Last Days: Stories is a collection of short fiction by Joyce Carol Oates published by E. P. Dutton in 1984.[1] The stories in this volume were originally published individually in literary journals (See Stories section below)[2]

Last Days: Stories
First edition
AuthorJoyce Carol Oates
LanguageEnglish
PublisherE. P. Dutton
Publication date
1984
Publication placeUnited States
Media typePrint (hardback)
Pagespp. 241
ISBN0-525-24248-1

The works entitled "The Man Whom Women Adored" and "My Warzawa: 1980" were recipients of the O. Henry Award, and appeared in the 1982 and 1983 issues of Prize Stories, respectively.[3]

Last Days: Stories is Oates’s thirteen collection of short fiction.[4]

Stories

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Journals and publishing dates on which the stories were first published are listed after titles.[5]

LAST DAYS

OUR WALL

Reception

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Calling Oates "the poet laureate of schizophrenia, of blasted childhoods, of random acts of violence", novelist Erica Jong, writing in The New York Times, compared Oates favorably to literary figures Isaac Singer, O. Henry, Guy de Maupassant and Vladmir Nabokov.[6][7]

Jong reserved special praise for the title story "Last Days", describing the characterization of protagonist Saul Morgenstern as "one of the most convincing, and therefore unpleasant, descriptions of schizophrenia I have ever read". Jong observed that the second group of stories, under the heading "Our Wall," all of which are set in Eastern Europe during the reemergence of Cold War hostilities, "is not far from the landscape of hysteria and violence that marks the first group of stories" presented under the heading "Last Days" and set in the United States. Jong concluded her review by declaring "Miss Oates one of our most audaciously talented writers."[8]

Theme

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The 11 stories in the collection are presented in two sections. The five stories that comprise "Last Days" dramatize the acute suffering that accompanies personal violence and end in madness or suicide in America.[9][10]

The six stories included under the "Our Wall" section deal with the Cold War social aspects of Eastern Europe in the late 1970s and early 1980s and the oppressive and isolating intellectual environment suffered by intellectuals and artists in the last phase of Stalinist rule.[11]

Despite stories "that reveal personal and political barriers to wholeness, health [and] integrity" literary critic Greg Johnson offers this caveat regarding the collection’s theme: "The title Last Days should not be read as fatalistic but as hopeful...like all of Oates’s fiction, Last Days dramatizes a nightmarish present but suggests a positive resolution, a necessary path to the future."[12][13]

Footnotes

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  1. ^ Johnson, 1994 p. 218-221: Selected Bibliography, Primary Works
  2. ^ Oates, 1984. Top of copyright page, opposite dedication page.
  3. ^ Oates, 1984, copyright page.
  4. ^ Johnson, 1987 p. 180
  5. ^ Oates, 1984 Copyright page, opposite dedication.
  6. ^ Jong, 1984
  7. ^ "Revisiting Joyce Carol Oates's Short Stories". The New York Times. 2019-06-28. ISSN 0362-4331. Retrieved 2023-10-27.
  8. ^ Jong, 1984
  9. ^ Johnson, 1987 p. 180-181
  10. ^ Johnson, 1994 p. 182: The first section "deals with a variety of troubled individuals who either die, or at best, find themselves living life-in-death experiences."
  11. ^ Johnson, 1994 p. 182: "...Last Days was written during the recrudescence of extreme Cold War tensions…the suffocating air of the Eastern Bloc nations.."
  12. ^ Johnson, 1987 p. 199: Elliped material reads: "...in the sense that a breaking down, even though involving the emotional violence and terror endured by so many of these characters, is a necessary prelude to their ‘communal consciousness.’"
  13. ^ Johnson, 1994 p. 182

Sources

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