Felipe Lara (born 1979)[1] is a Brazilian-American composer and professor. He was a finalist for the 2024 Pulitzer Prize for Music.
Felipe Lara | |
|---|---|
| Born | 1979 Sorocaba, Brazil |
| Citizenship | American, Brazilian |
| Education | Bachelor of music |
| Alma mater | Berklee College of Music |
| Occupation | Composer |
| Known for | Pulitzer Prize for Music |
| Website | https://felipelara.com/ |
Early life and education
editLara was born in Sorocaba, Brazil.[2] He moved to the United States in 1997 from Moema to enroll at the Berklee College of Music, initially intending to study jazz guitar and arranging but earning a Bachelor of Music in composition in 2002.[3][4] He recalls falling in love with contemporary classical music after hearing the Boston Symphony Orchestra perform Olivier Messiaen's Turangalîla-Symphonie.[5]
Lara earned a master's in composition from Tufts University and a Ph.D. in composition from New York University.[6]
Works
editLara's contemporary work makes use of nontraditional instrumentations for classical settings, including electronics.[7] He is known for compositions that make contextual use of their performance space and experiment with new methods for producing sound.[8][9] He has described his philosophy as "trying to exploit zones where 'timbre becomes harmony,' and harmony, in turn, becomes noise.'"[10]
In 2014, the International Contemporary Ensemble premiered Lara's Voz dos Ventos and performed his Livro dos Sonhos (Book of Dreams) at The Phillips Collection. The Washington Post noted the pieces featured "shrieks and slides, hissing, flutter-tonguing and almost percussive sounds that stretch the limits of instrumental possibilities."[11] In 2015, the ensemble's bassoonist Rebekah Heller performed Lara's Metafagote, which pairs a solo bassoonist with six pre-recorded bassoon tracks, at the Abrons Arts Center.[12]
In 2018, the Talea Ensemble performed Lara's Fringes, in which performers surround the audience on three sides, at the Baryshnikov Arts Center in Manhattan.[10]
In 2019, Lara was commissioned by the Library of Congress for the large ensemble composition Brutal Mirrors, which was inspired by photography of Soviet architecture.[1][13]
Lara was widely acknowledged for his Double Concerto, written for vocalist and bassist esperanza spalding, flautist Claire Chase, and orchestra. The piece, written in 2019, premiered under the baton of Susanna Mälkki at the Helsinki Philharmonic Orchestra in 2021. It incorporates significant soloistic improvisation and modernist soundscapes, producing what The New York Times critic Zachary Woolfe called "a miniature universe of sounds."[14] Chase wrote that the entanglement of the soloists in the work causes them to become "a many-tentacled creature.”[14] The piece received a Pulitzer Prize nomination in 2024.[15]
His compositions have been performed at the Tanglewood and Ars Musica festivals.[4]
Career
editLara is associate professor and chair of composition at the Peabody Institute at Johns Hopkins University.[6]
In 2003, he and four other graduate students formed áltaVoz, a consortium to increase the presence of Latin American music in the Boston area. The group released a CD featuring compositions performed by the JACK Quartet in 2014.[5]
References
edit- ^ a b "Felipe Lara". Library of Congress. 2019. Retrieved May 8, 2024.
- ^ "Felipe Lara". Enciclopédia Itaú Cultural (in Brazilian Portuguese). February 16, 2024. Retrieved June 13, 2024.
- ^ "Felipe Lara". Berklee College of Music. Retrieved May 8, 2024.
- ^ a b Ghivelder, Deborah (June 20, 2014). "O compositor paulista Felipe Lara se destaca no circuito internacional". O Globo (in Brazilian Portuguese). Retrieved May 8, 2024.
- ^ a b Weininger, David (September 4, 2019). "Boston-born áltaVoz offers disparate sounds on new CD". The Boston Globe. Retrieved May 8, 2024.
- ^ a b "Felipe Lara". LA Phil. Retrieved May 8, 2024.
- ^ Tommasini, Anthony (March 4, 2010). "At Ease in T-Shirts or Suits, and With the Medieval or Modern". The New York Times. ISSN 0362-4331. Retrieved May 7, 2024.
- ^ Schweitzer, Vivien (June 11, 2014). "A Mesh of Sounds". The New York Times. ISSN 0362-4331. Retrieved May 7, 2024.
- ^ Grella, George (April 3, 2023). "New York Philharmonic delivers fun and excitement at David Geffen Hall — review". Financial Times. Retrieved May 8, 2024.
- ^ a b Colter Walls, Seth (August 17, 2018). "At This New-Music Festival, You Can Count on Variety". The New York Times. ISSN 0362-4331. Retrieved May 8, 2024.
- ^ Reinthaler, Joan (April 7, 2014). "International Contemporary Ensemble vividly showcases distinct styles of Lara and Balter". The Washington Post. Retrieved May 7, 2024.
- ^ Allen, David (September 17, 2015). "Review: ICE Features Levy Lorenzo on Teacups and Rebekah Heller on Bassoon". The New York Times. ISSN 0362-4331. Retrieved May 8, 2024.
- ^ Swed, Mark (May 4, 2022). "Commentary: Thomas Adès' fantastical 'Dante' at the L.A. Phil makes Gen X proud". Los Angeles Times. Retrieved May 8, 2024.
- ^ a b Woolfe, Zachary (March 30, 2023). "Review: A Concerto Makes Two Soloists a Many-Tentacled Creature". The New York Times. ISSN 0362-4331. Retrieved May 7, 2024.
- ^ Chinen, Nate (May 7, 2024). "Tyshawn Sorey wins 2024 Pulitzer Prize in music for 'Adagio (For Wadada Leo Smith)'". NPR. Retrieved May 7, 2024.