Léon Cogniet (29 August 1794 – 20 November 1880) was a French history and portrait painter. He is probably best remembered as a teacher, with more than one hundred notable students.

Léon Cogniet
Léon Cogniet. Self-portrait c. 1818
Léon Cogniet

29 August 1794
Paris, France
Died20 November 1880 (aged 86)
Paris, France
EducationPierre-Narcisse Guérin
Known forPainting

Biography edit

Cogniet in 1865

He was born in Paris. His father was a painter and wallpaper designer. In 1812, he enrolled at the École des Beaux-arts, where he studied with Pierre-Narcisse Guérin. He also worked in the studios of Jean-Victor Bertin. After failing an attempt to win the Prix de Rome in 1816, he won the following year with his depiction of Helen Rescued by Castor and Pollux[1] and received a stipend to study at the French Academy in Rome until 1822. Before leaving, he had his first exhibition at the Salon.

In 1827, he created a series of murals on the life of Saint Stephen for the church of Saint-Nicholas-des-Champs. From 1833 to 1835, he painted a scene from Napoleon's expedition to Egypt on one of the ceilings at the Louvre. Between 1840 and 1860, he operated a popular painting workshop for women, directed by his sister Marie Amélie and one of his students, Catherine Caroline Thévenin (1813–1892), who later became his wife. After 1843, he concentrated almost entirely on teaching, with an occasional portrait. After 1855, he essentially gave up painting.

After 1831, he taught design at the Lycée Louis-le-Grand. He also taught at the École polytechnique from 1847 to 1861. In 1851, he was appointed a Professor at the École des Beaux-arts, a position he held until 1863, when he retired, slowly giving up his private students and becoming more reclusive.

He died forgotten in the 10th arrondissement of Paris in 1880 and is interred at Père-Lachaise.

His sister was the painter Marie Amélie Cogniet.

Selected works edit

History paintings:

  • La Garde nationale de Paris part pour l’armée, Septembre 1792 (The Paris National Guard on its way to the Army, September 1792)
  • Tintoretto painting his dead daughter (1843; Musée des Beaux-Arts de Bordeaux)
  • Scenes of July 1830
  • Les Drapeaux, 1830. The day after the "Three Glorious Days" of the 1830 Revolution, the painter depicts the white flag of the restoration of the monarchy (on the left), torn and revealing the blue sky (in the middle). The red fold then spreads like a bloodstain (on the right). thus recreating the Republic's tricolor flag.


Gallery edit

Pupils edit

Notes edit

  1. ^ Grunchec, P. (1985). The Grand Prix de Rome: Paintings from the École des Beaux-Arts, 1797-1863. Washington, DC: International Exhibitions Foundation. p. 66. ISBN 0883970759.

References edit

External links edit