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For Whom the Bell Tolls is a novel by Ernest Hemingway published in 1940. It tells the story of Robert Jordan, a young American volunteer attached to a Republican guerrilla unit during the Spanish Civil War. As a dynamiter, he is assigned to blow up a bridge during an attack on the city of Segovia.
|Publisher||Charles Scribner's Sons|
|21 October 1940|
It was published just after the end of the Spanish Civil War (1936–1939), whose general lines were well known at the time. It assumes the reader knows that the war was between the government of the Second Spanish Republic, which many foreigners went to Spain to help and which was supported by the Communist Soviet Union, and the Nationalist faction, which was supported by Nazi Germany and Fascist Italy. In 1940, the year the book was published, the United States had not yet entered the Second World War, which had begun on September 1, 1939, with Nazi Germany's invasion of Poland.
Ernest Hemingway wrote For Whom the Bell Tolls in Havana, Cuba; Key West, Florida; and Sun Valley, Idaho, in 1939. In Cuba, he lived in the Hotel Ambos Mundos where he worked on the manuscript. The novel was finished in July 1940 at the InterContinental New York Barclay Hotel in New York City and published in October. It is based on Hemingway's experiences during the Spanish Civil War and features an American protagonist, named Robert Jordan, who fights alongside Spanish guerillas for the Republicans. The characters in the novel include those who are purely fictional, those based on real people but fictionalized, and those who were actual figures in the war. Set in the Sierra de Guadarrama mountain range between Madrid and Segovia, the action takes place during four days and three nights. For Whom the Bell Tolls became a Book of the Month Club choice, sold half a million copies within months, was a finalist for the Pulitzer Prize, and became a literary triumph for Hemingway. Published on 21 October 1940, the first edition print run was 75,000 copies priced at $2.75.
The book's title is taken from the metaphysical poet John Donne's series of meditations and prayers on health, pain, and sickness (written while Donne was convalescing from a nearly fatal illness) published in 1624 as Devotions upon Emergent Occasions, specifically Meditation XVII. Hemingway quotes part of the meditation (using Donne's original spelling) in the book's epigraph. Donne refers to the practice of funeral tolling, universal in his time.
No man is an Island, intire of it selfe; every man is a piece of the Continent, a part of the maine; if a Clod bee washed away by the Sea, Europe is the lesse, as well as if a Promontorie were, as well as if a Mannor of thy friends or of thine owne were; any mans death diminishes me, because I am involved in Mankinde; And therefore never send to know for whom the bell tolls; It tolls for thee.
The novel graphically describes the brutality of the Spanish Civil War. It is told primarily through the thoughts and experiences of the protagonist, Robert Jordan. It draws on Hemingway's own experiences in the Spanish Civil War as a reporter for the North American Newspaper Alliance.
Jordan is an American who lived in prewar Spain and fights as an irregular soldier for the Republic against Francisco Franco's fascist forces. An experienced dynamiter, he is ordered by a Soviet general to travel behind enemy lines and destroy a bridge with the aid of a band of local anti-fascist guerrillas to prevent enemy troops from responding to an upcoming offensive. On his mission, Jordan meets the rebel Anselmo, who brings him to the hidden guerrilla camp and initially acts as an intermediary between Jordan and the other guerrilla fighters.
In the camp, Jordan encounters María, a young Spanish woman whose life has been shattered by her parents' execution and her rape at the hands of the Falangists (part of the fascist coalition) at the outbreak of the war. His strong sense of duty clashes with both the unwillingness of the guerrilla leader Pablo to commit to an operation that would endanger himself and his band and Jordan's own new-found lust for life, which arises from his love for María. Pablo's wife, Pilar, with the support of the other guerillas, displaces Pablo as the group leader and pledges the allegiance of the guerrillas to Jordan's mission. When another band of anti-fascist guerrillas, led by El Sordo, is surrounded and killed during a raid they conducted in support of Jordan's mission, Pablo steals the dynamite detonators and exploder, hoping to prevent the demolition and to avoid fascist reprisals. Although he disposes of the detonators and exploder by throwing them down a gorge into the river, Pablo regrets abandoning his comrades and returns to assist in the operation.
