The diddley bow is a single-stringed American instrument which influenced the development of the blues sound. It consists of a single string of baling wire tensioned between two nails on a board over a glass bottle, which is used both as a bridge and as a means to magnify the instrument's sound.

Moses Williams playing the diddley bow, 1982

It was traditionally considered a starter or children's instrument in the Deep South, especially in the African American community, and is rarely heard outside the rural South. It may have been influenced to some degree by West African instruments.[1] Other nicknames for this instrument include "jitterbug" or "one-string", while an ethnomusicologist would formally call it a "monochord zither".

Origins edit

The diddley bow derives from instruments used in West Africa. There, they were often played by children, one beating the string with sticks and the other changing the pitch by moving a slide up and down. The instrument was then developed as a children's toy by slaves in the United States. They were first documented in the rural South by researchers in the 1930s.[2][3]

The diddley bow was traditionally considered an "entry-level" instrument, normally played by adolescent boys, who then graduate to a "normal" guitar if they show promise on the diddley bow. However currently, the diddley bow is also played by professional players as a solo as well as an accompaniment instrument.[citation needed]

The diddley bow is significant to blues music in that many blues guitarists got their start playing it as children, as well as the fact that, like the slide guitar, it is played with a slide. However, because it was considered a children's instrument, few musicians continued to play the diddley bow once they reached adulthood. The diddley bow is therefore not well represented in recordings.[citation needed]

Construction edit

The diddley bow is typically homemade, consisting usually of a wooden board and a single wire string stretched between two screws, and played by plucking while varying the pitch with a metal or glass slide held in the other hand. A glass bottle is usually used as the bridge, which helps amplify the sound. Some diddley bows have an added resonator box under the bridge, and are essentially single-string cigar box guitars. Some recent diddley bows are electrified with pickups.

Notable users edit

One notable performer of the instrument was the Mississippi blues musician Lonnie Pitchford, who used to demonstrate the instrument by stretching a wire between two nails hammered into the wood of a vertical beam making up part of the front porch of his home. Pitchford's headstone, placed on his grave in 2000 by the Mt. Zion Memorial Fund, is actually designed with a playable diddley bow on the side as requested by Pitchford's family.

 
An electric diddley bow

Other notable traditional players include Lewis Dotson, Glen Faulkner, Jessie Mae Hemphill, Compton Jones, Eddie "One String" Jones, Napoleon Strickland, Moses Williams, James "Super Chikan" Johnson and One String Sam.[4] Willie Joe Duncan was also notable for his work with a large electrified diddley bow he called a Unitar. Some members of the Motown band "The Funk Brothers" are said to have learned to play the guitar on the diddley bow. Buddy Guy learned to play music on a two-string homemade diddley bow before getting his first guitar (a Harmony acoustic).

Recent performers who use similar instruments include New York City-based jazz pianist Cooper-Moore, American bluesman Seasick Steve, Samm Bennett, Danny Kroha, One String Willie, Chicago-based musician Andy Slater a.k.a. Velcro Lewis,[5] and Chicago-based percussionist Coco Elysses [de].[6] Jack White makes one at the beginning of the movie It Might Get Loud, then after playing it quips "Who says you need to buy a guitar?". Seasick Steve recorded a tribute to his diddley bow, via his song "Diddley Bo" from his 2009 album, Man From Another Time. [7]

Filmography edit

  • American Patchwork: Songs and Stories of America, part 3: "The Land Where the Blues Began" (1990). Written, directed, and produced by Alan Lomax; developed by the Association for Cultural Equity at Columbia University and Hunter College. North Carolina Public TV; A Dibb Direction production for Channel Four.[8]
  • It Might Get Loud, a 2008 documentary about the careers and influences of prominent rock guitarists, features Jack White building a diddley bow from scratch and playing a tune on it.

