Equestrian Statue of Marcus Aurelius
The Equestrian Statue of Marcus Aurelius is an ancient Roman statue in the Capitoline Hill, Rome, Italy. It is made of bronze and stands 4.24 m (13.9 ft) tall. Although the emperor is mounted, it exhibits many similarities to standing statues of Augustus. The original is on display in the Capitoline Museums, with the one now standing in the open air of the Piazza del Campidoglio being a replica made in 1981 when the original was taken down for restoration.
The overall theme is one of power and divine grandeur—the emperor is over life-size and extends his hand in a gesture of adlocutio used by emperors when addressing their troops. Some historians assert that a conquered enemy was originally part of the sculpture (based on accounts from mediaeval times, including the Mirabilia Urbis Romae, that suggest a small figure of a bound barbarian chieftain once cowered underneath the horse's front right leg). Such an image was meant to portray the Emperor as victorious and all-conquering. However, shown without weapons or armour, Marcus Aurelius seems to be a bringer of peace rather than a military hero, for this is how he saw himself and his reign.
He is riding without the use of stirrups, which had not yet been introduced to the West. While the horse has been meticulously studied in order to be recreated for other artists' works, the saddle cloth was copied with the thought that it was part of the standard Roman uniform. The saddle cloth is actually Sarmatian in origin, suggesting that the horse is a Sarmatian horse and that the statue was created to honour the victory over the Sarmatians by Marcus Aurelius, after which he adopted "Sarmaticus" to his name.
Although there were many equestrian imperial statues, they rarely survived because it was the common practice to melt down bronze statues for reuse as material for coins or new sculptures in the late empire. Indeed, it is the only fully surviving bronze statue of a pre-Christian Roman emperor; the Regisole, destroyed after the French Revolution, may have been another.
In the medieval era it was one of the few Roman statues to remain on public view. In the 8th century it stood in the Lateran Palace in Rome on a pedestal provided by Sixtus IV, from where it was relocated in 1538, by order of Pope Paul III to remove it from the main traffic of the square. It was moved to the Piazza del Campidoglio (Capitoline Hill) during Michelangelo's redesign of the Hill. Though he disagreed with its central positioning, he designed a special pedestal for it. The original is on display in the Palazzo dei Conservatori of the Musei Capitolini, while a replica has replaced it in the square.
On the night of November 29, 1849, at the inception of the revolutionary Roman Republic, a mass procession set up the Red-White-Green tricolore (now Flag of Italy, then a new and highly "subversive" flag) in the hands of the mounted Marcus Aurelius.
|Equestrian Sculpture of Marcus Aurelius, Smarthistory|
Allegedly the Equestrian Statue of King George III of England which stood in New York City's Bowling Green until 1776 when it was thrown down and the lead turned into musket balls for George Washington's army was based upon the Equestrian Statue of Marcus Aurelius.
- Stewart, Peter, "The Equestrian Statue of Marcus Aurelius" in A Companion to Marcus Aurelius, edited by Martin van Ackeren, Wiley-Blackwell, 2012, pp. 264-77.
- Nickel, Helmut (1989-01-01). "The Emperor's New Saddle Cloth: The Ephippium of the Equestrian Statue of Marcus Aurelius". Metropolitan Museum Journal. 24: 17–24. doi:10.2307/1512863. JSTOR 1512863.
- Fehl, Philipp (1974-01-01). "The Placement of the Equestrian Statue of Marcus Aurelius in the Middle Ages". Journal of the Warburg and Courtauld Institutes. 37: 362–367. doi:10.2307/750854. JSTOR 750854.
- Leona Rostenberg, "Margaret Fuller's Roman Diary" The Journal of Modern History 12.2 (June 1940:209-220) p. 212
- "Equestrian Sculpture of Marcus Aurelius". Smarthistory at Khan Academy. Retrieved March 9, 2013.
- The Brown Alumni Monthly. Brown University. 1909. pp. 26–.
- This folk legend is recorded in p. 40 of the National Geographic Traveler's Rome (2006)
- Palazzo Braschi (1963*). Giuseppe Gioachino Belli e la Roma del suo tempo: mostra del centenario della morte del poeta (1863-1963) : Palazzo Braschi, dicembre 1963-febbraio 1964. De Luca. Check date values in: