x 239.7
  The ‘Victory’ Returning from Trafalgar, in Three Positions 1806 Yale Center for British Art, Connecticut 67 x 100.3
  The Goddess of Discord Choosing the Apple of Contention in the Garden of the Hesperides 1806 Tate Britain, London 155.3 x 218.4
  Abingdon 1806? Tate Britain, London 01.6 x 130.2
  Walton bridges c.1806 National Gallery of Victoria, Melbourne 91.2 × 122.
  Sun rising through Vapour: Fishermen cleaning and selling Fish pre 1807 National Gallery, London 134 x 179.5
  Barge on the River, Sunset 1806-1807 Tate Britain, London 85.1 x 116.2
  Margate 1806-1807 Tate Britain, London 85.7 x 116.2
  Men with Horses Crossing a River 1806-1807 Tate Britain, London 87.9 x 118.4
  The Thames Glimpsed between Trees, possibly at Kew Bridge 1806-1807 Tate Britain, London 91.1 x 121.6
  Weir and Cattle 1806-1807 Tate Britain, London 88.3 x 120
  Washing Sheep 1806-1807 Tate Britain, London 84.5 x 116.5
  Sketch for 'Harvest Dinner, Kingston Bank' 1806-1807 Tate Britain, London 61 x 91.4
  Shipping at the Mouth of the Thames 1806-1807 Tate Britain, London 85.7 x 116.8
  Coast Scene with Fishermen and Boats 1806-1807 Tate Britain, London 85.7 x 116.2
  Caversham Bridge with Cattle in the Water 1806-1807 Tate Britain, London 85.4 x 115.8
  Goring Mill and Church 1806-1807 Tate Britain, London 85.7 x 116.2
  River Scene with Weir in Middle Distance 1806-1807 Tate Britain, London 85.4 x 115.6
  Hampton Court from the Thames 1806-1807 Tate Britain, London 85.7 x 120
  Trees beside the River, with Bridge in the Middle Distance 1806-1807 Tate Britain, London 87.9 x 120.6
  House beside the River, with Trees and Sheep 1806-1807 Tate Britain, London 90.5 x 116.5
  Newark Abbey 1806-1807 Yale Center for British Art, Connecticut 91.4 x 123.2
  Gipsy Camp 1807 Tate Britain, London 121.9 x 91.4
  Cassiobury Park: Reaping 1807 Tate Britain, London 90.2 x 121.9
  Newark Abbey 1807 Tate Britain, London 29.5 x 35.2
  An Artists' Colourman's Workshop 1807 Tate Britain, London 62.2 x 91.4
  St Catherine's Hill, Guildford 1807 Tate Britain, London 36.5 x 73.7
  Linlithgow Palace 1807 Walker Art Gallery, Liverpool 92 x 122.5
  The Thames near Windsor 1807 Tate Britain, London 18.7 x 26
  The Junction of the Thames and the Medway 1807 National Gallery of Art, Washington, D.C. 108.8 x 143.7
  A Narrow Valley 1807 Tate Britain, London 20.6 x 16.5
  Newark Abbey on the Wey 1807 Tate Britain, London 36.8 x 73.7
  Windsor Castle from Salt Hill 1807 Tate Britain, London 27.6 x 73.7
  On the Thames (?) 1807 Tate Britain, London 29.8 x 34.9
  Windsor Castle from the River 1807 Tate Britain, London 20 x 36.8
  The Battle of Trafalgar, as Seen from the Mizen Starboard Shrouds of the Victory 1806-1808 Tate Britain, London 170.8 x 238.8
  Spithead: Two Captured Danish Ships Entering Portsmouth Harbour 1807-1809 Tate Britain, London 171.4 x 233.7
  Eton, from the River 1807? Tate Britain, London 35.6 x 66
  Tree Tops and Sky, Guildford Castle(?), Evening 1807? Tate Britain, London 27.6 x 73.7
  Cliveden on Thames 1807? Tate Britain, London 28.4 x 58.4
  A Country Blacksmith Disputing upon the Price of Iron, and the Price Charged to the Butcher for Shoeing his Poney 1807? Tate Britain, London 54.9 x 77.8
  The Thames near Windsor 1807? Tate Britain, London 89 x 119.5