Discography edit

  • Louis Dotson - "Sitting on Top of the World" on Bothered All the Time, Southern Culture SC 1703[9]
  • Willie Joe (Duncan) and His Unitar – The track "Unitar Rock," is available on Teen Beat Vol 4., Ace CDCHD 655.[10] "Twitchy" and "Cherokee Dance" are available on The Specialty Story, Specialty 5SPCD-4412-2.[11]
  • Glen Faulkner – "Cotton Pickin' Blues," "Louisiana Blues," "Glory, Glory, Hallelujah," "Get Right Church And Lets Go Home," on The Spirit Lives On: Deep South Country Blues and Spirituals in the 1990s,[12] Hot Fox HF-CD-005 (German CD, now out of print).
  • Jessie Mae Hemphill – two tracks (one accompanied by Compton Jones) on Heritage of the Blues: Shake It, Baby, HighTone HCD 8156.[13] Two tracks (accompanied by Compton Jones and Glen Faulkner) on Get Right Blues, Inside Sounds ISC-0519.[14]
  • Compton Jones – One track, "Shake 'Em On Down," on Afro-American Folk Music from Tate and Panola Counties, Mississippi, Rounder 1515 (CD).[15] With booklet notes by diddley bow scholar, Dr. David Evans.[16]
  • Eddie "One String" JonesOne String Blues, Takoma Records CDTAK 1023.[17] Nine tracks, the first one an interview of Eddie Jones where he tells how he built his instrument. The booklet notes includes a drawing and some photographs of his instrument and of him playing.
  • The Almanac of Bad Luck 2009 by Tijuana Hercules.[18]
  • Lonnie Pitchford – Pitchford was another diddley bow master. He can be heard on four tracks on National Downhome Blues Festival Volume One, Southland SCD-21, "Train Coming Around the Bend," "My Babe," "Mary Had a Little Lamb" and "One-String Boogie." Two tracks on All Around Man, Rooster R2629;[19] "Real Rock Music: Crawlin' Kingsnake" and "My Babe." One track on Living Country Blues, Evidence ECD 26105-2 ("Boogie Chillen"). Also, another "One-String Boogie," and "My Baby Walked Away" on American Folk Blues Festival '83; "Johnny Stole An Apple," Living Country Blues USA - Volume 7: Afro-American Blues Roots; "My Baby Walked Away" on Living Country Blues USA - Volume 9: Mississippi Moan and (yet another) "One String Boogie" on Living Country Blues USA - Volume 10: Country Boogie
  • Napoleon Strickland – One track, "Key to the Blues," on Bottleneck Blues, Testament 5021 (CD).[20] (This same cut also appears on the CD Africa and the Blues).
  • One String Sam – Two cuts ("I Need $100" and "I Got to Go") from the 1973 Ann Arbor Blues and Jazz Festival[21] on Motor City Blues / Please Mr. Foreman,[22] Schoolkids' Records, SKR2101-2. Two tracks on Rural Blues Vol 1 (1934-1956), Document Records B000000J8B ("I Need $100" and "My Baby, Oooo" (studio versions).[23]
  • One String Willie - Seven tracks on A Store-Bought Guitar Just Won't Do, 10 tracks on You Gotta Hit the String Right to Make the Music Swing.[24]
  • Moses Williams – four tracks on a double-LP anthology of Florida blues produced by the Florida Folklife Program; Drop on Down In Florida, Florida Folklife LP 102-103. A double-CD-with-hardback book edition of this double-LP set has been released, adding ten further tracks.[25] Two CDs from the Florida Folklife Collection present Williams playing and singing "Which Way Did My Baby Go?" and "Apple Farm Blues".[26][27]
  • Velcro Lewis:[5]
    • The Oven's On 2007 by Velcro Lewis and His 100 Proof Band.[28]
    • The Bronze Age 2009 by the Velcro Lewis Group.
    • White Magick Summer 2010 by the Velcro Lewis Group.[29]