The enemy, apprised of the coming offensive, has prepared to ambush it in force and it seems unlikely that the blown bridge will do much to prevent a rout. However, Jordan understands that he must still demolish the bridge unless he receives explicit orders to the contrary. Lacking the detonation equipment stolen by Pablo, Jordan devises an alternative method: exploding the dynamite by using hand grenades with wires attached so that their pins can be pulled from a distance. The improvised plan is considerably more dangerous as the guerillas must be nearer to the explosion. While Pilar, Pablo, and other guerrillas attack the posts at the two ends of the bridge, Jordan and Anselmo plant and detonate the dynamite, costing Anselmo his life when he is hit by a piece of shrapnel. While escaping, Jordan is maimed when a tank shoots his horse out from under him. Knowing that his wound is so severe that it is highly unlikely that he will survive and that he would slow the others down, he bids farewell to María and ensures her escape to safety with the surviving guerrillas. He assures her repeatedly that they are now one – where she goes, he will be too. (This captures the theme of John Donne's poem – the source of the title – of the connectedness of humans.) He refuses Agustín's offer to shoot him and lies waiting in agony, hoping to kill an enemy officer and delay the pursuit of his comrades before he dies. The narrative ends just before Jordan launches his ambush.
- Robert Jordan – American university instructor of the Spanish language and a specialist in demolitions and explosives.
- Anselmo – Elderly guide to Robert Jordan.
- Golz – Soviet officer who ordered the bridge's demolition.
- Pablo – Leader of a group of anti-fascist guerrillas.
- Rafael – Well-intentioned yet incompetent and lazy guerrilla, and a gypsy.
- María – Robert Jordan's young lover.
- Pilar – Pablo's wife. An aged but strong woman, she is the de facto leader of the guerrilla band.
- Karkov – Soviet agent and journalist in Madrid, and a friend of Jordan's.
- Agustín – Foul-mouthed, middle-aged guerrilla.
- El Sordo – Leader of a fellow band of guerrillas.
- Fernando – Middle-aged guerrilla.
- Andrés and Eladio – Brothers and members of Pablo's band.
- Primitivo – Old guerrilla in Pablo's band.
- Joaquín – Enthusiastic teenaged communist, a member of Sordo's band.
The novel contains imagery of soil and earth. The imagery appears rather famously at the start of chapter 13. Jordan and María have sex in a meadow in the forest. He feels "the earth move out and away from under them." Then afterwards he asks María, "Did thee feel the earth move?", to which she responds affirmatively. Variants of this phrase have become a cultural cliché, often used humorously.
References to actual eventsEdit
The novel takes place in late May 1937, during the second year of the Spanish Civil War. References made to Valladolid, Segovia, El Escorial, and Madrid suggest the novel takes place within the build-up to the Republican attempt to relieve the siege of Madrid.
The earlier battle of Guadalajara and the general chaos and disorder (and, more generally, the doomed cause of Republican Spain) serve as a backdrop to the novel: Robert Jordan notes, for instance, that he follows the Communists because of their superior discipline, an allusion to the split and infighting between anarchist and communist factions on the Republican side.
The famous and pivotal scene described in Chapter 10, in which Pilar describes the execution of various fascist figures in her village, is drawn from events that took place in Ronda in 1936. Although Hemingway later claimed (in a 1954 letter to Bernard Berenson) to have completely fabricated the scene, he in fact drew upon the events at Ronda, embellishing the event by imagining an execution line leading up to the cliff face.
A number of actual figures that played a role in the Spanish Civil War are also referred to in the book, including these:
- Andreu Nin, one of the founders of the Workers' Party of Marxist Unification (POUM), the party mocked by Karkov in Chapter 18.
- Enrique Líster, communist leader who played important roles during the defense of Madrid.
- Mikhail Koltsov, Soviet journalist was the Karkov character in the story
- Indalecio Prieto, one of the leaders of the Republicans, is also mentioned in Chapter 18.
- General José Miaja, in charge of the defense of Madrid in October 1936, and General Vicente Rojo, together with Prieto, are mentioned in Chapter 35
- Dolores Ibárruri, better known as La Pasionaria, is extensively described in Chapter 32.
- Robert Hale Merriman, leader of the American Volunteers in the International Brigades, and his wife Marion, were well known to Hemingway and served possibly as a model for Hemingway's own hero.
- André Marty, a leading French Communist and political officer in the International Brigades, makes a brief but significant appearance in Chapter 42. Hemingway depicts Marty as a vicious intriguer whose paranoia interferes with Republican objectives in the war.
- Karol Świerczewski, a Russian general of Polish origin as Golz.
- Francisco Franco, commander of the rebel army who will become the ruling dictator after the war.
Critical reception and impactEdit
In 1940, For Whom the Bell Tolls was declared non-mailable by the U.S. Post Office.