The Raft 1807 Tate Britain, London 41 x 59
  The Thames at Eton 1808 Tate Britain, London 60.5 x 90.5
  Margate 1808 Tate Britain, London 90 x 120.5
  The Forest of Bere 1808 Tate Britain, London 89 x 119.5
  Tabley, Cheshire, the Seat of Sir J. F. Leicester, Bt: Windy Day 1808 Tabley House, Knutsford 91.5 x W 120.6
  View of Richmond Hill and Bridge 1808 Tate Britain, London 91.4 x 121.9
  A Subject from the Runic Superstitions ... 1808 Tate Britain, London 92.1 x 121.9
  Union of the Thames and Isis ('Dorchester Mead, Oxfordshire') 1808 Tate Britain, London 90.8 x 121.3
  The Confluence of the Thames and the Medway 1808 Tate Britain, London 91 x 12
  Near the Thames' Lock, Windsor 1809 Tate Britain, London 89 x 118 c
  Harvest Home 1809 Tate Britain, London 90.5 x 120.3 c
  The Sun Setting through Vapour 1809 Barber Institute, Birmingham 69.2 x 101.6 c
  The Trout Stream 1809 Taft Museum of Art, Cincinnati
  Tabley, Cheshire, the Seat of Sir J. F. Leicester, Bart.: Calm Morning 1809 Tate Britain, London 91 x 121.5
  Ploughing Up Turnips, near Slough ('Windsor') 1809 Tate Britain, London 101.9 x 130.2
  Sketch of a Bank, with Gipsies 1809 Tate Britain, London 61.3 x 83.8
  London from Greenwich Park 1809 Tate Britain, London 90.2 x 120 c
  Thomson's Aeolian Harp 1809 Manchester Art Gallery 166.7 x 306
  Fishing upon the Blythe-Sand, Tide Setting In 1809 Tate Britain, London 88.9 x 119.4
  View of the High Street, Oxford 1809-1810 Ashmolean Museum, Oxford 68.6 x 99.7 Commissioned by James Wyatt
  Harvest Dinner, Kingston Bank 1809 Tate Britain, London 90.2 x 121
  The Quiet Ruin, Cattle in Water; A Sketch, Evening 1809 Tate Britain, London 61.2 x 76.5
  The Garreteer's Petition 1809 Tate Britain, London 55.2 x 79.1
  River Scene with Cattle 1810 Tate Britain, London 128.3 x 174
  The Fall of an Avalanche in the Grisons 1810 Tate Britain, London H 90.2 x 120
  Petworth, Sussex, the Seat of the Earl of Egremont: Dewy Morning 1810 Tate Britain, London 91.5 x 120.5
  Cockermouth Castle 1810 Tate Britain, London 60.5 x 90 c
  Apollo and Python 1811 Tate Britain, London 145.4 x 237.5
  Somer Hill, Tonbridge 1811 National Galleries of Scotland 92 x 122 c
  St Mawes at the Pilchard Season 1812 Tate Britain, London 91.1 x 120.6
  Snow Storm: Hannibal and his Army Crossing the Alps 1812 Tate Britain, London 146 × 237.5
  Hulks on the Tamar 1812 Tate Britain, London 89.2 x 120.2
  Teignmouth 1812 Tate Britain, London 90 x 120.5
  Frosty Morning 1813 Tate Britain, London 113.7 x 174.6
  Apullia in Search of Appullus 1814 Tate Britain, London 148.5 x 241
  Dido and Aeneas 1814 Tate Britain, London 146 x 237.
  Lake Avernus: Aeneas and the Cumaean Sibyl 1814- 15 Yale Center for British Art, Connecticut 71.8 x 97.2
  Crossing the Brook 1815 Tate Britain, London 193 x 165.1
  Dido building Carthage, or The Rise of the Carthaginian Empire 1815 National Gallery, London 155.5 x 230
  The Eruption of the Soufrière Mountains in the Island of St Vincent, 30 April 1812 1815 Victoria Gallery, Liverpool 79 x 105
  The Decline of the Carthaginian Empire ... 1817 Tate Britain, London 170.2 x 238.8
  The Field of Waterloo 1818 Tate Britain, London 147.3 x 238.8
  The Dort 1818 Yale Center for British Art, Connecticut 157.5 x 233.7

