Chung-Chuan Cheng (Chinese: 鄭瓊娟, 1931 – 6 January 2024)[1] was a Taiwanese painter, born in Hsinchu City, Taiwan. She was the granddaughter of philanthropist Lee His-Cin.[2]

While majoring in Fine Arts at National Taiwan Normal University, Chung-Chuan Cheng joined the Fifth Moon Art Group, encouraged to set up by a painting professor Ji-Chun Liao in 1957.[3] By the end of the same year, she gave up her studies and decided to reside in Japan with her husband. She did not work on any paintings for more than 30 years until she was nearly 60.

After that, she started holding solo exhibitions in Japan before returning to Taiwan for joining annual exhibitions of the Fifth Moon Art Group.[4] Just before her 80th birthday, Dr. Sun Yat-Sen Memorial Hall staged her art at an exhibition in 2011. Besides that, a private charity organization also took place to display her works for the benefit of the mental and physical disabled residents in Hsinchu.[5] In 2013, Taipei Fine Arts Museum invited Chung-Chuan Cheng to join the group exhibition “Women Adventurers: Five Eras of Taiwanese Art, 1930-1983”.[6]

She enjoyed leading a tranquil life and contentedly creating works.[7]

Painting works edit

Art characteristics edit

Chung-Chuan Cheng learned painting from several professors at National Taiwan Normal University, such as Ji-Chun Liao, Shih-Chiao Li, Teh-Chun Chu and Dou-Ci Sun. [citation needed] The artist used to represent still life portraits, and her art style tended to be realistic. After marrying a dentist, she devoted her attention to the family for several decades.

By the end of 1980s, she began to paint again in her sixtieth. Chung-Chuan Cheng in Japan can hardly have chances to go travelling, so those mountains or rivers of her works are not the real scenery. Moreover, some of her compositions look like veins or nerves and prove that medical books exert a strong influence on her. Regarding colors, the artist appreciates noble golden, mysterious black, passionate red colors. Her works conveys elegance, warmth, and vigor. Being a kind and simple artist, Chung-Chuan Cheng considered that she was a fortunate person and aimed to express love and positive ideas to everyone through her sincere creations.[7]

See also edit

References edit

  1. ^ 臺灣戰後女性藝術家鄭瓊娟辭世,享壽93歲 (in Chinese)
  2. ^ Cultural Affairs of Bureau, Hsin-Chu City, Filial Lee His-Cin Stone Arch Archived 14 July 2014 at the Wayback Machine
  3. ^ Posted by Powen Gallery
  4. ^ 《鄭瓊娟:滾動生命的燦爛與真實》:鄭瓊娟作,陳淑惠等執行編輯,新竹市,新竹市文化局,2008年出版,

    ISBN 978-986015035-3

  5. ^ 《鎏金風華 愛永傳遞:旅日畫家鄭瓊娟八秩華誕義展畫集》:鄭瓊娟作,陳貴鳳等執行編輯,新竹市,財團法人雙獅社會慈善事業基金會,2011年出版
  6. ^ 蔣雨芳 (2013). 臺灣現當代女性藝術五部曲 (1930-1983). 臺北市立美術館. ISBN 978-986-03-9479-5.
  7. ^ a b 《鄭瓊娟:煥發生命情志 再創審美自然》:鄭瓊娟作,白雪蘭編,台北市,霍克國際藝術股份有限公司,2005年出版