Similar instruments edit

See also edit

References edit

  1. ^ Chris Morris, I'm A Man: The Chess Masters, 1955–1958 liner notes, Geffen Records, February 2007
  2. ^ Tracy, Steven Carl (30 November 1999). Write Me a Few of Your Lines: A Blues Reader. University of Massachusetts Press. ISBN 1558492062. Retrieved 30 November 2018 – via Google Books.
  3. ^ Kubik, Gerhard (10 April 2008). Africa and the Blues. University of Massachusetts Press. ISBN 9781604737288. Retrieved 30 November 2018 – via Google Books.
  4. ^ "One String Sam | Biography & History". AllMusic. Retrieved May 6, 2021.
  5. ^ a b Mulkerin, Andy (January 7, 2010). "Chicago's Velcro Lewis Group unleashes primordial roots rock at Howlers". Pittsburgh City Paper. Retrieved 2022-07-13.
  6. ^ Gilbert, Andrew (June 7, 2022). "San Francisco Jazz Festival: 5 Essential Performers". San Francisco Standard. Retrieved 2022-07-13.
  7. ^ "Diddley Bo by Seasick Steve - Songfacts". Songfacts.com. Retrieved 30 November 2018.
  8. ^ Lomax, ), Alan; Congress), Copyright Collection; Congress), LC Off-Air Taping Collection (30 November 1990). "American patchwork–songs and stories of America. [No.] 101, Jazz parades–feet don't fail me now". Retrieved 30 November 2018 – via Trove.{{cite web}}: CS1 maint: multiple names: authors list (link)
  9. ^ "Bothered All the Time - Various Artists - Songs, Reviews, Credits - AllMusic". AllMusic. Retrieved 30 November 2018.
  10. ^ "Teen Beat, Vol. 4 - Various Artists - Songs, Reviews, Credits - AllMusic". AllMusic. Retrieved 30 November 2018.
  11. ^ "The Specialty Story [Box] - Various Artists - Songs, Reviews, Credits - AllMusic". AllMusic. Retrieved 30 November 2018.
  12. ^ "Various - The Spirit Lives On - Deep South Country Blues And Spirituals In The 90's". Discogs. Retrieved 30 November 2018.
  13. ^ "Heritage of the Blues: Shake It Baby - Jessie Mae Hemphill - Songs, Reviews, Credits - AllMusic". AllMusic. Retrieved 30 November 2018.
  14. ^ "Get Right Blues - Jessie Mae Hemphill - Songs, Reviews, Credits - AllMusic". AllMusic. Retrieved 30 November 2018.
  15. ^ "Afro-American Folk Music from Tate and Panola Counties, Mississippi - Various Artists - Songs, Reviews, Credits - AllMusic". AllMusic. Retrieved 30 November 2018.
  16. ^ "Afro-American Folk Music from Tate and Panola Counties, Mississippi - Various Artists - Credits - AllMusic". AllMusic. Retrieved 30 November 2018.
  17. ^ "One String Blues - Eddie "One String" Jones - Songs, Reviews, Credits - AllMusic". AllMusic. Retrieved 30 November 2018.
  18. ^ "Tijuana Hercules - Almanack Of Bad Luck". Discogs. Retrieved 30 November 2018.
  19. ^ "All Around Man - Lonnie Pitchford - Songs, Reviews, Credits - AllMusic". AllMusic. Retrieved 30 November 2018.
  20. ^ Wirz, Stefan. "Illustrated Testament Records discography". Wirz.de. Retrieved 30 November 2018.
  21. ^ "One String Sam - Biography & History - AllMusic". AllMusic. Retrieved 30 November 2018.
  22. ^ "Motor City Blues/Please Mr. Foreman - Various Artists - Songs, Reviews, Credits - AllMusic". AllMusic. Retrieved 30 November 2018.
  23. ^ "Release "Rural Blues, Volume 1 (1934-1956)" by Various Artists - MusicBrainz". Musicbrainz.org. Retrieved 30 November 2018.
  24. ^ "CDs". Onestringwillie.com. Retrieved 30 November 2018.
  25. ^ "Drop On Down In Florida (2012, Book, CD)". Discogs.com. Retrieved 19 April 2021.
  26. ^ "Music from the Florida Folklife Collection (2005, CD)". Discogs.com. Retrieved 19 April 2021.
  27. ^ "Where The Palm Trees Shake At Night (2011, CD)". Discogs.com. Retrieved 19 April 2021.
  28. ^ "Velcro Lewis And His 100 Proof Band / Tijuana Hercules - The Oven's On / Look Here". Discogs. Retrieved 30 November 2018.
  29. ^ "Velcro Lewis Group - White Magick Summer". Discogs.com. Retrieved 30 November 2018.

External links edit