Leo Robin (April 6, 1900 – December 29, 1984) was an American composer, lyricist and songwriter. He is probably best known for collaborating with Ralph Rainger on the 1938 Oscar-winning song "Thanks for the Memory", sung by Bob Hope and Shirley Ross in the film The Big Broadcast of 1938.
|Born||April 6, 1900|
Pittsburgh, Pennsylvania, U.S.
|Died||December 29, 1984 (aged 84)|
Woodland Hills, California, U.S.
|Occupation(s)||Composer, lyricist, songwriter|
|Associated acts||Richard A. Whiting|
Robin's first hits came in 1926 with the Broadway production By the Way, with hits in several other musicals immediately following, such as Bubbling Over (1926), Hit the Deck, Judy (1927), and Hello Yourself (1928). In 1932, Robin went out to Hollywood to work for Paramount Pictures. His principal collaborator was composer Ralph Rainger, together they became one of the leading film songwriting duos of the 1930s and early 1940s, writing over 50 hits. Robin and Rainger worked together until Rainger's untimely death in a plane crash on October 23, 1942. Robin continued to collaborate with many other composers over the years, including Vincent Youmans, Sam Coslow, Richard A. Whiting, and Nacio Herb Brown. Leo Robin collaborated with Rainger on the 1938 Oscar-winning song "Thanks for the Memory," sung by Bob Hope in the film The Big Broadcast of 1938, which was to become Hope's signature tune.
Robin collaborated on the score for the 1955 musical film My Sister Eileen with Jule Styne, then officially retired from the movie industry. He is a member of the Songwriters Hall of Fame, having been inducted in 1972. Robin wrote many popular songs, mostly for film and television, including "Louise," "Beyond the Blue Horizon" (both songs co-written by Richard A. Whiting), "Prisoner of Love" and "Blue Hawaii".
Hollywood Walk of Fame controversy:
Ashley Lee from the Los Angeles Times first broke on May 23, 2019 this story, "Leo Robin never got his Walk of Fame star. Now his grandson is fighting for it," about his grandson's, Scott Ora's, serendipitous discovery of Leo's long-lost star. "What...(the grandson) didn’t know is that years later he’d be tangled in a still-unresolved back-and-forth with the Walk of Fame to get it set in stone....In 1989, nearly five years after his death, Robin was named as a recipient of a posthumous star on the Hollywood Walk of Fame. Thirty years later, the star has yet to be installed....Robin’s wife, Cherie Redmond, who applied for her late husband’s star, never saw the letter that arrived on June 18, 1990; she had passed away on May 28, (1989)...(a year) before it was mailed. The envelope was returned to its sender and has since remained in the Chamber of Commerce’s records....That means no follow-up letters and no calls to co-signers, even if Robin’s application was co-signed by (Bob) Hope, who has four stars on the Walk." 
Work on BroadwayEdit
- Hit the Deck (1927), musical - co-lyricist
- Allez-oop (1927), revue - lyricist
- Just Fancy (1927), musical - lyricist
- Hello Yourself (1928), musical - lyricist
- Tattle Tales (1933), revue - contributing lyricist
- Gentlemen Prefer Blondes (1949), musical - lyricist
- The Girl in Pink Tights (1954), musical - lyricist
- Lorelei (Gentlemen Still Prefer Blondes) (1974), musical - lyricist
Posthumous credits or shows in which pre-written songs by Leo Robin were featured include:
- Maurice Chevalier in an evening of Songs and Impressions (1955), concert
- The American Dance Machine (1978), dance special
- A Day in Hollywood / A Night in the Ukraine (1980), revue - lyricist for "Louise", "Beyond the Blue Horizon", "Double Trouble", and "Thanks for the Memory"
- Big Deal (1986), musical - lyricist for "Love Is Just around the Corner"
- Gentlemen Prefer Blondes (1995 revival)
- Fosse (1999), revue - lyricist for "Got No Room for Mr. Gloom"
- "Leo Robin", Michael Feinstein's Great American Songbook.