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Lady Caroline Lamb is a 1972 film based on the life of Lady Caroline Lamb, lover of Lord Byron and wife of William Lamb, 2nd Viscount Melbourne (later Prime Minister). The film was written and directed by Robert Bolt and starred his wife, Sarah Miles,[1] as Lady Caroline. The fim also stars Jon Finch, Richard Chamberlain, Laurence Olivier, Ralph Richardson, John Mills, Margaret Leighton and Michael Wilding.

Lady Caroline Lamb
Ladycarolinelamb.jpg
Theatrical release poster
Directed byRobert Bolt
Produced byFernando Ghia
Written byRobert Bolt
StarringSarah Miles
Jon Finch
Richard Chamberlain
Laurence Olivier
Music byRichard Rodney Bennett
CinematographyOswald Morris
Distributed byMGM-EMI (UK)
United Artists (US)
Release date
22 November 1972
LanguageEnglish

CastEdit

BackgroundEdit

The film was the directorial debut of screenwriter Robert Bolt and stars his then wife Sarah Miles in the title role. Bolt did not direct another film. The film is also notable because it is the last film in which Michael Wilding appeared, in a cameo with his last wife, Margaret Leighton, who played Lady Melbourne. The film score was composed by Richard Rodney Bennett, who later based a concert work, Elegy for Lady Caroline Lamb for viola and orchestra, on some of the material.

ReceptionEdit

Praise came for Laurence Olivier's cameo as the Duke of Wellington, with Philip French of The Times writing that "... Olivier's brief appearance as the Duke of Wellington is a beautifully witty and rounded characterisation that is worth the price of the admission in itself".[2]

The film was one of the most popular movies of 1973 at the British box office.[3]

External linksEdit

ReferencesEdit

  1. ^ John A. Wagner (25 February 2014). Voices of Victorian England: Contemporary Accounts of Daily Life. ABC-CLIO. p. 199. ISBN 978-0-313-38689-3.
  2. ^ The Films of Laurence Olivier, by Margaret Morley, Citadel, 1977, p 176
  3. ^ Harper, Sue (2011). British Film Culture in the 1970s: The Boundaries of Pleasure: The Boundaries of Pleasure. Edinburgh University Press. p. 270.