[6]

1819–1835 Extensive wanderer edit

Image Title Year Location Dimensions (cm.) Comments
  Richmond Hill with Girls Carrying Corn 1819 Tate Britain, London 48 x 239.3
  Entrance of the Meuse: Orange-Merchant on the Bar, Going to Pieces; Brill Church bearing S. E. by S., Masensluys E. by S. 1819 Tate Britain, London 175.3 x 246.4
  England: Richmond Hill, on the Prince Regent's Birthday 1819 Tate Britain, London 180 x 334.6
  The Rialto, Venice 1820 Tate Britain, London 177.5 x 335.3
  Tynemouth Priory 1820-1825 Tate Britain, London 31.8 x 61
  Rome from the Vatican 1820 Tate Britain, London 177.2 x 335.3
  George IV at St Giles's, Edinburgh 1822 Tate Britain, London 74.6 x 91.8
  George IV at the Provost's Banquet in the Parliament House, Edinburgh 1822 Tate Britain, London 68.6 x 91.8
  George IV's Departure from the 'Royal George', 1822 1822 Tate Britain, London 75.2 x 92.1
  An Avenue of Trees 1822 Tate Britain, London 49.5 x 53.7
  The Battle of Trafalgar, 21 October 1805 1822-1824 The National Maritime Museum, London 261.5 x 368.5
  The Bay of Baiae, with Apollo and the Sibyl 1823 Tate Britain, London 145.4 x 237.5
  First Sketch for 'The Battle of Trafalgar' 1823 Tate Britain, London 90.2 x 121.3
  Second Sketch for 'The Battle of Trafalgar' 1823 Tate Britain, London 90.2 x 121.3
  Landscape: Christ and the Woman of Samaria 1825 Tate Britain, London 147.3 x 238.8
  The Cobbler's Home 1825 Tate Britain, London 59.7 x 80
  Valley with a Distant Bridge and Tower 1825 Tate Britain, London 91.1 x 122.2
  Lake or River with Trees on the Right 1825-1830 Tate Britain, London 41.3 x 59.7
  Death on a Pale Horse (?) 1825-1830 Tate Britain, London 59.7 x 75.6
  Shipping 1825-1830 Tate Britain, London 67.9 x 91.8
  Rocky Coast 1825-1830 Tate Britain, London 50.2 x 65.7
  Seascape with a Sailing Boat and a Ship 1825-1830 Tate Britain, London 46.7 x 61
  A Sandy Beach 1825-1830 Tate Britain, London 60 x 91.4
  Italian Landscape with a Tower 1825-1830 Tate Britain, London 58.4 x 76.2
  Seascape with a Yacht (?) 1825-1830 Tate Britain, London 50.2 x 66
  Two Compositions: A Claudian Seaport and an Open Landscape 1825-1830 Tate Britain, London 33.7 x 60.3
  Forum Romanum, for Mr Soane's Museum 1826 Tate Britain, London 145.7 x 236.3
  Harbor of Dieppe: Changement de Domicile 1826 Frick Collection, New York City 173.7 x 225.4
  Cologne, the Arrival of a Packet-Boat: Evening 1826 Frick Collection, New York City 168.6 x 224.2
  Mortlake Terrace: Early Summer Morning 1826 Frick Collection, New York City 93 x 123.2
  View from the Terrace of a Villa at Niton, Isle of Wight, from Sketches by a Lady 1826 Museum of Fine Arts, Boston 45.7 x 61
  Port Ruysdael 1826-27 Yale Center for British Art, Connecticut 92.1 x 122.6
  The Harbour of Brest: The Quayside and Château 1826-1828 Tate Britain, London 172.7 x 223.5
  Dieppe: The Port from the Quai Henri IV 1827-28 Tate Britain, London 60.3 x 89.2
  Between Decks 1827 Tate Britain, London 30.5 x 48.6
  Sketch for 'East Cowes Castle, the Regatta Beating to Windward' No. 1 1827 Tate Britain, London 29.8 x 48.9
  Sketch for 'East Cowes Castle, the Regatta Beating to Windward' No. 2 1827 Tate Britain, London 45.7 x 61
  Sketch for 'East Cowes Castle, the Regatta Beating to Windward' No 3 1827 Tate Britain, London 46.4 x 72.4
