Georgina A. Davis (c. 1852 – 1901)[1] was an American illustrator, painter, and engraver. She was a staff artist for Frank Leslie's Illustrated Newspaper, which featured hundreds of her illustrations. At the time, she was the only female staff artist working for a major American newspaper.[2] Little is known of Davis' life despite the prominence of her work.[3]
Georgina A. Davis | |
|---|---|
.jpg) self-portrait from The Quarterly Illustrator, 1894 | |
| Born | c. 1852 New York City  |
| Died | 1901 |
| Occupation | Painter, illustrator, engraver, etcher |
Georgina A. Davis was born around 1852 in New York City. She studied art at Cooper Union School of Design for Women and the Art Students' League.[1] Her first work to receive critical attention was The Bridge of Sighs, a depiction invoking the suicidal woman from the poem of the same name by Thomas Hood, which appeared on the cover of The Aldine in 1872 and at the Women’s Pavilion at the 1876 Philadelphia Centennial Exposition.[4]
Davis began working for Frank Leslie's Illustrated Newspaper around 1880. The last picture accepted by Frank Leslie before he died was by Davis.[4] Her work there mostly depicted women's events like charities. Some significant people she depicted include President Rutherford B. Hayes and his family,[5] Ruth Cleveland, and Ute tribal leaders. She also worked as an illustrator for the Salvation Army newspaper The War Cry and the children’s book publisher McLoughlin Brothers.[4]
Her only known self-portrait appeared in the Quarterly Illustrator in 1894. The unusual depiction appears in the center of a gallery of photographs of the faces of male artists, while her self-portrait is a drawing with her facing away from the viewer. [4]
References edit
- ^ a b Kennedy, Martha H. (2018). Drawn to purpose : American women illustrators and cartoonists. Jackson. p. 189. ISBN 978-1-4968-1592-7. OCLC 993601764.
{{cite book}}: CS1 maint: location missing publisher (link) - ^ Balliet, Barbara (2003-04-27). "Reproducing Gender in Nineteenth-century Illustrations". The Journal of the Rutgers University Libraries. 60 (1). doi:10.14713/jrul.v60i1.7. ISSN 0036-0473.
- ^ Brown, Joshua (2002). Beyond the lines : pictorial reporting, everyday life, and the crisis of gilded-age America. Berkeley: University of California Press. ISBN 0-520-23103-1. OCLC 49312804.
- ^ a b c d Balliet, Barbara J. (April 2007). ""Let Them Study as Men and Work as Women"". Commonplace. 7 (3).
- ^ "Hayes Family and Friends in the Library". library.whitehousehistory.org. Retrieved 2022-10-05.