This article includes a list of general references, but it remains largely unverified because it lacks sufficient corresponding inline citations. (August 2009) (Learn how and when to remove this template message)
Sym about 1937
Karol Juliusz Sym
July 3, 1896
|Died||March 7, 1941 (aged 44)|
|Occupation||Soldier, film actor, later entertainer and Gestapo agent|
Sym was born in Innsbruck, the son of Anton Sym, a Pole from Niepołomice in Galicia, and his Austrian wife Julia (née Sepp). During World War I he served in the Austro-Hungarian Army, becoming a lieutenant. After the war, he served in the Polish Armed Forces infantry in the rank of a First Lieutenant, until in 1921 he took up the job of a bank attorney.
Sym's movie debut took place in 1925, in a film called Vampires of Warsaw (of which no copy is known to exist). Handsome and athletic, he often played aristocrats and army officers. In 1927 he left for Vienna, where he signed a contract with the Sascha-Film production company. In late 1920s Sym worked mainly in Austria and Germany, appearing with such actresses as Marlene Dietrich, Anny Ondra and Lilian Harvey in silent movies like Die Pratermizzi or Café Elektric directed by Gustav Ucicky.
At the beginning of the 1930s, Sym returned to Poland and settled in Warsaw. He largely ceased working in motion pictures, instead appearing on the Warsaw theatre stage. He entertained by singing, dancing and playing the musical saw; he notably taught Dietrich to play the instrument.
After the Invasion of Poland on 1 September 1939, Sym stayed in German-occupied Warsaw. Known before the war for his pro-German stance, the actor signed the Volksliste, thus becoming a Volksdeutscher. Because of his fame, the Germans considered him an asset in legitimizing their authority. The General Government's propaganda department therefore made him director of Warsaw's Theater der Stadt Warschau, formerly Teatr Polski (the Polish Theater). Sym was also director of the Nur für Deutsche cinema, the Helgoland (formerly the Palladium), and licensee of the Teatr Komedia.
Sometime in late 1939, Sym became a Gestapo agent. According to preserved documents, he had collaborated with Berlin since before 1 September 1939. At the beginning of the war he helped set a trap which caught actress Hanka Ordonówna (who had been Sym's prewar screen partner and a friend from Warsaw's theaters). Polish resistance quickly learned about this, and a group of agents led by Teatr Komedia actor Roman Niewiarowicz started tracking Sym's activities.
On 10 October 1941 the film Heimkehr debuted in Berlin's Ufa-Palast am Zoo cinema. The Nazi propaganda movie directed by Gustav Ucicky told a story about the pre-1939 German minority in Poland's Volhynia, resettled during Nazi–Soviet population transfers. The Germans, presented as noble, peace-loving people, were brutally persecuted by vicious Poles. In the final scene, Polish soldiers lead arrested Germans to execution; however, Wehrmacht airplanes and tanks appear, saving the community. Igo Sym did not perform in the film, but he actively collaborated in its production, casting Polish actors who were more or less willing to take part. Several actors refused, including Kazimierz Junosza-Stępowski. Sym finally found some actors who were accepted by director Ucicky. After the war, these actors were punished for collaborating with the Germans.
Igo Sym's collaboration with the Germans contrasts with the conduct of his younger brother Ernest who, during his official activities as a chemist, clandestinely produced explosives for Poland's Home Army.
In early 1941, the headquarters of the underground Polish resistance group Union of Armed Struggle (ZWZ) decided to liquidate the collaborator. Sym's behavior was loudly trumpeted by the Nazis, and his assassination would show the Poles that the underground movement was active, always ready to punish all traitors. At first, the ZWZ planned to poison the actor, but later decided to shoot him instead.
When Roman Niewiarowicz informed the ZWZ that Sym would leave for Vienna on March 8, 1941, the resistance decided to kill the collaborator before that date. To carry out the assassination, the ZWZ selected the commando group "ZOM" of the Intelligence Department of the Warsaw-City District, led by Bohdan "Szary" Rogoliński.