  A Sail Boat at Rouen 1827-28 Tate Britain, London 60.3 x 90.8
  Brighton Beach, with the Chain Pier in the Distance, from the West 1827 Tate Britain, London 90.2 x 121.9
  'Now for the Painter' (Rope) – Passengers Going on Board 1827 Manchester Art Gallery, Manchester 174.3 x 223.5
  Sketch for 'East Cowes Castle, the Regatta Starting for Their Moorings' No. 1 1827 Tate Britain, London 46.4 x 61.6
  Sketch for 'East Cowes Castle, the Regatta Starting for Their Moorings' No. 2 1827 Tate Britain, London 44.5 x 73.7
  Sketch for 'East Cowes Castle, the Regatta Starting for Their Moorings' No. 3 1827 Tate Britain, London 45.1 x 61
  Shipping off East Cowes Headland 1827 Tate Britain, London 46 x 60.3
  Study of Sea and Sky, Isle of Wight 1827 Tate Britain, London 32.1 x 50.2
  East Cowes Castle 1827-28 Victoria and Albert Museum, London 91.4 x 123.2
  Rouen: A View from the Left Bank in the Faubourg St-Sever 1827-28 Tate Britain, London 60.3 x 98.7
  Three Seascapes 1827 Tate Britain, London 90.8 x 60.3
  Mortlake Terrace 1827 National Gallery of Art, Washington, D.C. 92.1 x 122.2
  Rocky Bay 1827-28 Tate Britain, London 60.3 x 92.1
  Rouen: The Left Bank, with Shipping Beyond 1827-28 Tate Britain, London 60 x 84.8
  Italian Bay 1827-28 Tate Britain, London 60.3 x 102.2
  Landscape with Tower, Trees and Figures; possibly Arcueil near Paris 1827-28 Tate Britain, London 60 x 88.6
  Classical Harbour Scene; possibly based on Le Havre 1827-28 Tate Britain, London 60.3 x 101.9
  Tivoli, the Cascatelle 1827-28 Tate Britain, London 60.7 x 77.7
  The Lake, Petworth, Sunset; Sample Study 1827-28 Tate Britain, London 63.5 x 139.7
  Italian Landscape with Bridge and Tower 1827-28 Tate Britain, London 60.3 x 98.1
  The Lake, Petworth, Sunrise 1827-28 Tate Britain, London 64.8 x 125.7
  Rocky Bay with Figures 1827-28 Tate Britain, London 90.2 x 123.2
  Archway with Trees by the Sea; Sketch for 'The Parting of Hero and Leander' 1827-28 Tate Britain, London 59.4 x 87
  Lake Nemi 1827-28 Tate Britain, London 60.3 x 99.7
  Claudian Harbour Scene: Study for 'Dido Directing the Equipment of the Fleet' 1827-28 Tate Britain, London 60 x 93.7
  Overlooking the Coast, with Classical Building 1827-28 Tate Britain, London 60.3 x 84.5
  A Ship Aground, Yarmouth; Sample Study 1827-28 Tate Britain, London 69.8 x 135.9
  Claudian Composition, possibly Arcueil at Dawn (formerly titled 'Ariccia (?): Sunset') 1827-28 Tate Britain, London 60.6 x 79.4
  Sketch for 'Ulysses Deriding Polyphemus' 1827-28 Tate Britain, London 60 x 89.2
  The Chain Pier, Brighton 1828 Tate Britain, London 71.1 x 136.5
  Petworth Park: Tillington Church in the Distance 1828 Tate Britain, London 60 x 145.7
  Chichester Canal 1828 Tate Britain, London 65.4 x 134.6
  The Rest on the Flight into Egypt 1828 Tate Britain, London 150.5 x 111.8
  The Procuress; (?) Judith with the Head of Holofernes 1828 Tate Britain, London 124.1 x 91.4
  Coast Scene near Naples 1828 Tate Britain, London 41 x 59.7
  Hilly Landscape with Tower 1828 Tate Britain, London 42.2 x 52.4
  Reclining Venus 1828 Tate Britain, London 75.3 x 248.9
  Seacoast with Ruin, probably the Bay of Baiae 1828 Tate Britain, London 41.3 x 60.3
  Regulus 1828 Tate Britain, London 89.5 x 123.8
  Palestrina - Composition 1828 Tate Britain, London 140.3 x 248.9 Exhibited in 1830. Set to hang beside a landscape

