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Don't Tell Mom the Babysitter's Dead

Don't Tell Mom the Babysitter's Dead is a 1991 American coming-of-age black comedy film directed by Stephen Herek and starring Christina Applegate, Joanna Cassidy, Josh Charles, and David Duchovny.

Don't Tell Mom The Babysitter's Dead
Don't Tell Mom The Babysitters Dead.jpg
Theatrical release poster
Directed byStephen Herek
Produced byRobert F. Newmyer
Brian Reilly
Jeffery Silver
Written byNeil Landau
Tara Ison
Music byDavid Newman
CinematographyTim Suhrstedt
Edited byLarry Bock
HBO Pictures
Outlaw Productions
Cinema Plus
Distributed byWarner Bros. Pictures
Release date
  • June 7, 1991 (1991-06-07)
Running time
102 minutes
CountryUnited States
Budget$10 million
Box office$25.1 million[1]

The plot focuses on seventeen-year-old Sue Ellen Crandell, whose mother leaves for a two-month summer vacation in Australia, putting all five siblings in the care of an evil tyrannical elderly babysitter. When the babysitter suddenly dies in her sleep, Sue Ellen assumes the role as head of the household to prevent her mother from returning home early. She fakes a resume to get a job in the fashion industry, but proves capable and lucky enough to succeed.



Sue Ellen Crandell is a 17-year-old high school graduate in Los Angeles who, due to a lack of funds, cannot go to Europe for the summer with her friends. She is about to head to college in the fall. However, when her divorced mother goes on a vacation to Australia with her boyfriend, Sue Ellen looks forward to an entire summer of freedom with her siblings: 16-year old slacker/stoner Kenny, 14-year-old ladies' man Zach, 13-year-old tomboy Melissa, and 11-year-old TV fanatic Walter. Much to Sue Ellen's dismay, her mother hires a live-in babysitter, Mrs. Sturak, a seemingly sweet, humble old woman who assures Mrs. Crandell that she can take care of all five children. As soon as Mrs. Crandell leaves, Mrs. Sturak shows her true colors as an evil tyrant, quickly drawing the ire of the children. However, she later dies of a heart attack. When her body is discovered by Sue Ellen, the children agree to stuff the babysitter in a trunk and drop her off at a local funeral home and keep her car. They discover that the envelope given to Mrs. Sturak by their mother with their summer money is empty; she had it on her when they delivered her body to the funeral home.

With no money to pay the family's bills, Sue Ellen finds work at a fast food restaurant called Clown Dog. Despite a budding relationship with her co-worker named Bryan, she quits because of the obnoxious manager. Sue Ellen then forges an extensive résumé under the guise of a Vassar-educated young fashion designer and applies at General Apparel West (GAW), hoping to secure a job as a receptionist. However, Rose Lindsey, a company executive, finds her résumé so impressive that she offers Sue Ellen a job as an executive assistant, much to the chagrin of Carolyn, a receptionist on Rose's floor who was initially in line for the job. While the kids have dinner at a Chuck E. Cheese's that night, Mrs. Sturak's car is stolen by drag queens, forcing Sue Ellen to call in a favor from Bryan to bring them home. Sue Ellen then obtains the keys to her mother's Volvo, and begins stealing from petty cash at GAW to support the family, intending to return it when she receives her paycheck.

At work, the inexperienced Sue Ellen has to balance the adult responsibilities thrust upon her while still trying to enjoy herself as a teenager. The double life strains her relationship with Bryan when she discovers that he and Carolyn are brother and sister. Sue Ellen then finds herself tested when she learns that GAW is in danger of going out of business. She takes it upon herself to create a new clothing line and Rose suggests holding a fashion show to exhibit their new designs. Sue Ellen offers to host the party, convincing her siblings to help clean up the house, beautify the yard, and act as caterers. Although she manages to pull off the party, it comes to an end when Mrs. Crandell comes home early and catches Sue Ellen in the act, forcing her to confess her lie in front of everyone. While apologizing to Rose after the party, Sue Ellen learns that her unique designs had saved GAW. Rose offers Sue Ellen the job as her personal assistant, which she respectfully declines in favor of going to college first. Rose tells Sue Ellen that she can "pull some strings" to get her in to Vassar and they make plans to get together for dinner.