In 1973, the book was banned in Turkey because the book included "propaganda unfavorable to the state." On February 21 of that year, eleven Turkish book publishers and eight booksellers "went on trial before an Istanbul martial law tribunal on charges of publishing, possessing, and selling books in violation of an order of the Istanbul martial law command. They faced possible sentences of between one month's and six months’ imprisonment...and the confiscation of their books."
Since its publication, the prose style and dialogue in Hemingway's novel have been the source of negative critical reaction. For example, Edmund Wilson, in a tepid review, noted the encumbrance of "a strange atmosphere of literary medievalism" in the relationship between Robert Jordan and Maria.
Additionally, much of the dialogue in the novel is an implied direct translation from Spanish, producing an often strained English equivalent. For example, Hemingway uses the construction "what passes that", which is an implied translation of the Spanish construction qué pasa que. This translation extends to the use of linguistic "false friends", such as "rare" (from raro) instead of "strange" and "syndicate" (from sindicato) instead of trade union.
Pulitzer Prize snubEdit
In 1941, the Pulitzer Prize committee for letters unanimously recommended For Whom the Bell Tolls be awarded the Pulitzer Prize for the Novel for that year. The Pulitzer Board agreed. However, Nicholas Murray Butler, president of Columbia University and ex officio head of the Pulitzer board at that time, found the novel offensive and persuaded the board to reverse its determination; no Pulitzer was given for the category of novel that year.
In 1944, the book was first published in Spanish by an Argentinian publishing house, Editorial Claridad, with many subsequent editions produced either in Argentina or in Mexico. In Spain, it was initially viewed very suspiciously by the Francoist censorship office; in 1942–43 the Spanish diplomatic corps went to great lengths in trying to influence the final edit of the Hollywood film based on the novel, which was not permitted to be shown in Spanish cinemas. Since 1953, when The Old Man and the Sea was published in Madrid, most of Hemingway's stories and novels had been published in Spain. However, this was not the case with For Whom the Bell Tolls, although the novel was at times discussed in the press. Prohibition of the book's publishing was rescinded only in late 1968. By the end of the year Por quién doblan las campanas had been published by Editorial Planeta.
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- A film adaptation titled For Whom the Bell Tolls, directed by Sam Wood, was released in 1943 starring Gary Cooper and Ingrid Bergman. It was nominated for nine Academy Awards, including Best Picture, Best Actor and Best Actress; however, only the Greek actress Katina Paxinou won an Oscar for her portrayal of Pilar. Cooper and Bergman later reprised their roles from the film for a radio adaptation broadcast on Lux Radio Theatre. In 1988, it was re-released with the inclusion of scenes cut from the original release.
- In 1959, a television adaptation For Whom the Bell Tolls, directed by John Frankenheimer, was broadcast in two parts on CBS's Playhouse 90, starring Jason Robards and Maria Schell as Robert Jordan and Maria, with Nehemiah Persoff as Pablo, Maureen Stapleton as Pilar, and Eli Wallach as the gypsy Rafael.
- In 1965, the BBC produced another television adaptation For Whom the Bell Tolls, as a four-part serial and a miniseries in American English.
- In 1978, the Takarazuka Revue adapted the novel as a musical drama, produced by Star Troupe and starring Ran Ootori as Robert Jordan and Kurara Haruka as Maria. Cosmos Troupe revived the show in 2010.
- In October 2014, the novel was dramatized in a two-part series on BBC Radio 4.
In popular cultureEdit
- The ninth album by Brazilian singer-songwriter Raul Seixas, Por Quem os Sinos Dobram had its title inspired by the eponymous film based on a book by Ernest Hemingway and brings some classics from Raul Seixas' work, such as "O Segredo do Universo (The Secret of the Universe)", "Ide a Mim, Dadá (Go to Me, Dadá) and "Por Quem os Sinos Dobram (For Whom the Bell Tolls)".
- The Metallica song "For Whom the Bell Tolls" is a lyrical adaptation of a particular scene from the book in chapter 27.
- In 1993 The Bee Gees released "For Whom The Bell Tolls," from the album Size Isn't Everything. It was their second Hemingway-inspired title after "Islands in The Stream."
- The 2012 film Hemingway and Gellhorn depicts Hemingway's time in Spain during the Spanish Civil War when he was completing work on For Whom the Bell Tolls, and his relationship with the American novelist, travel writer and war correspondent Martha Gellhorn, who he credited with having inspired him to write the novel, and to whom he dedicated it.
- The 2019 book, "Ecopsychology Revisited: For Whom Do the 'Nature' Bells Toll,"  by J. Conesa-Sevilla, is an allusion to John Donne's central question about "inter-relatedness" and Ernest Hemingway's own allusion about the "inter-relatedness" of the politics of war.
