John Lee Mahin
John Lee Mahin (August 23, 1902, Evanston, Illinois – April 18, 1984, Los Angeles) was an American screenwriter and producer of films who was active in Hollywood from the 1930s to the 1960s. He was known as the favorite writer of Clark Gable and Victor Fleming. In the words of one profile, he had "a flair for rousing adventure material, and at the same time he wrote some of the raciest and most sophisticated sexual comedies of that period."
Mahin attended Harvard University; while there he reviewed movies and plays for the Boston American at $30 a week. Mahin worked as a journalist for two years in New York, at the Sun, the Post and the City News. He then tried to make a living as an actor, starting as a chorus boy in a production of Gilbert and Sullivan's Patience at the Province Playhouse. He eventually moved into advertising in New York but wrote fiction on the side.
Hecht and MacArthur were working on The Unholy Garden (1931) for Sam Goldwyn and brought in Mahin to help at $200 a week. They liked his work and when Hecht went on to the gangster movie Scarface (1932), he took Mahin with him. Mahin wrote the script in collaboration with Hecht, Seton I. Miller and the director Howard Hawks (W. R. Burnett had done an earlier draft).
World War IIEdit
It took a while for Scarface to be released but advance word was strong and MGM offered Mahin a long term contract at $200 a week. They assigned him to a gangster film, Beast of the City (1932) which starred Jean Harlow. While working on Howard Hawks asked him to do some uncredited work on Tiger Shark (1932) at Warner Bros; Mahin did it in the evenings.
Mahin did some work on Rasputin and the Empress (1933), then Hell Below (1933) (in which he also appeared as an actor), Bombshell (1933) for Fleming, The Prizefighter and the Lady (1933) and Eskimo (1933); Mahin claims to have done some directing on the latter.
He was Oscar nominated for his work on Captains Courageous (1937) for Fleming. Mahin wrote The Last Gangster (1937), then did two Gable films, Test Pilot (1938), and Too Hot to Handle (1938). In 1937 MGM paid him $56,000.
While serving during World War II, Mahin wrote Combat America (1943), narrated by Gable.
After the war, Mahin did uncredited work on Adventure (1945) for Gable and Fleming, The Yearling (1946) and The Beginning or the End (1947). He wrote The Risen Soldier, a biopic of Cardinal Spellman to star Van Johnson that was not used.
20th Century FoxEdit
Louis B MayerEdit
Mahin wrote the screenplay for Show Boat (1951), the Technicolor remake of the noted 1927 stage musical, which had previously been filmed in 1936. According to musical theatre historian Miles Kreuger in his book, Show Boat: The History of a Classic American Musical, Mahin retained most of the basic structure of the storyline, but little of Oscar Hammerstein II's stage dialogue, preferring to create his own. According to Kreuger, Mahin and producer Arthur Freed introduced the plot device of keeping the lovers Magnolia Hawks and Gaylord Ravenal young to the end, rather than having a passage that showed them forty years older, as in the original stage musical.
He wrote Quo Vadis (1951) for MGM and My Son John (1952) for Leo McCarey. He redid his Red Dust script as Mogambo (1953) for Gable and John Ford, and worked on another melodrama in the tropics, Elephant Walk (1954).
In 1955 a play he wrote with Patsy Ruth Miller, Don Ella, played at UCLA.
Mahin wrote Lucy Gallant (1955), The Bad Seed (1956) for LeRoy, Heaven Knows, Mr. Allison (1957) for John Huston, and No Time for Sergeants (1958) for LeRoy. Heaven Knows, Mr Allison earned him another Oscar nomination.
Mahin adapted Paint Your Wagon for Mayer but plans to film it were dropped when Mayer died. (It would be filmed in 1969 with a fresh script.) Mahin did do some uncredited work on the Cinerama film, South Seas Adventure (1958).
Mahin got to know Martin Rackin when they worked on a script of Pearl Buck's Letter from Peking, that was never filmed. They decided to form a production company. Together they wrote and produced The Horse Soldiers (1959), Revak the Rebel (1959) and North to Alaska (1960). The association ended when Rackin was appointed head of Paramount.
Mahin was a founder of the Screen Writers Guild in 1933. In the late 1930s, he became president of a rival organization, the Screen Playwrights Guild. He rejoined the Guild in 1948 and became its president.
- The Unholy Garden (1931) – uncredited
- The Beast of the City (1932; dialogue continuity, as John L. Mahin)
- The Wet Parade (1932; adaptation, as John L. Mahin)
- Scarface (1932; dialogue continuity)
- Tiger Shark (1932) – uncredited
- Red Dust (1932; screenplay, as John Mahin)
- Rasputin and the Empress (1932) – uncredited
- Hell Below (1933; dialogue)
- Bombshell (1933; screenplay)
- The Prizefighter and the Lady (1933)
- Eskimo aka Mala the Magnificent (1933)
- Laughing Boy (1934)
- Treasure Island (1934; screenplay)
- Chained (1934)
- Naughty Marietta (1935)
- China Seas (1935) – uncredited
- Riffraff (1936) – uncredited
- Wife vs. Secretary (1936; screenplay)
- Small Town Girl (1936)
- The Devil is a Sissy (1936)
- Love on the Run (1936)
- Captains Courageous (1937)
- A Star Is Born (1937)
- The Last Gangster (1937)
- Test Pilot (1938) – uncredited
- Too Hot to Handle (1938; screenplay)
- The Wizard of Oz (1939) – uncredited
- Boom Town (1940)
- Dr. Jekyll and Mr. Hyde (1941)
- Johnny Eager (1942; screenplay)
- Woman of the Year (1942) – uncredited
- Tortilla Flat (1942; screenplay)
- The Adventures of Tartu (1943)
- Combat America (1943) (documentary)
- Adventure (1945) – uncredited
- The Yearling (1946) – uncredited
- That Wonderful Urge (1948) – uncredited
- Down to the Sea in Ships (1949)
- Love That Brute (1950)
- Panic in the Streets (1950) – uncredited
- Show Boat (1951)
- Quo Vadis (1951)
- My Sơn John (1952; adaptation)
- Mogambo (1953)
- Elephant Walk (1954)
- Lucy Gallant (1955)
- The Bad Seed (1956; screenplay)
- Heaven Knows, Mr. Allison (1957)
- No Time for Sergeants (1958)
- The Horse Soldiers (1959) – also uncredited producer
- The Barbarians (1960) – also producer
- North to Alaska (1960; screenplay) – also uncredited producer
- The Spiral Road (1962)
- Moment to Moment (1966)
- The Jimmy Stewart Show (1971–1972) (TV series) (episodes "Identity Crisis" and "Old School Ties")
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