At 7:10 a.m. on March 7, 1941, two Polish agents knocked at the door of Sym's 4th floor apartment at 10 Mazowiecka Street in Warsaw. The agents – Rogoliński and Roman "Srebrny" Rozmiłowski – told Sym that they were postmen carrying a dispatch. Both were covered by Wiktor "Mały" Klimaszewski. On opening the door, Sym was asked to confirm his name, which he did. One of the agents then shot Sym dead with a Vis pistol.
On the same day, German loudspeakers on the streets announced that hostages had been taken as revenge for Sym's death. Then, posters signed by a Dr. Ludwig Fischer appeared on the walls stating that more hostages would be taken and curfew would be enforced from 8 p.m. to 5 a.m.
Fischer threatened to shoot all hostages unless those responsible for assassination were found. All theatres were closed, and about 120 people were arrested, including teachers, physicians, lawyers and actors. The population of Warsaw was given three days to find Sym's murderers.
As nobody was found, on March 11 in Palmiry, 21 hostages were executed. Several actors were also arrested and sent to Auschwitz, among them such notable figures as directors Stefan Jaracz and Leon Schiller.
- Vampires of Warsaw (1925)
- The Unthinkable (1926)
- Die Pratermizzi (1926)
- Café Elektric (1927)
- Tingel Tangel (1927)
- Die Beichte des Feldkuraten (1927)
- Dive (1928)
- Kaiserjäger (1928)
- Die Frau von gestern und morgen (1928)
- Spitzenhöschen und Schusterpech (1928)
- Love in May (1928)
- Rich, Young and Beautiful (1928)
- Modellhaus Crevette (1928)
- Der Dieb im Schlafcoupée (1929)
- Adieu Mascotte (1929)
- Once You Give Away Your Heart (1929)
- Die Dame auf der Banknote (1929)
- What Price Love? (1929)
- The Model from Montparnasse (1929)
- Archduke John (1929)
- The Mistress and her Servant (1929)
- My Sister and I (1929)
- Das Erlebnis einer Nacht (1930)
- Stud. chem. Helene Willfüer (1930)
- Gigolo (1930)
- The Right to Love (1930)
- Only on the Rhine (1930)
- Vienna, City of Song (1930)
- Das Wolgamädchen (1930)
- The Old Song (1930)
- Moritz Makes his Fortune (1931)
- Kasernenzauber (1931)
- Ich heirate meinen Mann (1931)
- The Song of the Nations (1931)
- Pałac na kółkach (1932)
- Ein Auto und kein Geld (1932)
- Spy (1933)
- Przebudzenie (1934)
- Milosc maturzystki (1935)
- A Diplomatic Wife (1937)
- Serenade (1937)
- Złota Maska (1939)
- Żona i nie żona (1939)
- Thomas Staedeli Portrait of the actor Igo Sym.
- Daniel Spoto: Marlene Dietrich. Heyne Verlag, München 1992, pg. 61.
- Bernhard Chiari; Jerzy Kochanowski (2003) Die polnische Heimatarmee, p. 449, Oldenbourg Verlag, ISBN 978-3-48656-715-1 (in German)
- Bogusław Kunach (01/12/2003). "Być tym, co słynie. Igo Sym" (in Polish). Gazeta Wyborcza. Archived from the original on March 6, 2012. Retrieved 02/05/2010. Check date values in:
- Egzekucja Igo Syma — article at e-teatr.pl (in Polish)
- 'How Igo Sym died?' An interview with Roman Rozmiłowski – the executor of the sentence – 'Chronicles of Terror' testimony database
- Igo Sym at filmpolski.pl (in Polish)
- Portrait of the actor Igo Sym by Thomas Staedeli at cyranos.ch
- Trials of German Major War Criminals: Volume 7 at www.nizkor.org
- Igo Sym on IMDb
- Photographs and literature