- Dav Pilkey’s 2019 graphic novel Dog Man: For Whom the Ball Rolls references the title and plot of Hemingway’s book.
- In the 2020 videogame Cyberpunk 2077, a main story mission is named after the book. At the funeral of Jackie Welles, the player has the option to read a passage from the novel.
- "Spanish Civil War". Holocaust Encyclopedia. United States Holocaust Memorial Museum. Retrieved June 15, 2019.
- Southam, B.C.; Meyers, Jeffrey (1997). Ernest Hemingway: The Critical Heritage. New York: Routledge. pp. 35–40, 314–367.
- Meyers 1985, p. 326
- "Hunting for Hemingway in Yellowstone country". Bozemandailychronicle.com. Retrieved October 1, 2016.
- Mellow 1992, p. 516
- One source, however, says he began the book at the Sevilla Biltmore Hotel and finished it at "Finca Vigia"
- "History: For Whom the Bell Tolls Written at the Barclay". Archived from the original on 2018-09-12. Retrieved 2017-07-21.
- Meyers 1985, p. 334
- Meyers 1985, p. 339
- Meyers 1985, pp. 335–338
- Oliver, p. 106
- Mitgang, Herbert (August 30, 1988). "Hemingway On Spain: Unedited Reportage". The New York Times Book Review.
Hemingway later turned his experiences on the Loyalist side into the play "The Fifth Column" and the novel "For Whom the Bell Tolls"...
- Mount, Henry (2006). Hemingway's Tribute to Soil. iUniverse. pp. 132–33. ISBN 978-0-595-39758-7.
- Josephs, Allen (1994). For whom the bell tolls: Ernest Hemingway's undiscovered country. Twayne's masterwork studies. 138. Twayne Publishers. p. 104. ISBN 978-0-8057-8078-9.
- Ammer, Christine (2006). The Facts on File dictionary of clichés (2nd ed.). Infobase Publishing. p. 119. ISBN 978-0-8160-6279-9.
- In Chapter 13, Robert Jordan thinks "The time for getting back will not be until the fall of thirty-seven. I left in the summer of thirty-six..." and then comments on an unusual snowfall in the mountains occurring "Now? Almost in June?"
- Ramon Buckley, "Revolution in Ronda: The facts in Hemingway's For Whom the Bell Tolls", the Hemingway Review, Fall 1997
- Drogin, Bob (March 25, 2016). "'Spain in Our Hearts' tells the American story of the Spanish civil war". Los Angeles Times. Retrieved March 4, 2018.
- Gilmore, David D. (June 8, 1986). "Casualties of a 'Pure War'". The New York Times. Retrieved July 8, 2017.
"100 'most inspiring' novels revealed by BBC Arts". BBC News. 2019-11-05. Retrieved 2019-11-10.
The reveal kickstarts the BBC's year-long celebration of literature.
- Office of Intellectual Freedom (2013-03-26). "Banned & Challenged Classics". American Library Association. Retrieved 2021-06-20.
- Edmund Wilson, "Return of Ernest Hemingway" (Review of For Whom the Bell Tolls) New Republic, CIII (Oct. 28, 1940)
- such as on For Whom (p. 83)
- Gladstein, M. R. (2006). "Bilingual Wordplay: Variations on a Theme by Hemingway and Steinbeck". The Hemingway Review. 26 (1): 81–95. doi:10.1353/hem.2006.0047. S2CID 161331317.
- McDowell, Edwin (11 May 1984). "Publishing: Pulitzer Controversies". The New York Times. p. C26.
- Laprade, Douglas Henry (2007), Hemingway and Franco, pp. 110-111, ISBN 9788437066950
- "A Spanish romance". The Olive Press. December 1, 2010. Retrieved December 14, 2015.
- For Whom (p. vii) - "This book is for MARTHA GELLHORN".
- Conesa-Sevilla, Jorge (4 June 2019). Ecopsychology Revisited: For Whom do the Nature Bells Toll?. ISBN 978-1947112261.
- Baker, Carlos (1972). Hemingway: The Writer as Artist (4th ed.). Princeton University Press. ISBN 0-691-01305-5.
- Meyers, Jeffrey (1985). Hemingway: A Biography. London: Macmillan. ISBN 0-333-42126-4.
- Mellow, James R. (1992). Hemingway: A Life Without Consequences. New York: Houghton Mifflin. ISBN 0-395-37777-3.
- Oliver, Charles M. (1999). Ernest Hemingway A to Z: The Essential Reference to the Life and Work. New York: Checkmark. ISBN 0-8160-3467-2.