by Claude Lorrain in Egremont's his collection.

  Boccaccio Relating the Tale of the Bird-Cage 1828 Tate Britain, London 121.9 x 89.9
  Hill Town on the Edge of the Campagna 1828 Tate Britain, London 41 x 59.4
  A Seashore 1828 Tate Britain, London 41.6 x 52.1
  Seascape with Burning Hulk 1828 Tate Britain, London 24.1 x 41.6
  Vision of Medea 1828 Tate Britain, London 173.7 x 248.9
  Seascape 1828 Tate Britain, London 41.9 x 52.1
  Landscape with a Tree on the Right 1828 Tate Britain, London 27.9 x 41.6
  Outline of a Venus Pudica 1828 Tate Britain, London 135.6 x 98.1
  Italian Landscape, probably Civita di Bagnoregio 1828 Tate Britain, London 149.9 x 249.6
  Landscape with Trees and a Castle 1828 Tate Britain, London 41.6 x 60
  Southern Landscape with an Aqueduct and Waterfall 1828 Tate Britain, London 50.2 x 249.2
  Southern Landscape 1828 Tate Britain, London 176.5 x 251.8
  View of Orvieto 1828 Tate Britain, London 91.4 x 123.2 Painted in Rome
  Mountainous Landscape 1828 Tate Britain, London 41.3 x 59.7
  Two Recumbent Nude Figures 1828 Tate Britain, London 174.6 x 249.2
  Chichester Canal 1829 Tate Britain, London 63.5 x 132
  The Lake, Petworth: Sunset, a Stag Drinking 1829 Tate Britain, London 63.5 x 132
  The Lake, Petworth: Sunset, Fighting Bucks 1829 Tate Britain, London 62 x 146
  Brighton from the Sea 1829 Tate Britain, London 63.5 x 132
  The Loretto Necklace 1829 Tate Britain, London 130.8 x 174.9
  Ulysses deriding Polyphemus- Homer's Odyssey 1829 National Gallery, London 132.5 x 203
  Pilate Washing his Hands 1830 Tate Britain, London 91.4 x 121.9
  A Lady in a Van Dyck Costume 1830-1835 Tate Britain, London 121.3 x 91.1
  Dinner in a Great Room with Figures in Costume 1830-1835 Tate Britain, London 90.8 x 121.9
  The Evening Star 1830 National Gallery, London 91.1 x 122.6
  Funeral of Sir Thomas Lawrence 1830 The Tate, London
  Scene in a Church or Vaulted Hall 1830 The Tate, London 74.9 x 99.1
  Sunset 1830-1835 The Tate, London 66.7 x 81.9
  The Thames above Waterloo Bridge 1830-1835 The Tate, London 90.5 x 121
  Figures in a Building 1830-1835 The Tate, London 91.4 x 121.9
  Interior of a Great House: The Drawing Room, East Cowes Castle 1830 The Tate, London 90.8 x 121.9
  The Vision of Jacob's Ladder (?) 1830 The Tate, London 123.2 x 188
  Two Women with a Letter 1830 The Tate, London 121.9 x 91.4
  Jessica 1830 The Tate, London 122 x 91.5
  Calais Sands at Low Water: Poissards Collecting Bait 1830 Bury Art Museum 68.5 x 105.5
  Lifeboat and Manby Apparatus Going off to a Stranded Vessel Making the Signal (Blue Lights) of Distress 1831 Victoria & Albert Museum, London 91.4 x 122
  Extensive Landscape with River or Estuary and a Distant Mountain 1830-1840 The Tate, London 141 x 251.5
  Staffa, Fingal's Cave 1831-32 Yale Center for British Art, Connecticut 90.8 x 121.3
  Lucy, Countess of Carlisle, and Dorothy Percy's Visit to their Father Lord Percy, when under Attainder ... 1831 The Tate, London 40 x 69.2
  Watteau Study by Fresnoy's Rules 1831 The Tate, London 40 x 69.2
  Caligula's Palace and Bridge 1831 The Tate, London 137.2 x 246.4 The work was exhibited in Melbourne Australia by December 1882, but unable to be sold at £4000.[7] It was then being listed for sale in September 1884 from Gladstone Eyre's Sydney studio.[8]
  Van Tromp's Barge Entering the Texel, 1645 1831 Sir John Soane's Museum, London 90.2 x 121.9
  Christ Driving the Traders from the Temple 1832 The Tate, London 92.1 x 70.5
  Shrimpers: Lyme Regis 1832 Nunnington Hall 21.5 x 29
  The Prince of Orange, William III, Embarked from Holland, and Landed at Torbay, November 4th, 1688, after a Stormy Passage 1832 The Tate, London 90.2 x 120
  Shadrach, Meshach and Abednego in the Burning Fiery Furnace 1832 The Tate, London 91.8 x 70.8
  Childe Harold's Pilgrimage - Italy 1832 The Tate, London 142.2 x 248.3
  Van Tromp Returning after the Battle off the Dogger Bank 1833 The Tate, London 90.5 x 120.6
  Rotterdam Ferry-Boat 1833 National Gallery of Art, Washington, D.C. 92.3 x 122.5
  Antwerp: Van Goyen Looking Out for a Subject 1833 Frick Collection, New York City 91.8 x 122.9
  Wreckers – Coast of Northumberland, with a Steamboat Assisting a Ship off Shore 1833-34 Yale Center for British Art, Connecticut 90.5 x 120.8
  Bridge of Sighs, Ducal Palace and Custom-House, Venice: Canaletti Painting 1833 Tate Britain, London 51.1 x 81.6
  Venice: The Dogana and San Giorgio Maggiore, 1834 1834 National Gallery of Art, Washington, D.C. 91.5 x 122
  The Fountain of Indolence 1834 Beaverbrook Art Gallery, Fredericton 106.5 × 166.4
  The Golden Bough 1834 Tate Britain, London 104.1 x 163.8
  St Michael's Mount, Cornwall 1834 Victoria and Albert Museum, London 61 x 77.4
  The Burning of the Houses of Lords and Commons, 16th October, 1834 1834-1835 Philadelphia Museum of Art, Philadelphia 92 x 123.1
  The Burning of the Houses of Lords and Commons, 16th October, 1834 1834-1835 Cleveland Museum of Art, Cleveland 92 x 123
  The Long Cellar at Petworth 1835 Tate Britain, London 74.9 x 91.4
  The Arch of Constantine, Rome 1835 Tate Britain, London 91.4 x 121.9
  Rome, From Mount Aventine 1835 Private Collection 92 × 125
  Keelmen Heaving in Coals by Moonlight 1835 National Gallery of Art, Washington, D.C. 92.3 x 122.8
  A Sailing Boat off Deal 1835 National Museum Wales, Cardiff 22.6 x 30.3
  Line Fishing, off Hastings 1835 Victoria and Albert Museum, London 58.4 x 76.2
  The Cave of Despair 1835 Tate Britain, London 50.8 x 81.3
  Music Party, East Cowes Castle 1835 Tate Britain, London 121.3 x 90.5
  Tivoli: Tobias and the Angel 1835 Tate Britain, London 90.5 x 121
  A Disaster at Sea 1835 Tate Britain, London 171.4 x 220.3
  Venice, from the Porch of Madonna della Salute c. 1835 Metropolitan Museum of Art, New York City 91.4 × 122.2
  Venice, the Piazzetta with the Ceremony of the Doge Marrying the Sea 1835 Tate Britain, London 91.4 x 121.9
  Stormy Sea with Blazing Wreck 1835-1840 Tate Britain, London 99.4 x 141.6
  Stormy Sea with Dolphins 1835-1840 Tate Britain, London 90.2 x 121.3
  Margate Harbour 1835-1845 Sudley House, Liverpool 45.9 x 61.1
  The Morning after the Wreck 1835-1845 National Museum Wales, Cardiff 38.7 x 61.8
  Breakers on a Flat Beach 1835–1840 Tate Britain, London 90.2 x 121
  Seascape 1835–1840 Tate Britain, London 90.2 x 121
  The Beacon Light 1835-1845 National Museum Wales, Cardiff 61.5 x 96
  Head of a Person Asleep 1835 Tate Britain, London 24.4 x 30.2

