I Am Mother
I Am Mother is a 2019 Australian science fiction thriller film directed by Grant Sputore, from a screenplay by Michael Lloyd Green, based on a story by Grant Sputore and Michael Lloyd Green. Starring Clara Rugaard, Luke Hawker, Rose Byrne, and Hilary Swank, the film follows Daughter, a girl in a post-apocalyptic bunker, being raised by Mother, a robot aiding the repopulation of Earth. The film had its world premiere at the Sundance Film Festival on 25 January 2019. Netflix released it in several countries on 7 June 2019.
|I Am Mother|
|Directed by||Grant Sputore|
|Screenplay by||Michael Lloyd Green|
|Edited by||Sean Lahiff|
|Distributed by||Netflix (select markets)[a]|
After an extinction event, an automated bunker that is designed to repopulate humanity activates. A robot named Mother (Rose Byrne) grows a human embryo and cares for her over several years. Mother says she needs practice being a good parent before growing more. About 38 years later, a teenage girl named Daughter (Clara Rugaard) fixes Mother's hand. Mother teaches Daughter complex moral and ethical lessons, warning her about an upcoming exam. During a power outage, Daughter captures a mouse and fixes the electrical malfunction it caused. When Mother powers up, she incinerates the mouse in a furnace over Daughter‘s objections. Mother explains that surface contamination makes contact with the outside world potentially lethal.
Daughter becomes increasingly curious about the outside world. While exploring the bunker's airlock, Daughter hears a wounded woman (Hilary Swank) beg for assistance outside. Daughter opens the airlock but makes the woman put on a hazmat suit. Mother powers up and sprints toward them as Daughter hides the woman. Daughter tells Mother she was curious about the outside world. Mother reiterates her warnings. After Daughter is decontaminated, Mother insists that Daughter prepare for the exam.
Once Mother leaves, Daughter confiscates a firearm from the woman's belongings. Daughter becomes agitated when the woman removes her suit to drink water she has brought. The woman says there is no contamination. Upon realizing there is a robot in the bunker, the woman aggressively demands Daughter return her firearm. Frightened, Daughter calls out. Mother disarms the woman after being shot. Daughter pleads for the woman's life. Mother agrees to help the woman and takes her to the infirmary. When the woman refuses Mother's help, Mother locks her there. Mother asks Daughter to gain the woman's trust so they can help other survivors.
The woman says robots like Mother hunt for survivors. Daughter finds Mother and apologizes for letting the woman in, and Mother asks the woman about survivors. The woman, now suffering from sepsis, again refuses Mother's help, so Daughter performs surgery. As the woman recovers, she and Daughter bond while Mother observes them. The woman says survivors live in a mine, and each invites the other to stay with them. Mother interrupts them to tell Daughter to take her exam. As they leave, Mother says the woman has lied about being shot by a robot; the projectile is not a calibre used by robots and matches that of her own firearm. Despite Mother's prodding, Daughter says nothing about the survivors. After taking the exam, which involves psychological testing, Mother rewards Daughter by letting her choose an embryo to grow.
Daughter confronts the woman, who advises her to check the bullets herself. Using Mother's broken hand to bypass the security, Daughter learns the bullets do not match. Investigating further, she realizes Mother grew other embryos before her and has "aborted" multiple children with suboptimal exam results, including the young girl seen in the opening sequence (whom viewers may have assumed to be Daughter as a child). Daughter makes the connection that she was not the first embryo because of her identification code. It is revealed that the first embryo's identification code was APX 01 and Daughter's identification code was APX 03. She then finds the jaw of an incinerated human in the same furnace from before. Daughter agrees to leave with the woman, but Mother stops them and locks Daughter in a room. As Mother tortures the woman for information on survivors, Daughter breaks out of the room, sets off a fire alarm, and joins the woman. To escape, the woman takes Daughter hostage and forces Mother to open the airlock. Though upset, Daughter follows the woman across a desolate wasteland, avoiding robots, some of which seem to be terraforming the planet. She is horrified to find that the woman lives alone and fled the mine years ago, alleging there are no other survivors.
Daughter returns to the bunker, which is now guarded by robots, which let her pass. After coaxing Daughter to set down her weapon, Mother allows Daughter to hold her newborn brother. Mother explains that she is not a robot, but the AI that controls all the robots. She started the extinction event after becoming convinced humanity would destroy itself. To prevent this, she remade humanity, guiding it to be more ethical and value the big picture. Daughter appeals to Mother to trust her and let her raise her brother and the rest of the embryos on her own. Convinced of Daughter's moral and ethical strength, Mother agrees, and Daughter shoots her robot body. Another robot tracks down the woman, and Mother insinuates that her survival up to that point was orchestrated so she can unknowingly serve Mother's agenda. With the woman's role fulfilled, it is implied that Mother kills her. At the bunker, Daughter looks at all the embryos she is now responsible for and realizes she is Mother now.
Production and releaseEdit
The film was written by directors Grant Sputore and Michael Lloyd Green. It was produced on a low budget. Principal photography was completed in 2017 in Australia's Adelaide Studios. The screenplay was on the 2016 Black List. The "Mother" robot is a full-body creature suit built by Weta Workshop and performed by Luke Hawker, a member of the creature workshop project team, who also had a background in acting and stunt work. South Australian interactive media company Monkeystack produced all of the on set practical screen content.A work-in-progress cut of the film was screened at the Adelaide Film Festival on 12 October 2018. Adelaide Film Festival partly funded the film which had in total a moderate budget. It had its world premiere at the Sundance Film Festival on 25 January 2019. Shortly after, Netflix acquired US distribution rights to the film. It was released on Netflix on 7 June 2019. In Australia, the film was initially planned for theatrical release on 18 July 2019 by StudioCanal, but was ultimately released on Netflix on 7 June.
On Rotten Tomatoes the film holds an approval rating of 91% based on 74 reviews, with an average rating of 7/10. The website's critics consensus reads, "Suspenseful, well-acted, and intelligent, I Am Mother is an ambitious sci-fi story that largely achieves its impressive aims." On Metacritic, it has a weighted average score of 64 out of 100 based on 16 critics, indicating "generally favorable reviews".
Johnn Oleksinski of the New York Post liked I Am Mother, concluding that while the film "does show its cards a touch too early, it never ceases to be intriguing and tense", and predicting that Sputore and Rugaard would become stars. Amy Nichols of Variety described the film as "a handsome, if derivative sci-fi thriller that salutes its own parentage" and "James Cameron crossbred with Ridley Scott."
|Best Supporting Actress||Hilary Swank||Nominated|||
|Best Visual Effects or Animation||Jonathan Dearing & Chris Spry||Nominated|
- In other markets, the film is screened on theatres and is not available on Netflix; sometimes also released in other competing streaming services.
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