Jing Fang (Chinese: 京房; pinyin: Jīng Fáng; Wade–Giles: Ching Fang, 78–37 BC), born Li Fang (李房), courtesy name Junming (君明), was born in present-day 東郡頓丘 (Puyang, Henan) during the Han dynasty (202 BC – 220 AD). He was a Chinese music theorist, mathematician and astronomer. Although better known for his work in musical measurements, he also accurately described the basic mechanics of lunar and solar eclipses.



The historian Ban Gu (32–92 AD) wrote that Jing Fang was an expert at making predictions from the hexagrams of the ancient Yijing.[1] A book on Yijing divination attributed to him describes the najia method of hexagram interpretation, which correlates their separate lines with elements of the Chinese calendar.[2] Not only was he instrumental in the development of Yijing correlative cosmology, but he has also shed a new light on China's history, in particular Qin and Han.[3]

Music theory


According to the 3rd-century historian Sima Biao, Jing Fang received an appointment as an official in the Music Bureau under Emperor Yuan of Han (r. 48–33 BC).[1]

Jing Fang was the first to notice how closely a succession of 53 just fifths approximates 31 octaves. He came upon this observation after learning to calculate the pythagorean comma between 12 fifths and 7 octaves, [4] and extended this method fivefold to a scale composed of 60 fifths, finding that after 53 new values became incredibly close to tones already calculated. The pythagorean comma had been published ca. 122 BC in the Huainanzi, a book is written for the prince of Huainan. Huainanzi emphasizes that the number of musical temperament and calendar reflect the path of heaven and earth.[5]

He accomplished this calculation by beginning with a suitable large starting value ( )[6] that could be divided by three easily, and proceeded to calculate the relative values of successive tones by the following method:

  1. Divide the value by three.  
  2. Add this value to the original.  
  3. The new value is now equal to   of the original, or a perfect fourth, which is equivalent to a perfect fifth inverted at the octave. (Alternatively, he would subtract   from the interval, equivalent to a perfect fifth down, to keep all of the values greater than 177147, or less than 354294, it's double, effectively transposing them all into the range of a single octave.)
  4. Proceed now from this new value to generate the next tone; repeat until all tones have been generated.

To produce an exact calculation, some 26 digits of accuracy would have been required.[7] Instead, by rounding to about 6 digits, his calculations are within 0.0145 cents of exactness, which is a difference much finer than is usually perceptible. The final value he gave for the ratio between this 53rd fifth and the original was — .[7][8]

This value would later be calculated precisely by Nicholas Mercator in the 17th century (see: history of 53 equal temperaments).



He was also an advocate of the theory that the light emanating from the spherical Moon (as seen from Earth) was merely a reflection of sunlight. This was known as the 'radiating influence' theory in ancient China, which stated that the light of the Moon was merely the light reflected from the Sun and that the celestial bodies were spherical. This accurate theory was dismissed by the philosopher Wang Chong (27–97 AD), yet embraced by the mathematician, inventor, and scientist Zhang Heng (78–139 AD).

Jing Fang stated:

The moon and the planets are Yin; they have shape but no light. This they receive only when the sun illuminates them. The former masters regarded the sun as round like a crossbow bullet, and they thought the moon had the nature of a mirror. Some of them recognized the moon as a ball too. Those parts of the moon which the sun illuminates look bright, those parts which it does not, remain dark.[9]



It is recorded that he was executed by beheading in the marketplace in 37 BC under the Emperor's orders after he allegedly slung false accusations at a high official for infringing upon the law.[1]

See also



  1. ^ a b c McClain and Ming, 208.
  2. ^ Fung, Yu-lan; A History of Chinese Philosophy; Princeton University Press
  3. ^ Matthew, William (2021). Cosmic Coherence a Cognitive Anthropology through Chinese Divination. p. 128.
  4. ^ McClain and Ming, 207.
  5. ^ Li, Xifan (2022). General History of Chinese Art: From the Qin Dynasty to the Northern and Southern Dynasties.
  6. ^ McClain and Ming, 213.
  7. ^ a b McClain and Ming, 212.
  8. ^ "後漢書/卷91 - 维基文库,自由的图书馆". zh.wikisource.org (in Chinese). Retrieved 2022-06-23.
  9. ^ Needham, Volume 3, 227.