Henrietta Condak is an American graphic designer and design educator. She is noted for the use of historic references in her design work for CBS Records.
Early life edit
Condak was born in New York City. After graduating from Cooper Union, Condak began her career at Esquire Magazine. Initially, she worked for GQ (Gentlemen's Quarterly), also published by Esquire, Inc., but later advanced to Esquire's promotion department.[1] She left the magazine in 1958 to tour Italy with her soon-to-be husband, the illustrator Cliff Condak.[2]
Career edit
CBS Records edit
Condak accepted a design position creating album cover designs for Columbia Records in 1963. There she worked for art directors Bob Cato and John Berg,[1] who was also a Cooper Union graduate. In 1965 she became one of the first women to be nominated for a Grammy in the category of Best Classical Album Cover.[3] She received a second Grammy nomination in 1968 for the design of Haydn: Symphony No. 84 in E Flat Major / Symphony No. 85 in B Flat Major ("La Reine").[4]
Condak was eventually promoted to senior art director for Columbia Masterworks where she designed hundreds of classical music albums.[5][6] She commissioned cover art work from her husband as well as a number of other notable illustrators including Milton Glaser, David Levine, David Wilcox and Robert Weaver.[1] Condak also created typographic covers. Her designs for a series of 100 reissues of the Great Performances series used a common set of five vintage wood typefaces.[2] In 1980, along with Lou Dorfsman, John Berg and illustrator Gerard Huerta, she developed a logo for the label's rebranding to CBS Records Masterworks.[7]
Design historian Philip Meggs, writing about graphic design at CBS Records, describes Condak's classical album covers as "romantic and esthetic enchantment".[8] Other designers at CBS during Condak's tenure included Carin Goldberg and Paula Scher. Goldberg credits Condak as a leader in using historical vernacular for album cover design.[9] Both women recognize Condak as an important mentor in their careers.[9][10]
Later career edit
In 1984, Condak left CBS to open her own design studio. She continued to create album covers for clients that included Nonesuch and Elektra Records. In addition, she re-entered the realm of publishing, designing for Random House, Simon & Schuster, Business Week, Sports Illustrated, and the New York Times, among others.[1]
In addition to her professional design work, Condak taught at the School of Visual Arts for more than 30 years.[1]
Awards and recognition edit
Condak's album cover designs have received awards from Communication Arts and AIGA, the American Institute of Graphic Arts.[11][12] Her 1964 album cover for Strauss: Also Sprach Zarathustra and her 1967 album cover for Haydn: Symphony No 84 In E Flat Major And Symphony No. 85 In B Flat Major La Reine received Grammy Award nominations for Best Album Cover.[citation needed]
References edit
- ^ a b c d e "The Musical Work of Design Pioneer Henrietta Condak". Eye on Design. September 3, 2015. Retrieved January 25, 2022.
- ^ a b "Henrietta Condak | Cary Graphic Arts Collection". Rochester Institute of Technology. Retrieved January 25, 2022.
- ^ "Grammy Award Nominees 1965 – Grammy Award Winners 1965". Awards and Shows. Retrieved February 18, 2022.
- ^ "Henrietta Condak". National Academy of Recording Arts and Sciences. November 23, 2020. Retrieved January 25, 2022.
- ^ Meggs, Philip (January 1991). "CBS Records. The Marketing of Modern Music". Graphis. 47: 92.
- ^ "Henrietta Condak". Discogs.
- ^ "Gerard Huerta – Portfolio". Graphis. Retrieved January 25, 2022.
- ^ Meggs, Philip (January–February 1991). "CBS Records". Graphis. 47: 92.
- ^ a b "Step Q&A Carin Goldberg « AdamsMorioka". Retrieved January 25, 2022.
- ^ "Interview with Paula Scher". Type Thursday. Retrieved January 25, 2022.
- ^ "CA Annual 7". CA, the Magazine of Communication Arts. 8: 78–79. November–December 1966.
- ^ "Henrietta Condak". Design Archives, AIGA. Retrieved February 17, 2022.