Sue Ellen and Bryan make up, but are soon interrupted by Mrs. Crandell, who inquires about Mrs. Sturak's whereabouts. As the credits roll, the scene cuts away to the cemetery, where two morticians look over a gravestone that reads "Nice Old Lady Inside, Died of Natural Causes."



  • "Draggin' the Line", performed by Beat Goes Bang
  • "Perfect World", performed by Alias
  • "What She Don't Know", performed by Flame
  • "Keep the Faith", performed by Valentine
  • "Chains", performed by Lorraine Lewis
  • "I Only Have Eyes For You", performed by Timothy B. Schmit
  • "The Best Thing", performed by Boom Crash Opera
  • "Viva La Vogue", performed by Army of Lovers
  • "Stampede", performed by Brad Gillis
  • "Bitter", performed by Terrell
  • "Life's Rich Tapestry", performed by Modern English
  • "Children of the Fire", performed by Mike Reeves
  • "Runnin' on Luck Again", performed by Valentine
  • "Gimme Some Money", performed by Spinal Tap
  • "As Time Goes By", written by Herman Hupfield
  • "(Love Is) The Tender Trap", lyrics and music Sammy Cahn and Jimmy Van Heussen
  • "Twilight Zone Theme", written by Marius Constant


Review aggregation website Rotten Tomatoes gives the film a score of 36% based on reviews from 28 critics, with an average score of 4/10.[2] The New York Post called Don't Tell Mom the Babysitter's Dead the best teen hit of 1991.[citation needed]

Several reviewers compared the movie unfavorably to the then-recent hit Home Alone, with Peter Travers of Rolling Stone stating: "Blame the smash of 'Home Alone' for the new herd of kids-on-the-loose movies. Let's hope none are dumber than this one."[3][4] He added that "There's no telling how the unflatteringly photographed Applegate delivers a comic line on the big screen, because [screenwriters] Tara Ison and Neil Landau haven't written her any," and concluded by calling the movie "the film equivalent of processed cheese."[3] Kathleen Maher of the Austin Chronicle described the movie as "Home Alone meets Bill & Ted's Excellent Adventure and then visits Working Girl."[5] Roger Ebert was slightly more positive, awarding the film 2 out of 4 stars and calling it "a consumerist, escapist fantasy for teenage girls."[6] Desson Howe of The Washington Post was also slightly more enthused about the movie, stating that while it "isn't quite as dead as you might expect, it doesn't exactly pulsate with originality." He ended by complimenting the "subversive elements" which distinguished its otherwise "familiar, pre-sold air."[4]


In June 2010, reports surfaced that a remake of the film, produced by The Mark Gordon Company, was in the works. Currently, further details are unknown.[7][needs update]


  1. ^ Don't Tell Mom the Babysitter's Dead at Box Office Mojo
  2. ^ "Don't Tell Mom the Babysitter's Dead Movie Reviews, Pictures". Rotten Tomatoes. Flixster. Retrieved 4 March 2011.
  3. ^ a b Peter Travers (1991-06-07). "Don't Tell Mom the Babysitter's Dead". Rolling Stone. Retrieved 2018-04-11.
  4. ^ a b Desson Howe (1991-06-07). "Don't Tell Mom the Babysitter's Dead". Washington Post. Retrieved 2018-04-11.
  5. ^ Kathleen Maher (1991-06-07). "Don't Tell Mom the Babysitter's Dead". Austin Chronicle. Retrieved 2018-04-11.
  6. ^ Roger Ebert (1991-06-07). "Don't Tell Mom the Babysitter's Dead Review". Retrieved 2018-04-11.
  7. ^ ""Don't Tell Mom the Babysitter's Dead" Remake is Coming". Retrieved 26 October 2014.

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