[6]

1836–1851 Modernism edit

Image Title Year Location Dimensions (cm.) Comments
  Margate (?), from the Sea 1835-1840 National Gallery, London 91.2 x 122.2
  Valley of Aosta: Snowstorm, Avalanche, and Thunderstorm 1836-37 Art Institute of Chicago, Chicago 92.2 × 123
  The Parting of Hero and Leander - from the Greek of Musaeus pre1837 National Gallery, London 146 x 236
  The Death of Actaeon, with a Distant View of Montjovet, Val d'Aosta 1837 Tate Britain, London 149.2 x 111.1
  Story of Apollo and Daphne 1837 Tate Britain, London 109.9 x 198.8
  The Grand Canal: Scene - a Street in Venice c.1837 Huntington Library, San Marino, California 150.5 x 112.4
  Fishing Boats with Hucksters Bargaining for Fish 1837-38 Art Institute of Chicago, Chicago 174.5 × 224.9
  Steamer and Lightship; a study for 'The Fighting Temeraire' 1838-39 Tate Britain, London 91.4 x 119.7
  Modern Italy: The Pifferari 1838 Kelvingrove Art Gallery and Museum, Glasgow 92.6 x 123.2
  Phryne Going to the Public Baths as Venus: Demosthenes Taunted by Aeschines 1838 Tate Britain, London 193 x 165.1
  The Fighting Temeraire 1839 National Gallery, London 90.7 x 121.6
  Ancient Rome; Agrippina Landing with the Ashes of Germanicus 1839 Tate Britain, London 91.4 x 121.9
  Modern Rome – Campo Vaccino 1839 J. Paul Getty Museum, Los Angeles 90.2 × 122
  Margate Jetty 1840 National Museum Wales, Cardiff 47 x 37
  Waves Breaking against the Wind 1840 Tate Britain, London 60.4 x 95
  Waves Breaking on a Lee Shore at Margate (Study for 'Rockets and Blue Lights') 1840 Tate Britain, London 59.7 x 95.2
  The Slave Ship 1840 Museum of Fine Arts, Boston 91 × 123
  Seascape with Distant Coast 1840 Tate Britain, London 91.4 x 121.9
  Seascape with Buoy 1840 Tate Britain, London 91.4 x 121.9
  Bacchus and Ariadne 1840 Tate Britain, London 78.7 x 78.7
  The New Moon; or, 'I've lost My Boat, You shan't have Your Hoop' 1840 Tate Britain, London 5.4 x 81.3
  Neapolitan Fisher-girls Surprised Bathing by Moonlight c.1840 Huntington Library, San Marino, California 65.7 x 81
 
 Venice, from the Giudecca 1840 Victoria & Albert Museum, London 61 x 91.4
 
 Venice, the Bridge of Sighs 1840 Tate Britain, London
  Seascape with Storm Coming On 1840 Tate Britain, London
  Sun Setting over a Lake 1840 Tate Britain, London
  Giudecca, La Donna della Salute and San Giorgio 1841 Private Collection 61 x 91.5
 
 Schloss Rosenau, Bavaria, Seat of HRH Prince Albert of Coburg 1841 Sudley House, Liverpool
  Dawn of Christianity (Flight into Egypt) 1841 Ulster Museum, Belfast 79 x 79
 
 Peace - Burial at Sea 1842 Tate Britain, London 87 x 86.7
 
 The Dogano, San Giorgio, Citella, from the Steps of the Europa 1842 Tate Britain, London 61.6 x 92.7
  War. The Exile and the Rock Limpet 1842 Tate Britain, London 79.4 x 79.4
  Snow Storm: Steam-Boat off a Harbour's Mouth 1842 Tate Britain, London 91.4 x 121.9
  The Opening of the Wallhalla, 1842 1843 Tate Britain, London 112.7 x 200.7
  Shade and Darkness - the Evening of the Deluge 1843 Tate Britain, London 78.7 x 78.1
  St Benedetto, Looking towards Fusina 1843 Tate Britain, London 62.2 x 92.7
  The Sun of Venice Going to Sea 1843 Tate Britain, London 61.6 x 92.1
  Light and Colour (Goethe's Theory) – The Morning after the Deluge – Moses Writing the Book of Genesis 1843 Tate Britain, London 78.7 x W 78.7
  The Evening of the Deluge c. 1843 National Gallery of Art, Washington, D.C. 76 x 76
  Lake Lucerne: the Bay of Uri from above Brunnen 1844 Tate Britain, London 72.7 x 98.3
  Heidelberg 1844-5 Tate Britain, London 132.1 x 201.9
  Sunset From the Top of the Rigi 1844 Tate Britain, London 71.1 x 96.5
  Off the Nore 1840-1845 Yale Center for British Art, Connecticut 30.5 x 45.7
  A River Seen from a Hill 1840-1845 Tate Britain, London 78.7 x 79.4
  Landscape with Water 1840-1845 Tate Britain, London 121.9 x 182.2
  The Arrival of Louis-Philippe at Portsmouth, 8 October 1844 1844-45 Tate Britain, London 90.8 x 121.3
  The Disembarkation of Louis-Philippe at Portsmouth, 8 October 1844 1844-45 Tate Britain, London 90.2 x 120.6
  Rough Sea with Wreckage 1840-1845 Tate Britain, London 92.1 x 122.6
  Yacht Approaching the Coast 1840-1845 Tate Britain, London 102.2 x 142.2
  Venetian Scene 1840-1845 Tate Britain, London 79.4 x 78.7
  Sunrise, with a Boat between Headlands 1840-1845 Tate Britain, London 91.4 x 121.9
 
 Landscape 1840-1845 Walker Art Gallery, Liverpool 92 x 122.
  The Ponte Delle Torri, Spoleto 1840-1845 Tate Britain, London 91.4 x 121.9
 
 Venice with the Salute 1840-1845 Tate Britain, London 62.2 x 92.7
  A Wreck, with Fishing Boats 1840-1845 Tate Britain, London 91.4 x 122.2
  Sunrise, a Castle on a Bay: 'Solitude' 1840-1845 Tate Britain, London 90.8 x 121.9
 
 The Storm 1840-1845 National Museum Wales, Cardiff 54.6 x 77
 
 The Morning after the Storm 1840-1845 National Museum Wales, Cardiff 32.6 x 54.4
  Scene in Venice 1840-1845 Tate Britain, London 62.2 x 92.7
  Rough Sea 1840-1845 Tate Britain, London 91.4 x 121.9
 
 Stormy Sea Breaking on a Shore 1840-1845 Yale Centre for British Art, Connecticut 44.5 x 63.5
  Venice Quay, Ducal Palace 1844 Tate Britain, London 62.2 x 92.7
  Approach to Venice 1844 National Gallery of Art, Washington, D.C. 62 x 94
  Rain, Steam and Speed – The Great Western Railway 1844 The National Gallery, London 91 x 121.8
  Venice - Maria della Salute 1844 Tate Britain, London 61.3 x 92.1
  Fishing Boats Bringing a Disabled Ship into Port Ruysdael 1844 Tate Britain, London 91.4 x 123.2
  Whalers 1845 Tate Britain, London 91.1 x 121.9
  Venice - Sunset, a Fisher 1845 Tate Britain, London 61.3 x 92.1
  Venice - Noon 1845 Tate Britain, London 61 x W 91.8
  Venetian Festival 1845 Tate Britain, London 72.4 x 113.3
  Inverary Pier, Loch Fyne: Morning 1845 Yale Center for British Art, Connecticut 91.4 x 121.9
 
 The Falls of the Clyde 1845 Lady Lever Art Gallery, Wirral 89 x 119.5
  Falls of Schaffhausen (Val d’Aosta) 1845 National Gallery of Victoria, Melbourne 91.5 × 122.0
  Sunrise with Sea Monsters 1845 Tate Britain, London 91.4 x 121.9
  Riva degli Schiavone, Venice: Water Fête 1845 Tate Britain, London 72.4 x 113
  Norham Castle, Sunrise 1845 Tate Britain, London 90.8 x 121.9
  Whalers c. 1845 Metropolitan Museum of Art, New York City 91.8 × 122.6
  'Hurrah! for the Whaler Erebus! Another Fish!' 1846 Tate Britain, London 90.2 x 120.6
  Going to the Ball (San Martino) 1846 Tate Britain, London 61.6 x 92.4
  Queen Mab's Cave 1846 Tate Britain, London 92.1 x 122.6
  The Angel Standing in the Sun 1846 Tate Britain, London 78.7 x 78.7
  Undine Giving the Ring to Massaniello, Fisherman of Naples 1846 Tate Britain, London 79.1 x 79.1
  Returning from the Ball (St Martha) 1846 Tate Britain, London 61.6 x 92.4
  Whalers (Boiling Blubber) Entangled in Flaw Ice, Endeavouring to Extricate Themselves 1846 Tate Britain, London 89.9 x 120
 
 The Wreck Buoy 1849 Sudley House, Liverpool 92.7 x 123.2
  Mercury Sent to Admonish Aeneas 1850 Tate Britain, London 90.2 x 120.6
  The Visit to the Tomb 1850 Tate Britain, London 91.4 x 121.9
  The Departure of the Fleet 1850 Tate Britain, London 89.9 x 120.3

[6]

References edit

  1. ^ "J.M.W. Turner | Biography, Paintings, & Facts". Encyclopedia Britannica. Archived from the original on 30 January 2010. Retrieved 17 January 2021.
  2. ^ "Joseph Mallord William Turner (1775 - 1851) | National Gallery, London". www.nationalgallery.org.uk. Archived from the original on 19 January 2021. Retrieved 17 January 2021.
  3. ^ "The Tate". Tate Gallery. Archived from the original on 5 December 2020.
  4. ^ "Beech Trees at Norbury Park, Leatherhead, Surrey". National Gallery of Ireland. Archived from the original on 25 April 2021. Retrieved 25 April 2021.
  5. ^ Dunne, Aidan (28 December 2019). "Art in Focus – Beech Trees at Norbury Park by JMW Turner (1775-1851)". The Irish Times. Dublin. Archived from the original on 31 March 2021. Retrieved 25 April 2021.
  6. ^ a b c d "Art UK | Discover Artworks". artuk.org. Archived from the original on 27 January 2021. Retrieved 18 January 2021.
  7. ^ "Colonial news". The Tasmanian. Vol. XI, no. 49. Tasmania, Australia. 9 December 1882. p. 1362. Retrieved 2 October 2021 – via National Library of Australia.
  8. ^ "Advertising". The Sydney Morning Herald. No. 14, 487. New South Wales, Australia. 1 September 1884. p. 2. Retrieved 2 October 2021 – via National Library of Australia.
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